Tomato 6/10 |
I Am Legend (2007) |
"The opening act is too magnificent for the terrible ending to wreck it." |
Tim Brayton |
Splat 4/10 |
I Know What You Did Last Summer (1997) |
"It can't even lay claim to the thin joy of being a tremendously bad and trashy wallow in the gutter. It's just... useless." |
Tim Brayton |
Splat 1/10 |
I Know Who Killed Me (2007) |
"There is nothing about this film that's even a bit redeeming, and so much that's so utterly wrong that whenever you think "it can't get any worse than this moment", you are proven incorrect." |
Tim Brayton |
Tomato 8/10 |
I Served the King of England (2008) |
"A funny and charming take on the basic Horatio Alger model, deepened by the filmmakers' invocations of the history of cinema and the national character of Czechoslovakia." |
Tim Brayton |
Tomato 8/10 |
I Shot Jesse James (1949) |
"Fuller points out the absurdity of the entire concept of modern myth-making, and kicks off the grand tradition of subversive neo-Westerns." |
Tim Brayton |
Splat 2/10 |
I Still Know What You Did Last Summer (1998) |
"I have seen many stupid movies in my life. But [this] would still count among the stupidest, had I seen twice a many movies in half again as many genres." |
Tim Brayton |
Splat 5/10 |
I Think I Love My Wife (2007) |
"A roly-poly CBS sitcom, only with more liberal use of the f-word." |
Tim Brayton |
Splat 4/10 |
I'll Always Know What You Did Last Summer (2006) |
"Not bad enough to be good." |
Tim Brayton |
Tomato 7/10 |
I'm Not There (2007) |
"Presents its arguments with the imagination of a thesis paper...pleasurable, although exceedingly hard." |
Tim Brayton |
Splat 6/10 |
Ice Age: Dawn of the Dinosaurs (2009) |
"I can't figure out how a character as great [as Scrat] keeps ending up in movies like this." |
Tim Brayton |
Tomato 7/10 |
Idiots and Angels (2008) |
"You're not going to come out of the movie a [Plympton] fan if you don't go in as one." |
Tim Brayton |
Tomato 8/10 |
Il Divo (2009) |
"Inventive and fun... Toni Servillo gives a truly exquisite performance, easily the finest seen on U.S. screens in 2009 thus far." |
Tim Brayton |
Tomato 9/10 |
In Bruges (2008) |
"A near-masterpiece, impossible to pigeonhole or predict. It is the kind of great movie that could only be made by a neophyte." |
Tim Brayton |
Tomato 6/10 |
In Search of a Midnight Kiss (2008) |
"Notwithstanding its quintessentially indie need to develop character through quirk rather than, y'know, characterisation...the opening fifteen or twenty minutes are actually pretty great." |
Tim Brayton |
Tomato 7/10 |
In the Cut (2003) |
"A failed thriller, if a thriller it was intended to be. But it is a great success as... a study of female sexual psychology in a world of hypermasculine violence." |
Tim Brayton |
Tomato 10/10 |
In the Loop (2009) |
"As fine and hilarious a political comedy as any we've had in a generation." |
Tim Brayton |
Splat 2/10 |
In the Name of the King: A Dungeon Siege Tale (2008) |
"Like all Uwe Boll films, it is terrible. Sadly, it is perhaps not terrible enough." |
Tim Brayton |
Tomato 7/10 |
In the Shadow of the Moon (2007) |
"An active and engaging look at the human side of the Apollo program." |
Tim Brayton |
Tomato 7/10 |
In the Valley of Elah (2007) |
"Mostly effective, if not altogether imaginative." |
Tim Brayton |
Splat 5/10 |
The Incredible Hulk (2008) |
"A wholly mediocre comic movie...to belabor the pun that everyone else has already belabored, there's nothing about it that's even a little bit incredible." |
Tim Brayton |
Tomato 8/10 |
The Indian Tomb (1959) |
"It isn't nearly so precisely made as its predecessor, although more happens." |
Tim Brayton |
Tomato 8/10 |
Indiana Jones and the Kingdom of the Crystal Skull (2008) |
"It stands up just fine to Temple of Doom and Last Crusade, and it does not stand up to Raiders, and this is all that a sane person would have ever hoped for." |
Tim Brayton |
Tomato 8/10 |
The Informant! (2009) |
"A good movie it is, but to this Soderbergh junkie, alas, just a hint shy of great." |
Tim Brayton |
Tomato 8/10 |
Inglourious Basterds (2009) |
"This is filmmaking at its bravest, and whether Tarantino is a genius or a fool, he does nothing by accident." |
Tim Brayton |
Splat 5/10 |
Inkheart (2009) |
"There are moments of absolute wonder to be had. Just not enough to make the film anything more than a painless misfire." |
Tim Brayton |
Tomato 10/10 |
The Insider (1999) |
"Not a single shot could be improved in either lighting or framing; nor is there even a single cut that could be moved by so much as a frame without damaging the exactitude of its placement." |
Tim Brayton |
Tomato 7/10 |
Intermezzo (1939) |
"It is first and best an Ingrid Bergman delivery system, and you can never really have too much of that, wouldn't you agree?" |
Tim Brayton |
Splat 5/10 |
The International (2009) |
"There are dashes of style here and there that almost threaten to make the movie halfway worthwhile." |
Tim Brayton |
Splat 6/10 |
Interview (2007) |
"There is precious damn little about watching a reporter and an actress trying to outsmart each other that could possibly be described as "compelling."" |
Tim Brayton |
Splat 5/10 |
Into the Wild (2007) |
"I am overwhelmed by the intensity of theme, and underwhelmed by the sophomoric content thereof, and so I end up in the middle, sort of whelm-neutral." |
Tim Brayton |
Splat 4/10 |
The Invasion (2007) |
"The Invasion, although it does some things awfully well, assumes that you are an idiot." |
Tim Brayton |
Tomato 10/10 |
Invasion of the Body Snatchers (1956) |
"One of the very best sci-fi/horror pictures of one of that genre's best decades." |
Tim Brayton |
Tomato 9/10 |
Invasion of the Body Snatchers (1978) |
"If not quite as great as its predecessor, still a pretty damn fine genre picture." |
Tim Brayton |
Tomato 8/10 |
Invictus (2009) |
"A pretty darn satisfying but undemanding story about politics, sports, and men doing their jobs as best they can." |
Tim Brayton |
Splat 3/10 |
The Invisible (2007) |
"A mash-up of Ghost and The O.C. with a point-of-view directed with uncompromising resolve at the protagonist's navel." |
Tim Brayton |
Tomato 7/10 |
Iron Horse (1924) |
"It's hard to argue that the film is more than very competent." |
Tim Brayton |
Tomato 7/10 |
Iron Man (2008) |
"Something that everyone needs to know before they set foot in the theater: STAY AFTER THE CLOSING CREDITS. BEST BONUS SCENE EVER." |
Tim Brayton |
Tomato 6/10 |
It is Fine! EVERYTHING IS FINE (2007) |
"Any response to this film is aggressively subjective...Did I enjoy the film? I did not." |
Tim Brayton |
Tomato 7/10 |
It's a Free World (2007) |
"Even if it collapses in on itself a bit, there's still a rough power underneath everything that makes it worth a look." |
Tim Brayton |
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