Tomato |
Baadasssss! (2004) |
"It's a riveting yarn about seat-of-the-pants moviemaking, populated with eccentric characters -- not the least of whom is Melvin." |
Robert W. Butler |
Tomato 3/4 |
The Baader Meinhof Complex (2009) |
"An epic look at a recent blood-soaked episode of post-war Germany." |
Robert W. Butler |
Tomato 3/4 |
Babel (2006) |
"Because of its thematic flaws, Babel isn’t the masterpiece some are claiming. Yet it remains powerful stuff, a glum but concerned look at how a seemingly isolated event can affect lives on the other side of the globe." |
Robert W. Butler |
Splat |
Baby Boy (2001) |
"Veers toward the shapeless and episodic and is marked by radical mood swings." |
Robert W. Butler |
Splat 2/4 |
Baby Mama (2008) |
"Most of the time Baby Mama relies on the string-pulling of sitcom television." |
Robert W. Butler |
Tomato 3/5 |
Back to the Future (1985) |
"Part II was better, but that's just me. The first one is a fun romp too." |
Shawn Bowers |
- |
Backstage (2000) |
Click here to see the review. |
Robert W. Butler |
Splat 1.5/4 |
Bad Boys II (2003) |
"The laughs die down as bullets rip through people's necks." |
Dan Lybarger |
Tomato |
Bad Education (2004) |
"Strap yourself in for a wild ride." |
Robert W. Butler |
Splat 2/4 |
Bad News Bears (2005) |
"The Bears’ eventual success seems utterly contrived and arbitrary." |
Robert W. Butler |
Tomato 3/4 |
Bad Santa (2003) |
"The people who made Bad Santa are going straight to hell. I'll probably be following them for laughing so hard." |
Robert W. Butler |
Splat |
Baise Moi (2001) |
"Sex and violence. If you can't get enough of them, Baise-moi should cure you of those cravings." |
Robert W. Butler |
Splat |
Bait (2000) |
"The overwhelming editing and some equally tiring action-movie conventions in the last reel make it just another film you may not mind seeing but certainly won't remember very long." |
Ward Triplett III |
Splat 2/4 |
The Baker (2007) |
"The Baker is an iffy affair made palatable mostly by Lewis’ lead performance, an attractive blend of naivete and deadly efficiency. But we’ve seen it before." |
Robert W. Butler |
Tomato 2.5/4 |
The Ballad of Jack and Rose (2005) |
"Generally it works, thanks to the terrific performances." |
Robert W. Butler |
Tomato 3/4 |
Ballets Russes (2005) |
"An uplifting and deeply satisfying meditation on the passage of time and the resilience of the human spirit." |
Robert W. Butler |
Tomato 3.5/4 |
The Band's Visit (2007) |
"Arab-Israeli relations get the warm fuzzy treatment in The Band’s Visit, a wonderfully appealing Israeli film that should have been up for a foreign-language Oscar." |
Robert W. Butler |
Splat |
Bandits (2001) |
"Cate Blanchett is a delight, but film is lazy." |
Robert W. Butler |
Tomato 2.5/4 |
Bandslam (2009) |
"You have to respect any movie that name-checks the Velvet Underground and assumes its tweenage viewers will get the reference -- or ask their parents later." |
Loey Lockerby |
Tomato |
The Banger Sisters (2002) |
"When your leading ladies are a couple of screen-eating dominatrixes like Goldie Hawn and Susan Sarandon at their raunchy best, even hokum goes down easily." |
Robert W. Butler |
Tomato |
The Barbarian Invasions (2003) |
"By the time Arcand reaches his final scenes, he has revealed one generation's regrets and disappointments and broken through the other's brittle defenses, achieving a resolution that thoughtful viewers of all ages should find profoundly moving." |
Loey Lockerby |
Tomato 2.5/4 |
Barbershop 2: Back in Business (2004) |
"These characters really are like old friends -- there's something almost comforting about going back and hanging out with them again." |
Loey Lockerby |
- |
Bartleby (2002) |
"I read the story in high school; re-reading it I found it really humorous. I had met a lot of Bartlebys before, people who reminded me of the character." |
Dan Lybarger |
Tomato 3/4 |
Bartleby (2002) |
"Director Jonathan Parker gets points simply for trying to tackle the writings of Herman Melville." |
Dan Lybarger |
Splat 1.5/4 |
Basic (2003) |
"So plot driven that the people in it become interchangeable cogs, shorn of real personalities." |
Robert W. Butler |
Splat 1.5/4 |
Basic Instinct 2 (2006) |
"BI2 should have been a gloriously excessive collision between the lurid and the ludicrous." |
Robert W. Butler |
Tomato 4/5 |
Batman (1989) |
"Good film...it kind of reeks of the '80s now, but it's still dark fun." |
Shawn Bowers |
Splat 2.5/4 |
Batman Begins (2005) |
"This new Batman is thought-provoking, certainly, but rarely fun." |
Robert W. Butler |
Splat 2/4 |
Battle for Terra (2009) |
"A film that will delight anyone under 6, and almost no one else." |
Jason Heck |
Tomato |
Bazaar Bizarre (2005) |
"Too irreverent, lurid and expressionistic to qualify as journalism, yet too serious to be dismissed as mere exploitation." |
Robert W. Butler |
Splat |
Be Cool (2005) |
"Feels forced and graceless. It's like a clumsy dancer who can't keep up with the sprightly beat being set by the band." |
Robert W. Butler |
Tomato 3/4 |
The Beat That My Heart Skipped (2005) |
"It has been very well made, with the often jumpy photography and scuzzy locales that reflect the nervous energy and predatory nature of its young subject. But it also finds the time to achieve some real emotional depth." |
Robert W. Butler |
- |
Beau Travail (1999) |
Click here to see the review. |
Robert W. Butler |
Splat |
Beautiful Creatures (2001) |
"Style doesn't count for much if you just don't care." |
Robert W. Butler |
Tomato |
A Beautiful Mind (2001) |
"Harrowing, heartbreaking and deeply human." |
Robert W. Butler |
Tomato 3/4 |
The Beauty Academy of Kabul (2006) |
"A few of the academy’s students receive personal profiles, and their resilience after years of war and oppression is remarkable. If ever that “triumph of the human spirit” cliché could be applied to a group of people, this is it." |
Loey Lockerby |
Tomato 3/4 |
Beauty in Trouble (2008) |
"All the characters in Petr Jarchovsky’s screenplay are drawn in shades of gray. The result isn’t so much a morality play as an amorality play." |
Robert W. Butler |
Splat |
Because I Said So (2007) |
"Diane Keaton should stay away from such derivative, degrading roles." |
Loey Lockerby |
Splat |
Because of Winn-Dixie (2005) |
"Inoffensive fodder for the family trade." |
Robert W. Butler |
Tomato |
Becoming Jane (2007) |
"Taken as speculative fiction, it is thoroughly satisfying." |
Robert W. Butler |
- |
Bedazzled (2000) |
Click here to see the review. |
Robert W. Butler |
Tomato 4/5 |
Bedknobs and Broomsticks (1971) |
"A fun adventure that always seems to get mixed up in my memory with Mary Poppins, and while they share similarities, this one stands out on its own as a great childrens film." |
Shawn Bowers |
Splat 2/4 |
Bedtime Stories (2008) |
"Continuing on this trajectory, the much-maligned funnyman probably will create yet another generation of fans. And maybe even another generation of haters." |
David Frese |
Splat 2.5/4 |
Bee Movie (2007) |
"Seinfeld doesn't need to go back to his 'show about nothing' premise, but here's hoping his next project can be about just a little less." |
Loey Lockerby |
Splat 2/4 |
Beerfest (2006) |
"Ultimately, the film's target demographic is the same people that engage in these drinking games and incessantly quote Old School. To them, it is a classic on a par with The Wedding Crashers. All others should opt out for a cold one." |
Steve Kobak |
Tomato |
Before Night Falls (2000) |
"Bardem is so compelling in the central role that Before Night Falls emerges as a testimony to the human spirit." |
Robert W. Butler |
Tomato 4/4 |
Before Sunset (2004) |
"You don't need to have seen Before Sunrise to appreciate Before Sunset, but as a one-two cinematic punch on the subjects of love and aging these films have few equals." |
Robert W. Butler |
Tomato |
Beijing Bicycle (2002) |
"Nicely serves as an examination of a society in transition." |
Robert W. Butler |
Splat 2/4 |
Being Julia (2004) |
"Ponderous and superficial, and no art deco fashions or tasteful drawing rooms can compensate for it." |
Robert W. Butler |
Splat 2.5/4 |
Bella (2007) |
"A little too safe and tentative." |
Loey Lockerby |