Tomato |
O (2001) |
"Comes across as a potent drama, extremely well-acted by its leads." |
Kirk Honeycutt |
Splat |
O Brother, Where Art Thou? (2000) |
"A wildly ambitious but ultimately unsatisfying goof on The Odyssey." |
|
Tomato |
O Jerusalem (2007) |
"Even with its flaws, the film finds many moving moments as it surveys the ravages of a perpetually divided country." |
Stephen Farber |
Tomato |
O'Horten (2009) |
"Succinct in its visualizations and crisp in its pacing, its deferential storytelling is in sync with its Odd subject." |
Duane Byrge |
Splat |
The Objective (2008) |
"Although the film has an undeniably strong, suspenseful tone -- not to mention symbolic resonance -- it doesn't rise above its overly familiar setup." |
Frank Scheck |
- |
Oblivion (1994) |
Click here to see the review. |
|
Tomato |
Observe and Report (2009) |
"Partly but not completely thanks to Rogen's committed performance, Observe manages the funny-pathetic arc of its story line vastly better than Hill's debut film The Foot Fist Way." |
John DeFore |
Splat |
Obsessed (2009) |
"Until Beyonce and Ali Larter duke it out at the climax, this is one dull film." |
Kirk Honeycutt |
Tomato |
Occupation: Dreamland (2005) |
"Filmmakers Garrett Scott and Ian Olds spent many weeks with their subjects. As a result, soldiers opened up more for their cameras about reasons for enlisting and concerns about the job they were sent to do." |
John DeFore |
Tomato |
Ocean's Eleven (2001) |
"Represents a mostly successful stylistic shift into sheer artifice, where the force of the personalities involved compels your interest." |
Kirk Honeycutt |
- |
Ocean's Thirteen (2007) |
Click here to see the review. |
|
Tomato |
Ocean's Thirteen (2007) |
"[Recaptures] much of the spirit of the original film." |
Kirk Honeycutt |
Splat |
Ocean's Twelve (2004) |
"Instead of audiences feeling a part of a nifty conspiracy to pull off an audacious robbery, viewers are left largely in the dark as Soderbergh & Co. conspire to trick them with sleight of hand and misdirection." |
Kirk Honeycutt |
Splat |
Odessa Odessa (2005) |
"Odessa ... Odessa! could use a little more narrative substance." |
Frank Scheck |
Tomato |
Of Time and the City (2009) |
"A remembrance of things past, it's also a sobering realization for the filmmaker that past places only dimly still exist." |
Duane Byrge |
- |
Off Jackson Avenue (2009) |
Click here to see the review. |
|
Splat |
Off the Hook (2002) |
"An ultra-low-budget indie debut that smacks more of good intentions than talent." |
Frank Scheck |
Tomato |
Off the Map (2005) |
"Nicely enough, it's packed with droll humor and smart compassion." |
Duane Byrge |
Tomato |
Offside (2006) |
"Panahi builds small incidents into a bracing comedy that explores the ambiguity and inconsistencies of his country's laws controlling barriers between the sexes." |
Kirk Honeycutt |
Splat |
The Oh in Ohio (2006) |
"The movie provides a good time but isn't wholly satisfying in the end." |
John DeFore |
Tomato |
Oklahoma! (1955) |
"The film is so richly layered that multiple viewings become compulsive -- you think it's all there in front of you, but every time you revisit it, you notice something more, and finish with a desire to go back again." |
Douglas Pratt |
Splat |
Old Dogs (2009) |
"Insipid, predictable, broad comedy mixed with Disney Family Values makes for one exasperating sit." |
Kirk Honeycutt |
Tomato |
Old Joy (2006) |
"Old Joy is another minimalist exercise that is at once visually stunning, quietly insightful and more than a little hard to endure." |
Frank Scheck |
Tomato |
Old School (2003) |
"The cast's a kick." |
Michael Rechtshaffen |
- |
Oldboy (2005) |
"A Writer for Spielberg's Oldboy" |
|
Splat |
Oldboy (2005) |
"We're riveted throughout, almost pulled into the protagonist's mania -- who has perpetrated these horrors on him and why." |
Duane Byrge |
Splat |
Oliver Twist (2005) |
"The spark that an original point of view might bring to the oft-told tale is missing." |
Kirk Honeycutt |
- |
Om Shanti Om (2007) |
Click here to see the review. |
|
Splat |
The Omen (2006) |
"Yet another remake displaying little reason for being..." |
Frank Scheck |
Tomato |
On A Clear Day (2006) |
"The kind of drama that British television used to do so well, a well-constructed, smartly observed story of ordinary people learning how to communicate with one another." |
Ray Bennett |
Splat |
On the Line (2001) |
"There's more plot and inventiveness in the average 'N Sync music video than in Eric Aronson and Paul Stanton's sweet nothing of a script and antiseptic direction by Eric Bross." |
Michael Rechtshaffen |
Tomato |
On the Outs (2005) |
"The performances are terrific: None is showy or actorish but earnest, truthful jobs laying bare souls in anguish." |
Kirk Honeycutt |
Tomato |
On the Road with Judas (2007) |
"Clever and moderately entertaining, film is a puzzle that will find some supporters as surely as it will sharply divide audiences." |
James Greenberg |
Tomato |
On the Run (2002) |
"On the Run has some moments of excitement and is certainly uncompromising." |
Richard James Havis |
- |
Once (2007) |
Click here to see the review. |
|
Tomato |
Once (2007) |
"Wonderful and winning Irish musical." |
James Greenberg |
Tomato |
Once in a Lifetime: The Extraordinary Story of the New York Cosmos (2006) |
"Far more entertaining than it has a right to be." |
Frank Scheck |
Splat |
Once in the Life (2000) |
"Serves only to demonstrate that Fishburne, a talented, inventive actor, is, unfortunately, not ready to write and direct motion pictures." |
Kirk Honeycutt |
Tomato |
Once Upon a Time in America (1984) |
"As one would expect from Leone, the film is a brilliant stylistic accomplishment." |
Douglas Pratt |
Tomato 3.5/5 |
Once Upon a Time in Mexico (2003) |
"Robert Rodriguez's DVD film school is back in session. He uses the extras to show viewers how to make a movie on the cheap and on the run.
" |
Glenn Abel |
Tomato |
Once Upon a Time in Mexico (2003) |
"Affectionately conceived, imaginatively staged and highly entertaining." |
Jean Oppenheimer |
Tomato |
Once Upon a Time in the Midlands (2003) |
"It smartly delineates the hard choices that people without many options must make, and its treatment of their conflicted situations is respectful but highly comic." |
Duane Byrge |
Tomato |
Once Upon a Time in the West (1969) |
"One of the greatest face movies ever made." |
Douglas Pratt |
- |
Once You're Born You Can No Longer Hide (2005) |
Click here to see the review. |
|
Splat |
The One (2001) |
"Coming so swiftly on the heels of Li's rousing Kiss of the Dragon, One is a disappointing step backward for the martial arts star into lackluster genre gimmickry." |
Kirk Honeycutt |
Tomato |
One Day You'll Understand (2008) |
"Once again, veteran Israeli director Amos Gitai has made a subtle yet powerful and moving film on an aspect of Jewish experience." |
Peter Brunette |
Tomato |
One from the Heart (1982) |
"[An] often maligned, giddy, superlative romantic musical." |
Douglas Pratt |
Tomato |
One Hour Photo (2002) |
"An absorbing and unsettling psychological drama." |
Duane Byrge |
Splat |
One Hundred Nails (2007) |
"A talking-heads, philosophic tedium posing as a film." |
Duane Byrge |
- |
One Last Thing (2005) |
Click here to see the review. |
Sheri Linden |
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