Dahmer (2002)

"The best thing Dahmer has going for it is its structure, with several well-integrated flashbacks shedding light on one harrowing present day of action."

Daredevil (2003)

"If [Affleck] has ambitions to continue his career as a third-rate comic book hero he first should take lessons in How to Angst Properly."

Dark Blue (2003)

""Oh, the Inanity!" DARK BLUE tackles police corruption and morality amid the Rodney King riots. At the press junket, journalists investigate fashion designers, nudity clauses, and why Kurt doesn't marry Goldie."

Dark Star (1974)

"This is allegedly a comedy, but it's so amateur-hour that it's difficult to find laughs when the poor soundtrack muffles most of the dialogue."

Darling (1965)

"Julie Christie won Best Actress and Frederic Raphael Best Screenplay, but I was most impressed with Dirk Bogarde as the spurned lover in John Schelsinger's morality fable about a modern girl's implacable vacuousness."

Dead Man Walking (1995)

"It's a stunning testament to the power that resides in love, forgiveness, and a respect for humanity–all of which shine through every frame."

Deep Blue Sea (1999)

"There's enough munching and crunching to satisfy most audience members, and also some nifty tweaking of convention along the way."

Deep Impact (1998)

"Unlike Armageddon, this film possesses a plot. Granted, it is the insipid plot of a made-for-TV miniseries, but at least it is an actual, tangible plot."

Derrida (2002)

"Asks what truth can be discerned from non-firsthand experience, and specifically questions cinema's capability for recording truth."

The Devil's Rejects (2005)

"In the genre of low-budget hillbilly slasher movies, it's a masterpiece."

The Devil's Rejects (2005)

"Cast interviews with Sid Haig, Ken Foree, Bill Moseley & Sheri Moon Zombie."

Dirty Pretty Things (2003)

"Profile and Interview: Audrey Tautou"

A Dirty Shame (2004)

"Takes this country's Puritanical-hypocritical fixation on what we should and should not do with our body parts, and sublimely violates it."

District B13 (2006)

"Besson's script may be formulaic crap, but he obviously still has an eye for fresh action talent, and an instinct for how to show it off."

Dodsworth (1936)

"William Wyler's best film."

Dogtown and Z-Boys (2002)

"It doesn't take a hardcore sidewalk surfer to appreciate the enthusiasm and spirit of Dogtown and Z-Boys."

Dolemite (1975)

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The Door in the Floor (2004)

"Bridges, a consistently under-appreciated actor, does arguably the best work of his career..."

Dopamine (2003)

"The "LOVE IS REAL! NO, IT'S NOT!" banter kills the film's core issue rather than underscoring it."

Double Team (1997)

"If you're honestly wondering whether this film is any good, I can't help you."

Down and Out with the Dolls (2003)

"A true independent filmmaker, Kurt Voss talks about the making of DOWN AND OUT WITH THE DOLLS and SUGAR TOWN, and goes over his career directing rock n' roll movies and drawing paychecks in the low-budget action genre."

Downfall (2005)

"You feel privy to mysterious secrets and a monumental unraveling... It's impossible to look away."

Dream For An Insomniac (1997)

"...the sort of insufferably pretentious, urbanite poseurs that insufferably pretentious, urbanite poseurs wish they could be"

Dumb and Dumber (1994)

"The Farrelly Bros. funniest film, if not their best."

Dummy (2003)

"Packing in a clutch of well-rounded characters in farcical (but just short of far-fetched) situations, DUMMY takes its lead from the romantic-screwball comedies of the 1930s and '40s."