Splat 2/5 |
P (2005) |
Click here to see the review. |
Keith H. Brown |
Splat |
P2 (2007) |
"all the pieces are in place for a great thriller - and then, just like your typical Yuletide get-together, it all falls a little flat." |
Anton Bitel |
Tomato |
Padre Padrone (1977) |
"a film of careful balances, setting raw nature against refined culture, and offering family drama that grips from start to finish without once resorting to sentimentality." |
Anton Bitel |
Tomato 4/5 |
The Page Turner (2007) |
Click here to see the review. |
Paul Griffiths |
Tomato 3.5/5 |
Pageant (2008) |
"An entertaining portrait of some wonderfully larger than life characters, a mind blowing amount of effort and an incredible desire to win." |
George Williamson |
Tomato |
Pale Flower (1964) |
"a lost yakuza classic, part Bob Le Flambeur, part Rebel Without a Cause, but with an ecstatic blankness all its own." |
Anton Bitel |
Tomato 3.5/5 |
Palimpsest (2006) |
Click here to see the review. |
Angus Wolfe Murray |
Splat 2/5 |
Palindromes (2005) |
Click here to see the review. |
Angus Wolfe Murray |
Tomato 4/5 |
Pan's Labyrinth (2006) |
Click here to see the review. |
Jennie Kermode |
Splat 1/5 |
Pandaemonium (2001) |
"The facts are twisted out of recognition." |
Angus Wolfe Murray |
Tomato 3/5 |
Pandorum (2009) |
Click here to see the review. |
Jennie Kermode |
Tomato 4/5 |
Panic Room (2002) |
"Foster and Whitaker are especially fine. She is a lioness, protecting her cub, and he a reluctant villain, incapable of controlling his crew." |
Angus Wolfe Murray |
Splat 2/5 |
Panic Room (2002) |
Click here to see the review. |
Jennie Kermode |
Tomato 4/5 |
Paradise Lost 2: Revelations (2000) |
Click here to see the review. |
Nick Jones |
Tomato 5/5 |
Paradise Lost: The Child Murders at Robin Hood Hills (1996) |
Click here to see the review. |
Nick Jones |
Tomato |
Paranoia Agent - The Complete Collection (2004) |
"Boasting a sophisticated range of narrative modes and visual styles to match its different characters' delusions, it is engaging, enigmatic and always intelligent - and, like a baseball bat to the skull, it will make your head spin." |
Anton Bitel |
- |
Paranormal Activity (2009) |
"Peli exhibits paranormal skill at escalating tension, so that even the most banal visual elements... quickly become associated with unbearable menace and foreboding." |
Anton Bitel |
Splat 2/5 |
The Parent Trap (1998) |
Click here to see the review. |
Angus Wolfe Murray |
Tomato 4.5/5 |
Paris (2009) |
Click here to see the review. |
Jennie Kermode |
Tomato 3.5/5 |
The Parole Officer (2002) |
"Coogan's arrival on the big screen is hugely appreciated." |
Angus Wolfe Murray |
Tomato 4/5 |
Parpados Azules (2007) |
"The will they/won't they nature of the romance - so different in essence to your average Hollywood hug-in as chalk from chihuahuas - is beguiling for those who can cope without the usual romcom signposts." |
Amber Wilkinson |
Splat 2.5/5 |
Partition (2007) |
Click here to see the review. |
Jennie Kermode |
Splat 2.5/5 |
Party Monster (2003) |
"As a fictional biopic of a real person, Party Monster is a genuine oddity. It won't appeal to straights, because the adoration of celebrity and the need to be fabulous makes little sense, unless you're a girlie girl, or gay." |
Angus Wolfe Murray |
Tomato 4/5 |
The Party's Over (2003) |
"Rebecca Chaiklin and Donovan Leitch's documentary is a sobering reminder of what it feels like to be disenfranchised, young, poor and mute in what many commentators call "a police state"." |
Angus Wolfe Murray |
Tomato 4.5/5 |
The Passionate Friends (1949) |
Click here to see the review. |
Jennie Kermode |
Tomato 4/5 |
Patch Adams (1998) |
Click here to see the review. |
Angus Wolfe Murray |
Splat 2.5/5 |
The Patriot (2000) |
Click here to see the review. |
Angus Wolfe Murray |
Tomato 3.5/5 |
Patty Hearst (1988) |
Click here to see the review. |
Angus Wolfe Murray |
Tomato 4/5 |
Paulie (1998) |
Click here to see the review. |
Angus Wolfe Murray |
Tomato 3/5 |
Pauline and Paulette (2002) |
"The film is small in scope, yet perfectly formed." |
Angus Wolfe Murray |
Tomato 3.5/5 |
Pay It Forward (2000) |
Click here to see the review. |
Angus Wolfe Murray |
Splat 2/5 |
Payback (1999) |
Click here to see the review. |
Angus Wolfe Murray |
Splat 1.5/5 |
Peaches (2000) |
Click here to see the review. |
Angus Wolfe Murray |
Splat 2/5 |
Pearl Harbor (2001) |
"Films of this magnitude that are so empty defy logic." |
Angus Wolfe Murray |
Splat 1/5 |
Pecker (1998) |
Click here to see the review. |
Angus Wolfe Murray |
Splat 2/5 |
Perfect Blue (1997) |
Click here to see the review. |
Angus Wolfe Murray |
Splat 2.5/5 |
Perfect Creature (2006) |
Click here to see the review. |
Paul Griffiths |
Tomato 3/5 |
The Perfect Crime (2005) |
Click here to see the review. |
Gator MacReady |
Tomato 4/5 |
A Perfect Murder (1998) |
Click here to see the review. |
Angus Wolfe Murray |
Splat 2.5/5 |
The Perfect Storm (2000) |
Click here to see the review. |
Angus Wolfe Murray |
Tomato 4.5/5 |
Performance (1970) |
Click here to see the review. |
Jennie Kermode |
Tomato 3.5/5 |
Perfume: The Story of a Murderer (2006) |
Click here to see the review. |
Jennie Kermode |
Tomato |
Permanent Vacation (1980) |
"this student's film is surprisingly adult about its adolescent preoccupations - and well-nigh unmissable for the Jarmusch fan." |
Anton Bitel |
Tomato |
Persepolis (2007) |
"what might in other hands have been ethnographic agitprop is instead an engaging, character-based tragicomedy, grounded in what might be called the politics of real people." |
Anton Bitel |
Tomato 4.5/5 |
Personal Velocity (2002) |
Click here to see the review. |
Angus Wolfe Murray |
Tomato 3/5 |
The Personals (2001) |
Click here to see the review. |
Trinity |
Splat 1.5/5 |
Pervert! (2005) |
Click here to see the review. |
Paul Griffiths |
Tomato 3.5/5 |
The Pervert's Guide to Cinema (2009) |
Click here to see the review. |
Jennie Kermode |
Tomato 4/5 |
Peter Gabriel - Play (2004) |
Click here to see the review. |
The Dude |
Tomato 3/5 |
The Peter Pan Formula (2005) |
"The plot elements also have a habit of fizzling out, as the film zips off on a different tack, which is confusing and annoying in equal measure." |
Amber Wilkinson |
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