Tomato |
C.R.A.Z.Y. (2005) |
"A boundlessly energetic coming-of-age story set during the Age of Aquarius/" |
Michael Rechtshaffen |
Splat |
Cabin Fever (2003) |
"Too often potential elements of suspense and true terror are sacrificed for intended laughs (in-jokes and otherwise) that don't always materialize." |
Michael Rechtshaffen |
- |
The Cabin in the Woods (2011) |
"Whedon's Cabin in the Woods Fits Four More" |
|
Tomato |
Caché (2005) |
"In unraveling a nearly forgotten secret in the life of a self-satisfied and smug French intellectual, Haneke probes deeply into issues involving guilt, communication and willful amnesia." |
Kirk Honeycutt |
Splat |
Cactus (2008) |
"Suspenseful misadventure gets off to a roaring start but doesn't deliver the goods." |
Sura Wood |
Tomato |
Cadillac Records (2008) |
"In watching this film, it's best not to worry much about the film's fidelity to history but rather simply lean back and enjoy one great jam session on film." |
Kirk Honeycutt |
- |
Caffeine (2007) |
Click here to see the review. |
|
Splat |
Caffeine (2007) |
"The claustrophobic and poorly executed Caffeine is either a play in search of a movie or a movie in search of a play but, either way, it's searching for the wrong thing." |
Kirk Honeycutt |
Tomato |
The Caiman (2006) |
"A warm family drama pops through the seams of a film within-a-film about Silvio Berlusconi." |
Duane Byrge |
- |
The Calcium Kid (2004) |
Click here to see the review. |
|
Tomato |
Calendar Girls (2003) |
"A grown-up comedy that is warm, winning and sexy." |
Ray Bennett |
Tomato |
California Company Town (2009) |
"Lee Anne Schmitt's simultaneously haunting and tiresome documentary is like a New Age western with its fond look backward and harsh criticism of the present." |
Eric Monder |
Splat |
The Californians (2005) |
"Largely due to a loose, inconsistent script by Parker and Catherine di Napoli, it plays like a formulaic TV movie." |
Sura Wood |
Tomato |
Calle 54 (2001) |
"The film will greatly appeal to current fans of the musical genre and should win over more than a few converts." |
Frank Scheck |
Splat |
Calle Santa Fe (2007) |
"More a home movie than a documentary film." |
Duane Byrge |
Tomato |
Calvaire (2005) |
"By the time it reaches its final act, the film rivals its American counterparts in intensity if not quite in explicit violence." |
Frank Scheck |
Tomato |
The Camden 28 (2007) |
"Director Anthony Giacchino doesn't always relate the tale in the clearest fashion, but his sometimes overly emotional approach... doesn't detract from its essential fascination." |
Frank Scheck |
- |
Camera Obscura (2003) |
Click here to see the review. |
|
Tomato |
Camp (2003) |
"Graff ... at least has his heart in the right place, and those expressive, talented kids are the real deal." |
Michael Rechtshaffen |
- |
Campaign (2008) |
Click here to see the review. |
|
Tomato |
Campfire (2004) |
"A believable household in transition, messy emotions and all." |
Sheri Linden |
- |
Candy (1968) |
Click here to see the review. |
|
Splat |
El Cantante (2007) |
"Unfortunately, the music is as irresistible as the tired story of a musician succumbing to substance abuse is resistible." |
Kirk Honeycutt |
Tomato |
Canvas (2007) |
"An unusually sensitive take on schizophrenia." |
Frank Scheck |
Tomato |
The Canyon (2009) |
"Bad things happen to good people in this intermittently effective chiller." |
Stephen Farber |
Splat |
Cape Of Good Hope (2005) |
"The film's strengths are offset by flaws including an excessiveness cutesiness (there are far too many shots of adorable puppies), a tendency toward sentimental cliches and too many jarring shifts in tone." |
Frank Scheck |
Tomato |
Capitalism: A Love Story (2009) |
"This is a typical Moore oeuvre: funny, often over the top and of dubious documentation, but with strongly made points that leave viewers much to ponder and debate after they walk out of the theater." |
Deborah Young |
Tomato |
Capote (2005) |
"An exceptional movie that digs deeply into an artist at the height of his creativity." |
Kirk Honeycutt |
Tomato |
Captain Abu Raed (2008) |
"Belies the inexperience of its makers, for it's a substantial, deeply moving film that has the potential to captivate audiences everywhere." |
Stephen Farber |
Tomato |
Captain Corelli's Mandolin (2001) |
"Comes engagingly close to being the assured romantic epic you would want it to be." |
Mark Adams |
Splat |
Captain Pantoja and the Special Services (1999) |
"Wears one down with a long running time and diminishing returns on its wicked premise." |
David Hunter |
Splat |
Captivity (2007) |
"What made the esteemed director of The Killing Fields and The Mission stoop to this is anybody's guess." |
Frank Scheck |
Tomato |
Capturing the Friedmans (2003) |
"For certain, things are never black or white, always gray. Yet after viewing this film, one is persuaded that even gray has many shades and hues." |
Kirk Honeycutt |
Tomato |
Caramel (2008) |
"Warm-hearted and accessible." |
John DeFore |
Tomato |
Carandiru (2004) |
"Hector Babenco, long absent from world cinema because of illness, makes a triumphant re-entry with Carandiru." |
Kirk Honeycutt |
- |
Carlo Giuliani, Ragazzo (2002) |
Click here to see the review. |
|
Splat |
Carlos Castaneda: Enigma of A Sorcerer (2004) |
"Not only doesn't provide any real information, it barely manages to convey why we should care." |
Frank Scheck |
Splat |
Carman: The Champion (2001) |
"Corny as, uh, heck, with no shortage of weak performances and some glaring technical glitches." |
Michael Rechtshaffen |
- |
Carnage (1984) |
Click here to see the review. |
|
- |
Cars (2006) |
Click here to see the review. |
|
Tomato |
Cars (2006) |
"While the other guys are still hawking talking animals, the folks at Pixar continue to up the anthropomorphic ante with terrific characters and crowd-pleasing storytelling that are as much a part of the company's much-deserved success as all that state-of" |
Michael Rechtshaffen |
Splat |
Casa de los Babys (2003) |
"The digging into each of these women's lives stays shallow and seldom uncovers anything unexpected." |
Kirk Honeycutt |
Tomato |
Casablanca (1942) |
"Across seven decades, the Humphrey Bogart-Ingrid Bergman starrer has emerged as Americans' default favorite movie." |
Douglas Pratt |
Tomato |
Casanova (2005) |
"At last, a stylish and sexy comedy for grownups." |
Ray Bennett |
Tomato |
The Case of the Grinning Cat (2006) |
"Demonstrates that this cinematic provocateur [director Chris Marker] has lost little of his gift for social observation." |
Frank Scheck |
Tomato |
Cashback (2007) |
"A flair for language both cinematic and verbal elevates an ordinary coming-of-age comedy of little substance." |
Sheri Linden |
- |
Casino Royale (1967) |
"YouTube Partners with Sony, Lionsgate" |
|
Tomato |
Casino Royale (2006) |
"A Bond reboot that explores the fascinating early career of 007." |
Kirk Honeycutt |
Tomato |
Cast Away (2000) |
"Zemeckis does an excellent job of finding visual means to express Chuck's isolation and thought process." |
Kirk Honeycutt |
Tomato |
Casting About (2007) |
"A simultaneously dispiriting and inspiring portrait of the auditioning process that will be of great interest to actors and casting directors." |
Frank Scheck |
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