Splat |
G-Force (2009) |
"A 3D ball of energy, but its furry characters are flatly run-of-the-treadmill." |
Michael Rechtshaffen |
- |
G.I. Jesus (2006) |
Click here to see the review. |
|
Splat |
G.I. Joe: The Rise of Cobra (2009) |
"Not that the characters matter, because the screenwriters and director Stephen Sommers are determined to mainly deliver one high-octane, heavily CGI-laden action set piece after another, to ultimately deadening effect." |
Frank Scheck |
Splat |
Gabrielle (2005) |
"Chereau spoils it all by frequently resorting to trivial mannerisms, slipping gratuitously into black and white, using freeze frames, slow motion or sudden fades to white and inserting silent movie-style titles." |
Bernard Besserglik |
Splat |
The Game of Their Lives (2005) |
"The Game of Their Lives has a great sports story to tell, yet the filmmakers fumble it away." |
Kirk Honeycutt |
Tomato |
Game Over - Kasparov and the Machine (2003) |
"Tells a gripping story that resonates with numerous subtexts." |
Frank Scheck |
- |
The Game Plan (2007) |
Click here to see the review. |
|
Splat |
The Game Plan (2007) |
"There is less of a story here than a series of gag situations..." |
Kirk Honeycutt |
Splat |
Gamer (2009) |
"Crass, nonstop action triumphs over narrative and character in this movie-length simulation of a video game." |
Kirk Honeycutt |
Splat |
Games of Love and Chance (2005) |
"It is a provocative and potentially rich premise, to be sure, but the execution here is somewhat lacking." |
Frank Scheck |
Splat |
Games People Play: New York (2004) |
"An exercise in the rankest sort of cynicism." |
Kirk Honeycutt |
Splat |
Gangs of New York (2002) |
"Whether or not a longer version would have given the film more texture and dimension, this one presents a blinkered vision of American history." |
Kirk Honeycutt |
Splat |
Garage Days (2003) |
"In trying to create an air of libertine cool, Proyas succeeds in looking like someone who's trying too hard." |
Erin Free |
Tomato |
Garcon Stupide (2006) |
"A credible portrait of alienation." |
Sheri Linden |
Tomato |
Garden State (2004) |
"An extremely well-modulated and mature work, especially for a first-time filmmaker." |
Duane Byrge |
Splat |
Garfield the Movie (2004) |
"This one's strictly for the kiddies." |
Michael Rechtshaffen |
Splat |
Garfield: A Tail of Two Kitties (2006) |
"This mangy sequel just isn't up to scratch." |
Michael Rechtshaffen |
Splat |
Garmento (2003) |
"This shaky satire set in New York's garment district is consistently undone by an inconsistency of tone and less-than-assured directing and acting." |
Frank Scheck |
Tomato |
Gasoline (2001) |
"
Containing elements from more than a few of its similarly themed predecessors, the loopy but tautly staged Gasoline still manages to be engrossing throughout its brief running time." |
Frank Scheck |
Splat |
Gaudi Afternoon (2001) |
"For a while, the sheer exoticism of the characters and the setting provides a certain amount of interest, but the film's farcical situations, mostly involving the sexual orientation of its characters, ultimately prove tiresome." |
Frank Scheck |
Splat |
The General's Daughter (1999) |
"General's Daughter strives to be a political nail-biter in the tradition of Fred Zinnemann, Alan J. Pakula and Oliver Stone, but there's really no comparison." |
David Hunter |
- |
Genova (2008) |
Click here to see the review. |
|
Splat |
Gentleman Bandit (2000) |
"Amounts to minimal entertainment with nothing to recommend it." |
David Hunter |
Splat |
Gentlemen Broncos (2009) |
"The relentlessly (and overbearingly) quirky imagination of filmmaker Jared Hess yields diminishing returns in his third feature." |
Frank Scheck |
Splat |
George A. Romero's Diary of the Dead (2008) |
"This Living Dead exercise delivers far less monstrosity and a great deal of pomposity, not to mention dull characters who aren't nearly as lively as those dead guys." |
Michael Rechtshaffen |
Tomato |
George A. Romero's Land of the Dead (2005) |
"The latest installment could well be Romero's masterpiece." |
Michael Rechtshaffen |
Splat |
Georgia Rule (2007) |
"This strained dramedy falls well outside of the director's comfort level." |
Michael Rechtshaffen |
Splat |
Gerry (2003) |
"The film wears you down in all the wrong ways." |
Kirk Honeycutt |
Splat |
Get Carter (2000) |
"Isn't likely to satisfy either action buffs or the actor's fans." |
Kirk Honeycutt |
Splat |
Get Over It (2001) |
"Underneath all the fuss, there's a half-baked plot that fails to make much of a connection." |
Michael Rechtshaffen |
Splat |
Get Rich or Die Tryin' (2005) |
"For all its biographical truth, Get Rich's journey into a ghetto of hustlers, gangstas and mindless violence is all too familiar." |
Kirk Honeycutt |
- |
Get Smart (2008) |
Click here to see the review. |
|
Splat |
Get Smart (2008) |
"This is a slap-dash effort whose producers threw money and stunts onscreen instead of the satirical gags and one-liners that made the old spy spoof so memorable." |
Kirk Honeycutt |
- |
Gettin' Square (2003) |
Click here to see the review. |
|
Tomato |
Ghost in the Shell 2: Innocence (2004) |
"Highly imaginative design by Oshii and production designer Tanada Yohei dominates the film as they creates surreal landscapes in dark though vivid colors." |
Kirk Honeycutt |
- |
Ghost Rider (2007) |
Click here to see the review. |
|
Splat |
Ghost Rider (2007) |
"This comic book adaptation is likely to flame out fast." |
Frank Scheck |
Splat |
Ghost Ship (2002) |
"A lame script, featuring sorry dialogue and a senseless story, is more likely to provoke laughs than screams from its intended audience." |
Kirk Honeycutt |
Tomato |
Ghost Town (2008) |
"This lower-key effort offers up a winning mix of sharp comedy and touching bits that keeps the laughter -- a few tears -- flowing." |
Michael Rechtshaffen |
Tomato |
Ghost World (2001) |
"Energetically hilarious and embracing of out-of-the-mainstream folk." |
David Hunter |
Splat |
Ghosted (2009) |
"Lesbian and supernatural themes combined to less-than-stellar effect." |
Frank Scheck |
Tomato |
Ghosts (2006) |
"Veteran documentary filmmaker Nick Broomfield makes an impressive leap to features with Ghosts." |
James Greenberg |
Tomato |
Ghosts of Abu Ghraib (2007) |
"Not only does the film thoroughly and skillfully explain the context in which something as heinous as Abu Ghraib could happen, it attempts to understand the psychology of those involved." |
James Greenberg |
Tomato |
Ghosts of Cite Soleil (2007) |
"It's an unforgettable, visceral journey into the heart of darkness, grueling poverty and anarchy." |
Sura Wood |
Splat |
Ghosts of Girlfriends Past (2009) |
"As written by Jon Lucas and Scott Moore and directed by Mark Waters, the movie clumps through one witless if not wince-evoking sequence after another without the relief of laughter." |
Kirk Honeycutt |
Tomato |
Ghosts of the Abyss (2003) |
"The footage of the old ship, whose ghostly grandeur is still apparent despite nearly 90 years of existence underwater, speaks volumes." |
Kirk Honeycutt |
- |
Giant (1956) |
Click here to see the review. |
|
Tomato |
Giant (1956) |
"A real movie is big, grand, magnificent and regales you with all the power that movies can wield upon a viewer's imagination and spirit. George Stevens' 1956 production, Giant, is a real movie." |
Douglas Pratt |
Splat |
The Gift (2001) |
"The makers of The Gift lay on the rustic nonsense awfully thick, peopling the tiny town of Brixton, Ga., with more 'colorful' characters than any town -- or movie -- can tolerate." |
Kirk Honeycutt |
Tomato |
Gigantic (A Tale of Two Johns) (2003) |
"Clever in a good way, this spirited documentary delves gently into the story of indie band They Might Be Giants, building a case for a couple of good-natured visionaries and pioneers who blazed trails for non-hair bands in the early days." |
Sheri Linden |
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