Tomato 3/4 |
Adam (2009) |
"Autism speaks and has plenty to say in Adam, the sweet-natured, atypical romance from writer/director Max Mayer." |
Lexi Feinberg |
Splat 2/4 |
Amelia (2009) |
"Stiff biopic of the legendary flier skims the surface of her achievements but never quite takes off." |
Joe Lozito |
Tomato 3.5/4 |
An Education (2009) |
"The plot is far from unfamiliar, but Scherfig's chic direction and Hornby's breezy script make it feel like a tantalizing new cuisine rather than yesterday's leftovers." |
Lexi Feinberg |
Splat 1.5/4 |
Angels & Demons (2009) |
"The team behind "The Da Vinci Code" returns to the ecclesiastic trough with this Vatican-based hooey that plays more like a Roman travelogue." |
Joe Lozito |
Tomato 2.5/4 |
Anvil! The Story of Anvil (2009) |
"This mildly moving documentary - about the best Canadian metal band you've never heard of - is nearly undermined by its own similarity to countless music mockumentaries past." |
Joe Lozito |
Tomato 3.5/4 |
Avatar (2009) |
"James Cameron's long-awaited, unspeakably expensive 3-D epic may not change the way we watch movies, but it's undeniably beautiful, engrossing, and sets a new bar in computer-generated animation. Not bad for the King of the World." |
Joe Lozito |
Tomato 3/4 |
Away We Go (2009) |
"John Krasinski eases into his role like a runner into his favorite pair of worn-in sneakers, embracing the hippie-like ways of Burt along with the unkempt facial hair." |
Lexi Feinberg |
Tomato 3/4 |
Australia (2008) |
"Baz Luhrmann's epic story of love and adventure isn't quite the classic it hopes to be, but it paints a vivid portrait of the titular continent on the brink of World War II." |
Joe Lozito |
Tomato 3/4 |
Across the Universe (2007) |
"What makes Across The Universe stand out (since its basic premise has been done to death, reincarnated, and done to death again) is that it's one of the most ambitious movie musicals in years." |
Lexi Feinberg |
Splat 2/4 |
Aliens Vs. Predator: Requiem (2007) |
"Respectable attempt to revive these two flagging franchises fares only slightly better than its predecessor, but still fails to generate an ounce of suspense or thrills." |
Joe Lozito |
Splat 2.5/4 |
Amazing Grace (2007) |
Click here to see the review. |
Joe Lozito |
Splat 2/4 |
The Assassination of Jesse James by the Coward Robert Ford (2007) |
"Unforgivably slow and over-titled attempt to dramatize the ignoble murder of the notorious outlaw features a fine performance by Casey Affleck as Ford." |
Joe Lozito |
Tomato 4/4 |
Atonement (2007) |
"Joe Wright's core-shaking romantic epic makes all the right moves and has something for just about everyone. Finally, a new love story worth falling in love with." |
Lexi Feinberg |
Splat 2.5/4 |
A Scanner Darkly (2006) |
Click here to see the review. |
Joe Lozito |
Tomato 3.5/4 |
Akeelah and the Bee (2006) |
Click here to see the review. |
Joe Lozito |
Tomato 3/4 |
American Hardcore (2006) |
Click here to see the review. |
Joe Lozito |
Splat 1/4 |
An American Haunting (2006) |
Click here to see the review. |
Joe Lozito |
Tomato 3/4 |
Apocalypto (2006) |
Click here to see the review. |
Joe Lozito |
Tomato 2.5/4 |
Aliens of the Deep (2005) |
" Once you get used to the "awesome" and "wow"-heavy dialogue, James Cameron's excursion into both 3-D technology and deep ocean trenches delivers some fascinating footage." |
Joe Lozito |
Splat 1/4 |
The Amityville Horror (2005) |
Click here to see the review. |
Joe Lozito |
Splat 2/4 |
Alexander (2004) |
Click here to see the review. |
Joe Lozito |
Splat 2/4 |
Alien vs. Predator (2004) |
Click here to see the review. |
Joe Lozito |
Splat 2/4 |
Anchorman: The Legend of Ron Burgundy (2004) |
No article available. |
Joe Lozito |
Tomato 3/4 |
The Assassination of Richard Nixon (2004) |
Click here to see the review. |
Joe Lozito |
Splat 2.5/4 |
The Aviator (2004) |
Click here to see the review. |
Joe Lozito |
Tomato 4/4 |
American Splendor (2003) |
Click here to see the review. |
Joe Lozito |
Splat 2.5/4 |
American Wedding (2003) |
Click here to see the review. |
Joe Lozito |
Tomato 4/4 |
About Schmidt (2002) |
Click here to see the review. |
Joe Lozito |
Tomato 4/4 |
Adaptation (2002) |
"It's almost mind-numbing to think how Mr. Kaufman could possibly follow-up this gem. I'm just glad I don't have to write it, but I'd be happy to watch what he goes through to create it." |
Joe Lozito |
Splat 2.5/4 |
Austin Powers in Goldmember (2002) |
Click here to see the review. |
Joe Lozito |
Tomato 3.5/4 |
Auto Focus (2002) |
Click here to see the review. |
Joe Lozito |
Splat 2.5/4 |
A.I. Artificial Intelligence (2001) |
"It's odd to see the nearly infallible Steven Spielberg so visibly unsure of himself." |
Joe Lozito |
Tomato 3/4 |
Ali (2001) |
Click here to see the review. |
Joe Lozito |
Tomato 3.5/4 |
Amelie (2001) |
Click here to see the review. |
Joe Lozito |
Tomato 3/4 |
American Pie 2 (2001) |
Click here to see the review. |
Joe Lozito |
Splat 2/4 |
Amores Perros (2001) |
Click here to see the review. |
Joe Lozito |
Tomato 3.5/4 |
Almost Famous (2000) |
"Most of the film is a testament to Mr. Crowe's impressive grasp of the music industry, its relationships, and its particular definition of cool and uncool." |
Joe Lozito |
Splat 1.5/4 |
American Psycho (2000) |
Click here to see the review. |
Joe Lozito |
Tomato 4/4 |
All About My Mother (1999) |
"All About My Mother is a wonderful Mother's Day card, in any language." |
Joe Lozito |
Tomato 3.5/4 |
American Beauty (1999) |
"Recently, Happiness and Election have taken pot shots at suburban morals and ethics, but none has hit so close to the bone and so on-target as American Beauty." |
Joe Lozito |
Splat 2/4 |
Any Given Sunday (1999) |
"With few surprises and little to say in this film, it is unclear why Oliver Stone was interested in making it in the first place." |
Joe Lozito |
Tomato 3/4 |
Arlington Road (1999) |
Click here to see the review. |
Joe Lozito |
Splat 2.5/4 |
Austin Powers: The Spy Who Shagged Me (1999) |
Click here to see the review. |
Joe Lozito |
Tomato 3/4 |
Analyze This (1998) |
"Not since Midnight Run has Mr. De Niro been afforded such a perfect opportunity to flex his comedic muscles." |
Joe Lozito |