ROTTEN TOMATOES: Rotten Tomatoes: Celebrities - Celebrity Movie Stars from your Favorite Movies

Film and Felt

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(1-24) of 24 185 Total

Source Table
Rating	Title Year	Quote	Author

Tomato 4/4	Samurai 1 - Musashi Miyamoto (1954)	"Aggressively plunging into a rich story and never relenting, Hiroshi Inagaki's Samurai I: Musashi Miyamoto provides the same snappy pacing and riveting battle sequences that made Akira Kurosawa legendary."	Gabe Leibowitz
Tomato 92/100	Samurai Rebellion (1967)	"As powerful, meditative, and gripping as anything Akira Kurosawa, Kenji Mizoguchi, Yasujiro Ozu, or other Japanese masters have created."	Gabe Leibowitz
Tomato 82/100	Scarface (1932)	"Hawks displays balls of steel, using the filmic medium to challenge the free reign of mobsters in the 1930's."	Gabe Leibowitz
Tomato 59/100	Scarface (1983)	"DePalma loves blood and guts-nothing wrong with that!"	Gabe Leibowitz
Tomato 3.5/4	School of Rock (2003)	"An energetic burst that rises above its flaws to become one of the most entertaining pictures of 2003."	Gabe Leibowitz
Splat 22/100	Seed of Chucky (2004)	"For an easy zero star picture, Seed of Chucky isn't that bad. Okay, I'm lying-it definitely is that bad."	Gabe Leibowitz
Splat 37/100	Sharkwater (2007)	"It's hard not to admire a man with such admiration for the obscure, but Grizzly Man did it much better."	Gabe Leibowitz
Tomato 78/100	Sherlock Holmes (2009)	"At last, Guy Ritchie has found the perfect vessel for his sugar-rush, hyper-kinetic style of filmmaking."	Gabe Leibowitz
Tomato 3/4	The Simpsons Movie (2007)	"Thankfully, the cinematic adaptation bears a strong resemblance to the great early Simpsons episodes, with a consistent script, nonstop jokes, and lots & lots of Homer."	Gabe Leibowitz
Tomato 59/100	A Single Man (2009)	"There's enough here, mostly driven by Firth's Oscar-caliber performance, to make A Single Man worthwhile viewing, if not close to compulsory."	Gabe Leibowitz
Tomato 69/100	Sisters (1973)	"A spooky and thematically rich thriller, one that explores the psyche (with an evils-of-racism subtext) without drifting into heavy-handedness."	Gabe Leibowitz
Tomato 100/100	Spirited Away (2002)	"Spirited Away transcends masterpiece status. Composed of layer upon layer, it creates its own terminology."	Gabe Leibowitz
Tomato 3.5/4	Springtime in a Small Town (2004)	"Even potentially crushing situations are diffused by the respect each character has for one another."	Gabe Leibowitz
Tomato 85/100	The Squid and the Whale (2005)	"Relentless in its condemnation of childish parenting and irresponsibility, Noah Baumbach's uncomfortable The Squid and the Whale ranks as one of 2005's best films by pulling no punches whatsoever."	Gabe Leibowitz
Splat 1/4	The Station Agent (2003)	"A dull and obvious film posing as a subtle character study."	Gabe Leibowitz
Tomato 2.5/4	The Story of the Last Chrysanthemum (1939)	"This is a decent movie, but I admit to being baffled by its inclusion in discussions of Mizoguchi's best work, let alone the greatest films of all-time."	Gabe Leibowitz
Tomato 83/100	Strangers on a Train (1951)	"Even more marvelous after a second viewing"	Gabe Leibowitz
Tomato 77/100	Sugar (2009)	"A penetrating exploration of the hardships that Dominican baseball recruits face in making to the major leagues."	Gabe Leibowitz
Tomato 83/100	The Sun (2005)	"The early portions of The Sun are almost nightmarish in their cold shots of Hirohito trudging slowly through bleak hallways, coiffed to a sterile perfection."	Gabe Leibowitz
Tomato 99/100	Sunset Boulevard (1950)	"Few pictures are greater than Sunset Boulevard, Billy Wilder's scathing assault on Hollywood's magnetism, aura, and fear of watching it pass you by..."	Gabe Leibowitz
Tomato 72/100	Super Size Me (2004)	"One of the most terrifying reality checks I've ever seen, predominantly horrifying yet frequently hilarious (that Spurlock's girlfriend is a Vegan chef is the topper)."	Gabe Leibowitz
Splat 43/100	Superbad (2007)	"Maybe I would have been better off seeing Superbad before it became an instant cult classic."	Gabe Leibowitz
Tomato 3.5/4	Suspiria (1977)	"The final revelations aren't especially difficult to discern and ultimately are a tad unrewarding but Argento never takes his foot off the atmospheric pedal, and the anxiety in the viewer lingers until the credits begin to roll."	Gabe Leibowitz
Tomato 74/100	Sweeney Todd: The Demon Barber of Fleet Street (2007)	"The imagery, music, and intoxicating blend of vengeance and madness--with just a smidgen of Priest; you'll see, if you don't already know--will linger long after you leave the theater."	Gabe Leibowitz

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