- |
The Da Vinci Code (2006) |
Click here to see the review. |
Peter Bradshaw |
Splat |
Daddy Day Camp (2007) |
"Criminally lazy follow-up to the syrupy family comedy Daddy Day Care." |
Cath Clarke |
- |
Daddy Day Care (2003) |
Click here to see the review. |
|
Tomato 4/5 |
The Damned United (2009) |
"This is a fresh, intelligent transformation, terrifically involving all the way through; it has responded to the human drama and found a persuasive anti-hero in Clough. His story has been recreated as mainstream entertainment with tremendous watchability." |
Peter Bradshaw |
Splat 2/5 |
Dan in Real Life (2007) |
"It's amiable enough, but the ickiness levels are too high and Juliette Binoche always looks uncomfortable in this shallow-end material." |
Peter Bradshaw |
- |
The Dancer Upstairs (2003) |
Click here to see the review. |
|
- |
Dancing at the Blue Iguana (2001) |
Click here to see the review. |
|
- |
Dangerous Parking (2007) |
Click here to see the review. |
Cath Clarke |
Splat 1/5 |
Dans Paris (2007) |
"Like a 90-minute toothache-twinge." |
Peter Bradshaw |
Tomato 3/5 |
Daredevil (2003) |
"Unconvincing touches aside, it's exhilarating stuff showing the kind of darkness Tim Burton once shed on the Batman legend." |
Peter Bradshaw |
Splat 2/5 |
The Darjeeling Limited (2007) |
"A precious, self-admiring and fatally misjudged serio-comedy." |
Peter Bradshaw |
- |
Dark Blue (2003) |
Click here to see the review. |
|
- |
Dark Blue World (2001) |
Click here to see the review. |
|
- |
Dark horse (2005) |
Click here to see the review. |
Andrew Pulver |
Tomato 4/5 |
The Dark Knight (2008) |
"Watching the first dizzying, vertiginous overhead shot of the glittering skyscrapers and minuscule streets, I literally forgot to breathe for a second or two, and found myself teetering forward on my seat..." |
Peter Bradshaw |
- |
Dark Water (2002) |
Click here to see the review. |
|
Splat 1/5 |
Darkness Falls (2003) |
"Darkness fell along with my eyelids, during this dire by-the-numbers horror film." |
Peter Bradshaw |
Splat |
Darkness Falls (2003) |
"A mish mash of horror-movie clichés." |
Philip French |
Splat 1/5 |
Date Movie (2006) |
"This is a deeply rubbish film." |
Peter Bradshaw |
- |
Dave Chappelle's Block Party (2006) |
Click here to see the review. |
Steve Rose |
- |
Dawn of the Dead (2004) |
Click here to see the review. |
|
- |
A Day at the Races (1937) |
Click here to see the review. |
|
- |
The Day I Became A Woman (2001) |
Click here to see the review. |
|
Tomato 5/5 |
Day of Wrath (1943) |
"Carl Theodor Dreyer's 1943 parable about witch-finding and witch-burning in 17th-century Denmark is coldly brilliant." |
Peter Bradshaw |
Splat 2/5 |
Day Watch (2007) |
"Big, stupid and nonsensical" |
Xan Brooks |
Splat 1/5 |
Daylight Robbery (2008) |
"Daylight Robbery has the away day, the-sun-shines-outside-of-Walford feel of an Enders special. All told, a bit of a Regi Blinker." |
Cath Clarke |
Tomato 5/5 |
Days and Nights in the Forest (1970) |
"From this beginning, aided by the beautiful, luminous black-and-white cinematography of Soumendru Roy, Ray contrives an extraordinary world, at once Arcadian and yet possessed of utter, unforced naturalness and reality." |
Peter Bradshaw |
- |
Days of Glory (1944) |
Click here to see the review. |
Peter Bradshaw |
Tomato 4/5 |
The Dead (1988) |
"Fine performances from everyone, and a self-effacing, enigmatic star turn from Anjelica Huston herself." |
Peter Bradshaw |
- |
Dead End (2004) |
Click here to see the review. |
|
Splat 2/5 |
Dead Man Running (2009) |
"It'll shift serious DVD units, and is not as bad as it could have been." |
Peter Bradshaw |
Tomato 5/5 |
Dead of Night (1945) |
"A classic of English cinema." |
Peter Bradshaw |
- |
Dead of Night (1999) |
Click here to see the review. |
|
Splat 2/5 |
Dead Silence (2007) |
"A reasonable shocker." |
Peter Bradshaw |
Tomato 3/5 |
Dean Spanley (2008) |
"This is a charming and eccentric little family comedy for the older generation. It's like a Werther's Original sweet that's for grandpa only." |
Peter Bradshaw |
- |
Dear Frankie (2005) |
Click here to see the review. |
|
Splat 2/5 |
Death at a Funeral (2007) |
"Scientists believe that black holes can slow down the progress of time. A similar effect can be felt by viewers of this damp squib of a farce as it grinds on from one lame set-up to the next." |
Phelim O'Neill |
Splat 2/5 |
Death Defying Acts (2008) |
"The movie is over-schematic, slow-moving and over-furnished. It never seems to come alive with any believable interplay of characters; the movie locks itself into a watertight tank of a premise, and the handcuffs won't come off." |
Peter Bradshaw |
- |
Death in Venice (1971) |
Click here to see the review. |
|
Tomato 5/5 |
The Death of Mr. Lazarescu (2006) |
"It seems extraordinary to claim that this film is funny but it is." |
Peter Bradshaw |
Splat 2/5 |
Death Proof (2007) |
"A horror-comic splatterfest set in 2007, but somehow filmed in 1972, about a posse of women taking revenge on a murderous, misogynist stunt-driver." |
Peter Bradshaw |
Splat 2/5 |
Death Race (2008) |
"Once out of the starting grid, the film proceeds to edit the action so dementedly that one struggles to work out whose car just exploded, who flipped over and who's driving the one with the missile-launcher on the roof." |
Xan Brooks |
Splat 1/5 |
Death Sentence (2007) |
"Only drinking a pint of paint-stripper would leave a nastier taste in the mouth." |
Peter Bradshaw |
- |
Deathwatch (2002) |
Click here to see the review. |
|
- |
Decasia: The State of Decay (2002) |
Click here to see the review. |
|
Splat 1/5 |
December Boys (2007) |
"There is no magic in Daniel Radcliffe's first non-Potter movie: it's an incredible clunker: naff, sentimental, like an episode of the treacly US TV show The Wonder Years." |
Peter Bradshaw |
Splat 1/5 |
Deception (2008) |
"It is about as erotic as a midweek National Express coach journey to Hitchin." |
Peter Bradshaw |
- |
Deep Breath (2001) |
Click here to see the review. |
|
- |
The Deep End (2001) |
Click here to see the review. |
|
- |
Deep Sea (IMAX) (2006) |
Click here to see the review. |
Andrew Pulver |
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