Tomato 5/5 |
Cabaret (1972) |
"This viscerally powerful, deliriously inspired musical stands the test of time, and then some." |
Peter Bradshaw |
- |
Cabin Fever (2003) |
Click here to see the review. |
|
Splat 2/5 |
Cadillac Records (2008) |
"Sadly the movie conforms to all the music-biopic stereotypes we've seen in Walk the Line, Ray and Dreamgirls." |
Peter Bradshaw |
Splat 1/5 |
The Caiman (2006) |
"Muddled and messy anti-Berlusconi satire now looks even more exasperating than when I first saw it." |
Peter Bradshaw |
- |
Calendar Girls (2003) |
Click here to see the review. |
|
- |
Calvaire (2005) |
Click here to see the review. |
Peter Bradshaw |
- |
Camp (2003) |
Click here to see the review. |
|
- |
Candy (1968) |
Click here to see the review. |
Peter Bradshaw |
Tomato 4/5 |
Candy (2006) |
"An excellent, heartfelt film to compare with Darren Aronofsky's Requiem for a Dream." |
Peter Bradshaw |
Splat 1/5 |
El Cantante (2007) |
"There is something entirely dead about Lopez's performance. No matter how superficially lively she makes it, she is always simply mouthing the lines. Never mind Jenny from the block. Jenny is the block. Of wood." |
Peter Bradshaw |
Splat |
Captain Corelli's Mandolin (2001) |
"What a droopy, disappointing film this is." |
Peter Bradshaw |
Splat 2/5 |
Captain Eager and the Mark of Voth (2008) |
"In the end there is something rather depressing about a film willing itself to be so crappy." |
Cath Clarke |
Splat 1/5 |
Captivity (2007) |
"The film itself is a very sorry and unthrilling piece of nastiness, peddling some pretty crass nonsense about what it imagines to be female psychology." |
Peter Bradshaw |
- |
Carandiru (2004) |
Click here to see the review. |
Peter Bradshaw |
Tomato 3/5 |
Carmen Jones (1954) |
"Every frame, you feel, is freighted with the tension imposed by the never-appearing white folks. It was, however, laudable in its desire to showcase the talents of African-American performers who were denied opportunities in Hollywood." |
Andrew Pulver |
- |
Carnage (2003) |
Click here to see the review. |
|
Splat 2/5 |
Carriers (2009) |
"Plays like Zombieland's humourless twin: with none of the gags and, unfortunately, not many of its genuine moments of tension." |
Peter Bradshaw |
Splat 2/5 |
Cars (2006) |
"Smooth, but bland and forgettable." |
Peter Bradshaw |
Tomato 5/5 |
Casablanca (1942) |
"Irresistible, big-hearted film-making." |
Peter Bradshaw |
- |
Casanova (2005) |
Click here to see the review. |
Peter Bradshaw |
- |
Cashback (2007) |
Click here to see the review. |
Cath Clarke |
Splat 2/5 |
Cass (2008) |
"It is a bit better than many recent lipsmacking movies on similar subjects... but there's still the same self-serving, self-sentimentalising macho nonsense." |
Peter Bradshaw |
Splat 1/5 |
Cassandra's Dream (2008) |
"Woody Allen still insists on making movies at the rate of one a year, but he clearly needs to slow down. A lot." |
Steve Rose |
- |
Catch a Fire (2006) |
Click here to see the review. |
Peter Bradshaw |
Splat 1/5 |
Catch and Release (2007) |
"A ghastly sort of Nora Ephron-ish good taste pervades this romcom-tearjerker." |
Peter Bradshaw |
- |
Cats & Dogs (2001) |
Click here to see the review. |
|
Tomato |
Celine and Julie Go Boating (1976) |
"Dialogue is minimal and events, such as they are, are propelled by a whimsicality characteristic of its era." |
Andrew Pulver |
Tomato 3/5 |
Celine and Julie Go Boating (1976) |
"A defiantly unhurried and opaque film in our consumer-friendly commercial cinema." |
Peter Bradshaw |
- |
The Center of the World (2001) |
Click here to see the review. |
|
- |
Centre Stage (1992) |
Click here to see the review. |
|
- |
Chang - A Drama of the Wilderness (1927) |
Click here to see the review. |
|
- |
Change of Address (2006) |
Click here to see the review. |
Cath Clarke |
Tomato 3/5 |
Changeling (2008) |
"What a bold, virile, operatic piece of film-making from this 78-year-old director. He is now well into a remarkable late period, and I sense we ain't seen nothing yet." |
Peter Bradshaw |
- |
Changing Lanes (2002) |
Click here to see the review. |
|
Splat 1/5 |
Charles Dickens' England |
"A bizarrely stilted, placid, agonisingly slow and hypnotisingly wooden documentary presented by Sir Derek Jacobi. It is like something that might appear on schools TV if everyone behind the camera had been smoking a Constable-Hay-Wain quantity of ganja." |
Peter Bradshaw |
- |
Charlie (2005) |
Click here to see the review. |
|
Splat 2/5 |
Charlie Bartlett (2007) |
"The promising themes peter out as the film loses direction, though, and Bartlett is neither sympathetic enough to root for nor dumb enough to laugh at." |
Steve Rose |
Splat 2/5 |
Charlie Wilson's War (2007) |
"It all adds up to something very unsatisfying, and less than honest." |
Peter Bradshaw |
Splat |
Charlie's Angels: Full Throttle (2003) |
"The title refers to the speed with which the film is cut by its director, a specialist in music videos. It could also apply to what otherwise peaceable folk might want to do should they get their hands around his throat." |
Philip French |
- |
Charlotte Gray (2001) |
Click here to see the review. |
|
Tomato 3/5 |
Charlotte's Web (2006) |
"It's hard to go wrong with a cute liddle piggy." |
Andrew Pulver |
Splat 2/5 |
The Chaser (2009) |
"It's atmospheric but derivative, and I didn't find the denouement's Christian imagery convincing." |
Peter Bradshaw |
Tomato 3/5 |
Che, Part One (2008) |
"It is far from being a biopic, more a cinematic extrapolation of Che's iconic status, and by that token it may exasperate some. Others will be engrossed by this flawed, sprawling, intriguing movie." |
Peter Bradshaw |
Tomato 4/5 |
Che, Part Two (2008) |
"Che Two is deeply impressive: austerely confident, coherent and mysterious." |
Peter Bradshaw |
- |
Cheaper by the Dozen (2003) |
Click here to see the review. |
Xan Brooks |
- |
Cheeni Kum (2007) |
Click here to see the review. |
Phelim O'Neill |
Splat 1/5 |
Cheri (2009) |
"Michelle Pfeiffer deserved the finest vehicle for her comeback. This is the film-equivalent of a knackered Trabant with four bald tyres and a farting exhaust." |
Peter Bradshaw |
Tomato 3/5 |
Cherry Blossoms (2009) |
"This is a sweet-natured piece, and though the final section in Tokyo itself is sentimental and over-extended, there are poignant, mordant insights." |
Peter Bradshaw |
Tomato 3/5 |
Chevolution (2008) |
"Film-makers Trisha Ziff and Luis Lopez ask how and why the wisdom of the crowd decided that this image should not merely be a badge of youth radicalism, but an icon of purity." |
Peter Bradshaw |
- |
Chi-hwa-seon (2002) |
Click here to see the review. |
|
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