Tomato B+ |
O (2001) |
"One of the most emotionally effective versions of Othello yet." |
Steve Murray |
Tomato A- |
O Brother, Where Art Thou? (2000) |
"Mixing dark humor with high spirits, the brothers take some wild risks that pay off surprisingly well." |
Steve Murray |
Tomato B+ |
Ocean's Eleven (2001) |
"One of those sit-back, relax and enjoy-it movies." |
Eleanor Ringel Gillespie |
Splat C+ |
Ocean's Thirteen (2007) |
"Ultimately, if you give yourself up to its manufactured charm, it all becomes comfortingly familiar." |
Bob Longino |
Tomato B- |
Ocean's Twelve (2004) |
"The thrill isn't entirely gone, but much of the surprise element is." |
Eleanor Ringel Gillespie |
Tomato B+ |
Off the Black (2006) |
"A modest drama fueled by Nick Nolte's gutsy lead performance as a disheveled 57-year-old junkyard proprietor who's been as flattened by life as the rusty old cars he crushes." |
Bob Longino |
Tomato B |
Off the Map (2005) |
"Quiet and quirky, yet refreshingly unpretentious, Off the Map is a welcome sojourn in a place that seems strange, yet entirely familiar." |
Eleanor Ringel Gillespie |
- |
Offside (2006) |
Click here to see the review. |
|
Splat C |
The Oh in Ohio (2006) |
"The script, which was co-written by director Billy Kent, has the forced 'raciness' of a mid-'70s dinner-theater sex comedy." |
Eleanor Ringel Gillespie |
Tomato B |
Old Joy (2006) |
"Old Joy may be built around a road trip, but it's also a movie about two roads -- and two souls -- diverging." |
Steve Murray |
Splat D- |
Old School (2003) |
"Although a graduate of the Animal House school of tasteless, sophomoric humor, Old School gets docked many points due to its sloppy script and lame direction." |
Melinda Ennis |
Tomato B+ |
Oldboy (2005) |
"A visually beguiling trip that keeps pulling you along and keeps you wondering what fresh hell could possibly come next." |
Bob Townsend |
Splat C |
Oliver Twist (2005) |
"When was the last time you walked out of a Polanski picture talking mostly about the sets and music?" |
Eleanor Ringel Gillespie |
Tomato |
The Omega Code (1999) |
"Quick-paced editing; good special effects." |
Bob Longino |
Splat C+ |
The Omen (2006) |
"The last Damien is young actor Seamus Davey-Fitzpatrick. He lowers his head, hardens his face and glares. Big woo. The movie's dogs do a better job of looking sinister." |
Bob Longino |
Tomato B- |
On the Line (2001) |
"On the Line knows its target audience very well." |
Eleanor Ringel Gillespie |
Tomato B- |
On the Run (2002) |
"Runs into some problems but is redeemed by a powerful finish." |
Eleanor Ringel Gillespie |
Tomato B |
Once in a Lifetime: The Extraordinary Story of the New York Cosmos (2006) |
"... accomplishes the minor miracle of making you mourn a sports team you likely never knew existed in the first place." |
Eleanor Ringel Gillespie |
Tomato B |
Once Upon a Time in Mexico (2003) |
"A lusty, zesty goof." |
Steve Murray |
- |
The One (2001) |
Click here to see the review. |
|
Tomato B+ |
One Hour Photo (2002) |
"Romanek's themes are every bit as distinctive as his visuals. Beyond the cleverness, the weirdness and the pristine camerawork, One Hour Photo is a sobering meditation on why we take pictures." |
Eleanor Ringel Gillespie |
Splat D |
One Missed Call (2008) |
"One big miss of a horror movie." |
Bob Longino |
Splat C+ |
One Night at McCool's (2001) |
"A case of having your cheesecake and eating it, too." |
Steve Murray |
Tomato B- |
Ong-Bak: The Thai Warrior (2005) |
"What Jaa does is often mesmerizing." |
Bob Longino |
Tomato B- |
Only the Strong Survive (2003) |
"Witnessing these singers' grace is a pleasure." |
Eileen M. Drennen |
Tomato B+ |
Open Hearts (2003) |
"A small-scale domestic drama with large-scale feeling." |
Steve Murray |
Tomato B |
Open Range (2003) |
"Roaming the Old West with old hands like Robert Duvall and Kevin Costner is always worthwhile." |
Eleanor Ringel Gillespie |
Splat C+ |
Open Season (2006) |
"The film's soulless, computerized mountain ranges can't touch the immaculate, hand-painted backgrounds of old-school Disney. If animation filmmakers are going to recycle, they need to go back. Way back." |
Jon Waterhouse |
- |
The Opportunists (2000) |
Click here to see the review. |
|
Tomato C+ |
Orange County (2002) |
"This is a movie for every single high school senior in America who has just completed or is right now going through the process of applying to college." |
Bob Longino |
Tomato A- |
The Original Kings of Comedy (2000) |
"Under Spike Lee's direction it's one of the liveliest concert films in years." |
Steve Murray |
Splat C |
Original Sin (2001) |
"It's both overripe and juiceless." |
Steve Murray |
- |
The Orphanage (2007) |
Click here to see the review. |
|
- |
Osmosis Jones (2001) |
Click here to see the review. |
|
Tomato B |
The Other Side of the Street (2005) |
"A poignant little film that explores loss and new leases on life with intelligence and care." |
Eleanor Ringel Gillespie |
Tomato B+ |
The Others (2001) |
"An old-fashioned, goose-pimply movie." |
Steve Murray |
Splat |
Out Cold (2001) |
"Its only redeeming value is the killer snowboarding scenes." |
|
Tomato B |
Out of Time (2003) |
"A throwaway thriller with some crowd-pleasing qualities." |
Eleanor Ringel Gillespie |
Tomato |
Outside Providence (1999) |
"When the Farrellys have a point to make they know just the right language." |
Steve Murray |
- |
Over Her Dead Body (2008) |
Click here to see the review. |
|
Tomato B- |
Over the Hedge (2006) |
"It's energetic, colorful, occasionally clever and brims with top-drawer voice talent." |
Eleanor Ringel Gillespie |
Tomato B- |
Owning Mahowny (2003) |
"An odd little acting exercise for Philip Seymour Hoffman and John Hurt, two of the best actors of their respective generations." |
Eleanor Ringel Gillespie |
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