Tomato A- |
Maborosi (1995) |
"Illuminating. Subdued. Ambient. Symmetry. Ruminating." |
Jeff Vorndam |
Tomato B |
The Machinist (2004) |
"Even in a time when weight gains and losses in the service of a role have become commonplace, Bale has accomplished an astonishing change." |
Carlo Cavagna |
- |
The Magdalene Sisters (2003) |
"Profile & Interview: PETER MULLAN. The talented Scottish actor's latest directorial effort, The Magdalene Sisters, is winning prizes and upsetting the Vatican. A lot." |
Carlo Cavagna |
Tomato B- |
The Magdalene Sisters (2003) |
"Two hours of, "This is wrong!" can be difficult to bear. What makes The Magdalene Sisters much better than a censorious browbeating is the girls themselves..." |
Carlo Cavagna |
Tomato A+ |
Magnolia (1999) |
"the most audacious, courageous, and cinematically complex filmmaking of the year... a deeply collaborative tightrope walk of immense proportions." |
Dana Knowles |
Splat C |
Man on Fire (2004) |
"Character development consists of sticking a bottle in Creasy's hand." |
Carlo Cavagna |
Splat D+ |
Man on the Moon (1999) |
"If the notion of watching Carrey pull off a complex physical imitation of Kaufman appeals to you, the absence of further enlightenment may not matter at all." |
Dana Knowles |
Tomato B+ |
The Man Who Wasn't There (2001) |
"Negation is a theme in the film; characters are defined by what they didn't do, effort is revealed to be useless, and introspection and investigation fruitless tasks." |
Jeff Vorndam |
Tomato 3/5 |
The Man Who Would Be King (1975) |
No article available. |
Jeff Vorndam |
Tomato B |
The Manchurian Candidate (2004) |
"Meryl Streep chews scenery like a starved goat." |
Frances Nicole Rogers |
Splat D |
Manderlay (2006) |
"The most self-important, heavy-handed film since...well, since DOGVILLE." |
Carlo Cavagna |
- |
Manderlay (2006) |
"Bryce Dallas Howard talks about working with Lars Von Trier, the film's political dimensions, and how surprised she was when she saw the final cut." |
Carlo Cavagna |
Tomato B- |
Manito (2003) |
"A solid effort... however, the dissonance between Manito as "realistic urban ethnography" and "high ghetto drama" is just too apparent to reconcile." |
Erika Hernandez |
Splat F |
Mannequin (1987) |
"The epitome of the cheezy 1980s movie" |
Carlo Cavagna |
Tomato B |
Mansfield Park (1999) |
"An agreeable and reasonably charming fusion of the titular novel and Ms. Austen's personal writings." |
Dana Knowles |
Tomato A |
Maria Full of Grace (2004) |
"Marston doesn't cheat by sensationalizing his subject matter, and the result is a sensational piece of work.
" |
Erika Hernandez |
Tomato 4/5 |
Marnie (1964) |
No article available. |
Jeff Vorndam |
Splat C |
The Marriage of Maria Braun (1978) |
"This is what happens when theme is emphasized over story--a series of inorganic plot developments constructed to suit Fassbinder's indictment of postwar Germany." |
Carlo Cavagna |
Tomato 3/5 |
The Marriage of Maria Braun (1978) |
"I appreciated this movie more for its mise-en-scene (which, given Fassbinder's idiosyncratic style, often begs to be beheld) than its allegorical content. The arrangement of the actors in the screen-space, so conspicuously unnatural, has a comedic and dis" |
Jeff Vorndam |
Tomato B |
Marvin's Room (1996) |
"A terminal illness movie that doesn't beat you over the head with overwrought sentimentality" |
Carlo Cavagna |
Tomato B- |
The Matador (2005) |
"insubstantial, but fun" |
Carlo Cavagna |
Tomato A- |
Match Point (2005) |
"Thank goodness Allen has left New York and left himself out of the script." |
Carlo Cavagna |
Tomato A |
The Matrix (1999) |
"A reminder of how exhilirating it is when Hollywood hits a home run" |
Carlo Cavagna |
Tomato B |
The Matrix Reloaded (2003) |
"A disappointing sequel to a magnificent film that nearly regresses to the status of "just another action flick."" |
Frances Nicole Rogers |
Splat C+ |
The Matrix Revolutions (2003) |
"The danger of sentinels, who rip through flesh more brutally than they do metal, is far more potent than that of exiled programs doing cartwheels on the ceiling." |
Frances Nicole Rogers |
Tomato 3/5 |
Maverick (1994) |
No article available. |
Jeff Vorndam |
Splat C- |
Maybe Baby (2001) |
"not exactly fertile ground for mordant satire" |
Carlo Cavagna |
Splat C+ |
Me Without You (2002) |
"It drags on well past its climax, and covers too large a time period to settle into a groove." |
Jeff Vorndam |
Splat 2/5 |
Meetings With Remarkable Men (1979) |
No article available. |
Jeff Vorndam |
Tomato A- |
Memento (2001) |
"It is a film about subjectivity, and so the truth remains just beyond our reach..." |
Carlo Cavagna |
Splat D+ |
Men in Black II (2002) |
"It's an 88-minute highlight reel that's 86 minutes too long." |
Carlo Cavagna |
Tomato 4/5 |
Men With Guns (1997) |
No article available. |
Jeff Vorndam |
Splat D- |
Message in a Bottle (1999) |
"Kevin Costner's...surly pouting and willful detachment are so unappealing that director Luis Mandoki is forced to resort to the dreadful falling in love by montage approach." |
Dana Knowles |
Splat D |
The Messenger: The Story of Joan of Arc (1999) |
"It is a symptom of how little I was enjoying the movie that I couldn’t wait for the interrogations to be over so they could just burn the girl." |
Jeff Vorndam |
Tomato 3/5 |
Midnight Express (1978) |
No article available. |
Jeff Vorndam |
Tomato 4/5 |
Midnight Run (1988) |
No article available. |
Jeff Vorndam |
Tomato 3/5 |
Mifune (1999) |
No article available. |
Jeff Vorndam |
Tomato A+ |
Miller's Crossing (1990) |
Click here to see the review. |
Alison Tweedie-Perry |
Tomato B |
Million Dollar Baby (2004) |
"Though Million Dollar Baby weighs in as another solid entry on Eastwood's resume, Paul Haggis's script stages a fixed fight." |
Carlo Cavagna |
Splat C |
The Minus Man (1999) |
Click here to see the review. |
Alison Tweedie-Perry |
Tomato 3/5 |
The Miracle of Morgan's Creek (1944) |
"Zany." |
Jeff Vorndam |
Splat 2/5 |
Miracle on 34th Street (1994) |
No article available. |
Jeff Vorndam |
Tomato 5/5 |
Mishima - A Life in Four Chapters (1985) |
"A beautiful, haunting, and thoughtful work -- along with Blue Collar it's Schrader's best film." |
Jeff Vorndam |
Splat F |
Mission to Mars (2000) |
"De Palma has nothing new to say and no new way of saying it." |
Carlo Cavagna |
Tomato B- |
Mission: Impossible II (2000) |
"[T]he removal of latex masks every twenty minutes doesn't really constitute plot twists unless you're a twelve year old." |
Glenn Sheridan |
Splat C |
Mondays in the Sun (2003) |
"As boring as a trip across Kansas on a Greyhound bus." |
Carlo Cavagna |
Tomato A- |
Monsoon Wedding (2002) |
"delightfully rendered" |
Carlo Cavagna |
Tomato B- |
Monster (2003) |
"Is Monster about Wuornos' transformation into a serial killer, or Theron's transformation into Wuornos?" |
Carlo Cavagna |
- |
Monster (2003) |
"Charlize Theron discusses her remarkable transformation. Plus, Christina Ricci, Bruce Dern, and Patty Jenkins share their impressions of Theron's award-winning performance." |
Carlo Cavagna |
Tomato 4/5 |
Monty Python's The Meaning of Life (1983) |
No article available. |
Jeff Vorndam |