Tomato |
I am a Sex Addict (2005) |
"I kinda don't wanna burst Zahedi's bubble, because at least he's being open and exploratory and honest about how infatuated with himself he is, which is more than can be said for most men, but still: Bwahahaha, get over yourself, dude." |
MaryAnn Johanson |
- |
I Am David (2004) |
Click here to see the review. |
MaryAnn Johanson |
Tomato |
I Am Legend (2007) |
"[M]agnificently disturbing.... a masterful rendering of a city stripped of its soul..." |
MaryAnn Johanson |
Splat |
I Am Sam (2002) |
"We're not supposed to consider how a man with the mental ability of a second-grader and no apparent outside emotional support except for an agoraphobic neighbor manages to bring a child through helpless infancy and into robust childhood." |
MaryAnn Johanson |
Splat |
I Am Trying to Break Your Heart (2002) |
"Plays like a checklist of everything Rob Reiner and his cast were sending up." |
MaryAnn Johanson |
Tomato |
I Capture the Castle (2003) |
"Warm and bittersweet and funny and a little bit heartbreaking." |
MaryAnn Johanson |
Splat |
I Hope They Serve Beer in Hell (2009) |
"Tucker Max [is] a child. A toddler. A three-year-old screaming, "Poopie, poopie, POOPIE!" at the top of his lungs in the middle of the supermarket..." |
MaryAnn Johanson |
- |
I Know What You Did Last Summer (1997) |
Click here to see the review. |
MaryAnn Johanson |
Splat |
I Know Who Killed Me (2007) |
"Bad is easy: this level of awful approaches the genius." |
MaryAnn Johanson |
Splat |
I Love You, Beth Cooper (2009) |
"In the real world, this would be called... passive-aggressive... but in the world of adolescent romantic comedies, this is deemed a charming and daring act by a 'nice guy'..." |
MaryAnn Johanson |
Splat |
I Now Pronounce You Chuck And Larry (2007) |
"Can the occasion of overgrown-fratboy goofball Adam Sandler and resolutely vanilla sitcom dad Kevin James in fagface be anything other than an invitation to laugh at icky queery flamboyant homos?" |
MaryAnn Johanson |
Tomato |
I Sell the Dead (2009) |
"[C]annot help but be more miss than hit..." |
MaryAnn Johanson |
Splat |
I Spy (2002) |
"Moronic even on the dumb-action-movie scale." |
MaryAnn Johanson |
Splat |
I Think I Love My Wife (2007) |
"Rock's idea of 'edgy'? Jokes about boners, Viagra, and how nasty rap music scares white people." |
MaryAnn Johanson |
Tomato 9/10 |
I Went Down (1997) |
Click here to see the review. |
MaryAnn Johanson |
Tomato |
I'll Sleep When I'm Dead (2004) |
"[S]trip[s] the mobster film down to its bare essentials, and the result is stark and relentless..." |
MaryAnn Johanson |
Tomato |
I'm Not There (2007) |
"[A] challenging meditation on fame, creativity, on larger-than-life personality, and on whether pop culture can be ever be art, or art pop culture.... [E]ndlessly provocative..." |
MaryAnn Johanson |
Splat |
I, Robot (2004) |
"[B]reaks new cinematic ground in the realm of speculative scientific philosophy... for 1953." |
MaryAnn Johanson |
- |
Ice Age (2002) |
Click here to see the review. |
MaryAnn Johanson |
Splat |
Ice Age: Dawn of the Dinosaurs (2009) |
"This is how far cartoons have descended in the last decade and a half: The Lion King was Shakespearean. Ice Age is Everybody Loves Raymondean." |
MaryAnn Johanson |
Tomato |
The Ice Harvest (2005) |
"[E]xactly the kind of bitter black burlesque that goes down real smooth at holiday time..." |
MaryAnn Johanson |
Splat |
Ice Princess (2005) |
"Was the world really crying out for The Mighty Ducks meets The Princess Diaries?" |
MaryAnn Johanson |
Tomato |
The Ice Storm (1997) |
"Disturbing and discomfiting, The Ice Storm is a slice of lonely, desperate reality that I hope I never visit." |
MaryAnn Johanson |
Tomato 9/10 |
An Ideal Husband (1999) |
"I liked Oliver Parker's film adaptation even better, for reasons I can sum up in two words: Rupert Everett. And not cuz he's scrumptious. Or gay." |
MaryAnn Johanson |
Splat |
Identity (2003) |
"Cuz you can’t bear to think that Cusack would betray us, you keep trying to convince yourself that the flick is trying to be more than what it seems." |
MaryAnn Johanson |
Tomato |
Idiocracy (2006) |
"[E]ven more trenchant, more damning, more -- hell, I'll say it -- revolutionary than Office Space." |
MaryAnn Johanson |
Tomato |
Idlewild (2006) |
"[F]antasy like we like our movies to be, a cinematic phantasmagoria of a dream version of the past... lush, rich, ridiculously romantic..." |
MaryAnn Johanson |
Splat |
Igby Goes Down (2002) |
"Even Culkin’s intensely mordant performance here can’t make this pointless and brutal film watchable." |
MaryAnn Johanson |
Tomato |
Igor (2008) |
"Has there ever been so amiably demented a flick as this one...?" |
MaryAnn Johanson |
- |
Illegal Aliens (2007) |
Click here to see the review. |
MaryAnn Johanson |
Splat |
Illegal Aliens (2007) |
"[T]he desperate attempt at high camp is alternately awful, stupid, and boring..." |
MaryAnn Johanson |
Splat |
Illegal Tender (2007) |
"Can you say 'overwrought,' boys and girls? I knew you could." |
MaryAnn Johanson |
Tomato |
The Illusionist (2006) |
"There is magic in The Illusionist, and I don't mean merely the magic of stage conjurers, like the character this wonderfully mysterious and dreamy film turns on. There is movie magic, of the type that reminds you why you fell in love with movies in" |
MaryAnn Johanson |
Splat |
Imagine Me & You (2006) |
"Insufferably cutesy, this twee British flick acts like it invented lesbianism -- Isn't it adorable how women can be gay, too? -- and pats itself heartily on the back for its own cleverness." |
MaryAnn Johanson |
Splat |
Imagine That (2009) |
"[O]ddly underpowered, disappointingly scattershot... [A] blandly tedious workplace 'comedy'..." |
MaryAnn Johanson |
- |
IMAX - Dolphins (2000) |
Click here to see the review. |
MaryAnn Johanson |
- |
IMAX - The Dream Is Alive (1985) |
Click here to see the review. |
MaryAnn Johanson |
Tomato |
Importance of Being Earnest (2002) |
"This hundred-year-old nonsense is fresher, sillier, more vibrant, more delicious than anything of recent vintage." |
MaryAnn Johanson |
Tomato 9/10 |
The Impostors (1998) |
Click here to see the review. |
MaryAnn Johanson |
- |
In & Out (1997) |
Click here to see the review. |
MaryAnn Johanson |
Tomato |
In America (2003) |
"Keepsake childhood secrets and family tales that grow longer with every retelling: that’s the warmth that envelops even the moments that are stormy or scary..." |
MaryAnn Johanson |
Tomato |
In Bruges (2008) |
"[I]ntellectual slapstick, a ticklish combination of comic torment, a brutal grasping of life's fickleness, and sheer bloody violence that is like a shout in the dark against it..." |
MaryAnn Johanson |
Tomato |
In Debt We Trust (2006) |
"[S]how[s] how at the mercy of major banking corporations are the American middle and lower classes, and how the bottom must inevitably fall out." |
MaryAnn Johanson |
Tomato |
In Good Company (2004) |
"Witty and warm and wise in all the ways it can be..." |
MaryAnn Johanson |
Tomato |
In Her Shoes (2005) |
"[U]nderstand[s] and appreciate[s] the special madnesses of women in our culture that sends us all sorts of mixed messages about what we’re supposed to be..." |
MaryAnn Johanson |
- |
In Living Color - Season 1 (1990) |
Click here to see the review. |
MaryAnn Johanson |
Tomato |
In Living Color - Season 2 (2004) |
"[I]ncisive, hilarious social commentary and pop-cultural satire..." |
MaryAnn Johanson |
Tomato |
In My Country (2005) |
"[E]xhaustingly heartbreaking... An unforgettable film about justice..." |
MaryAnn Johanson |
Tomato |
In My Skin (2003) |
"[T]hought-provoking, if you can sit through it..." |
MaryAnn Johanson |
Tomato |
In the Bedroom (2001) |
"Small, personal, and human throughout, this almost uncomfortably raw film stabs you in the heart with emotion." |
MaryAnn Johanson |
IGN RSS Feeds
