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Critics / Publications / Little White Lies

Other Info

Authors
    • Ed Andrews
    • Danny Bangs
    • Henry Barnes
    • Nikki Baughan
    • Anton Bitel
    • Matt Bochenski
    • Jonathan L. Bowen
    • Laurence Boyce
    • James Bramble
    • Mike Brett
    • Dan Brightmore
    • Laura Bushell
    • Ailsa Caine
    • Ruth Carruthers
    • Kezia Clark
    • Jonathan Crocker
    • Adrian D'Enrico
    • Aaron Davies
    • Jack Dundee
    • John Dunning
    • James B Evans
    • Priscilla Eyles
    • Paul Fairclough
    • Nell Frizzell
    • Nick Funnell
    • Matt Glasby
    • Lee Griffiths
    • Kat Halstead
    • Nick Hasted
    • Lorien Haynes
    • Jessica Holland
    • Sophie Ivan
    • David Jenkins
    • Ellen E Jones
    • Neon Kelly
    • James King
    • Andrea Kurland
    • Adam Lee Davies
    • Pat Liu
    • Alan Mack
    • Kevin Maher
    • Kingsley Marshall
    • David G. Martin
    • Sophie Mayer
    • Jonas Milk
    • Lucy Muss
    • Alexander Pashby
    • Emma Paterson
    • Steph Pomphrey
    • Monisha Rajesh
    • Limara Salt
    • Adrian Sandiford
    • Holly Shackleton
    • JW Smith
    • Janey Springer
    • Dan Stewart
    • Adam Tanswell
    • Steve Watson
    • Jon Williams
    • Jonathan Williams
    • Jonathon Williams
    • Josh Winning
    • Jason Wood
    • Adam Woodward

Little White Lies

  
a b c d e f g h i j k l ( m ) n o p q r s t u v w x y z Other   (1-27) of 27 400 Total
  
Source Table
Rating Title Year Quote Author

Tomato

Mad Detective (2008)

"Cleverly scripted, brilliantly acted and masterfully edited, Mad Detective explores the very human capacity to lose one's moral centre in a crisis."

Anton Bitel

Splat

Mad, Sad and Bad (2009)

"Mad, Sad & Bad is unengaging, even dull. Most frustratingly, its bitterness at the flip side of success for a new generation of British Asians is left unchanneled."

James Bramble

Tomato

Manhunt (2008)

"Original it is not, but there is ferocious sound design, a fantastic final girl -- and, at 78 minutes, it knows just when to cut and run."

Anton Bitel

Tomato
3/5

Margot at the Wedding (2007)

"Magnetic, subtly tragic and ultimatley sympathetic, worth a watch if only to remind yourself why you don't go home for Christmas anymore."

Tomato
3/5

The Mark of an Angel (2008)

"Mark of an Angel is formulaic in form and function, but it’s a nuanced and intriguing addition to the metier."

James Bramble

Tomato
3/5

Martyrs (2008)

"It will most definitely divide audiences, having already done so all over the world. But Laugier has contributed a brave, brutal and original horror film for all to witness."

Pat Liu

Tomato
3/5

Max Manus (2008)

"If there’s nothing distinctly ‘Norwegian’ about the way that Max Manus is filmed, it’s still an enjoyable and illuminating action adventure."

Matt Bochenski

Tomato

Me and Orson Welles (2009)

"Cleverly employing the florid self-consciousness of the theatre world into which it offers us a glimpse, Me and Orson Welles elicits an irresistible grin."

Emma Paterson

Splat
1/5

Mega Shark vs. Giant Octopus (2009)

"For those of you familiar with the trailer, you may as well stop here because you’ve already seen the best bits, pretty much in their entirety."

Adam Woodward

Tomato
3/5

The Men Who Stare at Goats (2009)

"Erring on just the right side of silliness, its combination of slapstick and off-the-cuff sitcom mostly hits the right marks."

Josh Winning

Tomato

The Merry Gentleman (2009)

"Keaton the director wisely draws a leaf from Clint Eastwood’s book. Keeping the framing neat, his style is the kind of unobtrusive classical filmmaking that is a dying breed in contemporary Hollywood."

Josh Winning

Tomato
3/5

Mesrine: Killer Instinct (2009)

"Killer Instinct and Public Enemy can’t escape the shadow of the films they might have been. Both earn their place in the gangster canon. But not even Jacques Mesrine can escape the constraints of cinema."

Matt Bochenski

Tomato

Mesrine: Part 2 - Public Enemy #1 (2009)

"Though never less than entertaining, Killer Instinct and Public Enemy can’t escape the shadow of the films they might have been. Both earn their place in the gangster canon. But not even Jacques Mesrine can escape the constraints of cinema."

Matt Bochenski

Splat
2/5

Michael Clayton (2007)

"Think old chewing gum with a masculine flavour."

Lorien Haynes

Tomato
3/5

Mid-August Lunch (2009)

"As single joke movies go, this droll, happy-go-lucky miniature from writer/director/actor Gianni Di Gregorio is easily one of the better ones."

Alan Mack

Tomato

The Midnight Meat Train (2008)

"this devilishly ambiguous thriller leaves viewers to decide whether to take the conventional or the less-traveled tunnel through its narrative network"

Anton Bitel

Tomato
4/5

A Mighty Heart (2007)

"A breathless and compelling cinematic experience."

Mike Brett

Tomato
3/5

Milk (2008)

"The real Milk – a former avid Republican, an egotist and to some a difficult man – seemed worthy of a dense, conflicted biopic. In the end, we have to be satisfied with Penn, doing Penn, doing Penn."

Kevin Maher

Tomato

Millénium - Le Film (2009)

"slyly inverts all manner of gender conventions by having its narrative orientation gradually shift from a rather unengaging, anodyne hero to an altogether more dynamic and self-reliant heroine (the girl of the title)"

Anton Bitel

Splat

Mirrors (2008)

"at some point Aja appears to have decided that he cannot be bothered with all this remake malarkey, and instead he just goes completely ape with his plotting...could well go on to become a cult classic."

Anton Bitel

Tomato
4/5

Mister Lonely (2008)

"In a choice between traditional and safe and experimental and flawed, opt for the latter every time."

Ellen E Jones

Tomato

Moliere (2007)

"Moliere is an exceptionally likeable period comedy, powered by impeccable performances from Luchini and the wonderful Laura Morante."

Matt Bochenski

Tomato
3/5

Moon (2009)

"This is a defiantly British film. It’s one we can be proud of – in moderation."

Matt Bochenski

Tomato

Mum & Dad (2008)

"the domestic horror of Fred and Rosemary West plays itself out as Mike Leigh-style awkward social tragicomedy, revealing murderously insane family dysfunction from the inside."

Anton Bitel

Tomato

Muriel (1963)

"Set in a town marked by extensive postwar reconstruction and in an apartment filled with restored antiques, Resnais' film traces the continuum between past and present, and the persistence of history in a world of change."

Anton Bitel

Splat
2/5

My Blueberry Nights (2008)

"Ill judged and swooning take on relationships and the US."

Splat

My Nikifor (2004)

"My Nikifor doesn't take a scenic tour of artistry through the Vaseline smeared lens of romanticism, but for those unfamiliar with Poland's national treasures, it may be a struggle through cold waters."

Ailsa Caine

  
a b c d e f g h i j k l ( m ) n o p q r s t u v w x y z Other   (1-27) of 27 400 Total
  
 
 
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