- |
10 (1979) |
Click here to see the review. |
MaryAnn Johanson |
Splat |
10,000 B.C. (2008) |
"Oh my god: the silly, it burns. It burns!" |
MaryAnn Johanson |
Tomato 9/10 |
101 Dalmatians (1961) |
"101 Dalmatians has a lilting, lyrical charm that few other Disney films achieve." |
MaryAnn Johanson |
- |
101 Dalmatians (1996) |
Click here to see the review. |
MaryAnn Johanson |
Tomato 9/10 |
102 Dalmatians (2000) |
"Cruella is back, vampier and funnier than ever, and kids will love her all the more." |
MaryAnn Johanson |
Tomato |
The 11th Hour (2007) |
"This ain't bread-and-circuses [celeb] infotainment intended to distract us from the very real, very dangerous problems we face as a society. It's exactly the opposite, and absolutely terrifying." |
MaryAnn Johanson |
Splat |
12 Rounds (2009) |
"This ain't the real 12 Rounds. Not the actual movie. It's more like a storyboard. Or an animatic. That's it. Just to give you an idea of what the real movie's gonna look like. Man, you're gonna love it, I swear." |
MaryAnn Johanson |
Splat |
13 Going on 30 (2004) |
"You won’t stop expecting Tom Hanks to jump in and dance out ‘Chopsticks’ on the big flat piano on the floor..." |
MaryAnn Johanson |
Tomato 6/10 |
The 13th Floor (1999) |
Click here to see the review. |
MaryAnn Johanson |
Tomato 9/10 |
The 13th Warrior (1999) |
"The best, most enthralling adventure movie I've seen in a good while." |
MaryAnn Johanson |
Tomato |
1408 (2007) |
"Sure, this is pretty much an episode of The Twilight Zone, but it's a really, really good episode of The Twilight Zone" |
MaryAnn Johanson |
Splat |
15 Minutes (2001) |
"I watched an episode of Whose Line Is It Anyway? just before writing this, and it obviously warped my fragile little brain." |
MaryAnn Johanson |
Tomato |
16 Blocks (2006) |
"[G]oes all the way around from snark to serious, starts out like it's gonna rag on Die Hard and ends up being way more thoughtful and actually even sorta solemn about dirty cops, systemic corruption, and how damn exhausting New York City can be." |
MaryAnn Johanson |
Tomato |
17 Again (2009) |
"Efron dominates the screen with his charm and his effortless comic timing..." |
MaryAnn Johanson |
Tomato 9/10 |
1776 (1972) |
Click here to see the review. |
MaryAnn Johanson |
Tomato |
2 Fast 2 Furious (2003) |
"Very, very cool and very, very dumb." |
MaryAnn Johanson |
- |
2 X 4 (2004) |
Click here to see the review. |
MaryAnn Johanson |
Splat |
2012 (2009) |
"Emmerich wasn't content to merely make the biggest disaster movie ever: he had to make every disaster movie ever... [I]t's like something Ed Wood would have made if he had a budget..." |
MaryAnn Johanson |
Tomato |
21 (2008) |
"[A]lmost entirely preposterous -- never mind that it's apparently based on a true story -- and yet somehow wonderfully entertaining at the same time..." |
MaryAnn Johanson |
Tomato |
21 Jump Street - The Complete First Season (1987) |
"Oh my goodness, it’s one of my fantasies: Johnny Depp in a policeman’s uniform." |
MaryAnn Johanson |
Tomato |
24 Hour Party People (2002) |
"There’s nothing quite as amusing as watching the rise and fall of an arrogant prick who's both delusional and visionary." |
MaryAnn Johanson |
Tomato |
25th Hour (2002) |
"Not the kind of tale one expects to be so heart-stoppingly distressing, so emotionally devastating." |
MaryAnn Johanson |
Splat |
27 Dresses (2008) |
"[H]erewith the latest example of whalebone-corseted conformity masquerading as a postfeminist statement on modern independent womanhood..." |
MaryAnn Johanson |
Tomato |
28 Days Later (2003) |
"[H]umanistic and unsentimental, like some lost science fiction flick from the 70s that’s just been rediscovered." |
MaryAnn Johanson |
Tomato |
28 Weeks Later (2007) |
"And so as the world seemingly renews its dedication to taking itself straight to hell, even our horror movies suddenly seem less like mere entertainments and more like real-life fever dreams..." |
MaryAnn Johanson |
Tomato |
3-Iron (2005) |
"[B]eautifully, expressively quiet..." |
MaryAnn Johanson |
Splat |
30 Days of Night (2007) |
"The concept? Brilliant... The execution? Oh, dear." |
MaryAnn Johanson |
Tomato |
300 (2007) |
"This is one of those ur-stories that actually feels like a slice of ancient wonder and grandeur..." |
MaryAnn Johanson |
Splat |
3000 Miles to Graceland (2001) |
"This is so relentlessly wrongheaded and downright ugly a movie that you want to call The Hague and demand an international tribunal be formed to investigate possible crimes against humanity." |
MaryAnn Johanson |
Tomato |
3:10 to Yuma (2007) |
"[G]loriously old-fashioned in the best movie way, redolent of its pulpy, junky roots in the pure adventure thrills of dime novels but also heady with consequence..." |
MaryAnn Johanson |
Splat |
40 Days and 40 Nights (2002) |
"A cheap movie, false and phony, that thinks it’s about moving beyond cheapness and phoniness." |
MaryAnn Johanson |
Splat |
The 40-Year-Old Virgin (2005) |
"[T]his isn’t, at its heart, a comedy. It’s an achingly sad tale about loneliness and hopelessness..." |
MaryAnn Johanson |
Tomato |
The 4400 - The Complete First Season (2004) |
"[I]ts exploration of the realpolitik of a fantastical situation lives in gray moral shadows and finds all kind of new ground in unexpected places..." |
MaryAnn Johanson |
Splat 3/10 |
54 (1998) |
"I don't get that lifestyle, but I was hoping that 54 would show me why so many people find that appealing. It was not to be." |
MaryAnn Johanson |
Splat |
8 Mile (2002) |
"[Nothing] more than an Elvis film, except there’s a lot more sex and violence than Blue Hawaii and the music video sequences feature creative profanity instead of surfboards." |
MaryAnn Johanson |
Splat 3/10 |
8MM (1998) |
"If Schumacher wants to make some porn, fine -- First Amendment and all that. He can do whatever the hell he likes. But he can't pretend to make a statement against porn with a piece of voyeuristic and pornographic crap like 8MM." |
MaryAnn Johanson |
Splat |
8th and Ocean - The Complete First Season (2005) |
"Perhaps we're supposed to feel sorry to see this young dumbsters being taken advantage of by modeling agencies or poked and prodded by photographers and stylists; perhaps we're supposed to laugh at them -- I couldn't work up the enthusiasm for either." |
MaryAnn Johanson |
Tomato |
9 (2009) |
"[A] mysterious conundrum of a film that is beautifully grim to behold and actually sort of massively depressing by the time it's over... but in a good way..." |
MaryAnn Johanson |
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