Splat 2/4 |
The Da Vinci Code (2006) |
"A film that never rises beyond the workmanlike to the inspired." |
Robert W. Butler |
Splat |
Daddy Day Care (2003) |
"It's the kind of movie you sit there and tolerate, then forget about." |
Loey Lockerby |
Splat 2/4 |
Dalai Lama Renaissance (2008) |
"Darvich does an adequate job of pointing the camera and letting people speak, but he provides no context" |
Robert W. Butler |
Tomato 3/4 |
Dan in Real Life (2007) |
"Mostly the laughs are based in behavior and character. Carell once again displays the range that makes him something more than just another funny guy. Binoche is so appealing that you immediately understand why Dan has been smitten." |
Robert W. Butler |
Tomato 3/4 |
Dancer in the Dark (1999) |
"Powerful -- and powerfully irritating. But love it or hate it, you're not likely to forget it." |
Robert W. Butler |
Splat 2/4 |
The Dancer Upstairs (2003) |
"All the dots are there but Malkovich and Shakespeare (who adapted his book for the screen) are very stingy about providing the connecting lines." |
Robert W. Butler |
Tomato |
The Dangerous Lives of Altar Boys (2002) |
"The film is painfully authentic, and the performances of the young players are utterly convincing." |
Robert W. Butler |
Splat 2/4 |
Danny Deckchair (2004) |
"All of this is pleasant enough -- and utterly unbelievable." |
Robert W. Butler |
Tomato 3/4 |
Daredevil (2003) |
"Daredevil delivers the dramatic goods." |
Robert W. Butler |
Tomato 3/4 |
Darfur Now (2007) |
"Admirable work." |
Loey Lockerby |
Tomato 3/4 |
The Darjeeling Limited (2007) |
"Dysfunctional families have long been the favorite subject of filmmaker Wes Anderson, but he has rarely approached the topic with as much heart as he does here." |
Robert W. Butler |
Tomato 2.5/4 |
Dark Blue (2003) |
"[Shelton] does a credible job and is particularly effective in re-creating the riots that followed the acquittal of police officers in the Rodney King beating trial." |
Robert W. Butler |
Tomato 3/4 |
The Dark Knight (2008) |
"The Dark Knight is a good -- not great -- superhero movie that crams as many ideas into its 2 1/2 hours as it can and still be considered a summer action picture." |
Robert W. Butler |
Splat 2/4 |
Dark Streets (2008) |
"If only I cared." |
Robert W. Butler |
Splat 2/4 |
Dark Water (2005) |
"Despite a really good cast, the film never turns into the spine-tingler we expect." |
Robert W. Butler |
Tomato 4/4 |
Dave Chappelle's Block Party (2006) |
"Block Party is a true gift." |
David Frese |
Tomato 2.5/4 |
Dawn of the Dead (2004) |
"A pretty decent way to cannibalize a classic." |
Loey Lockerby |
Tomato 2.5/4 |
The Day After Tomorrow (2004) |
"There's something perversely satisfying about seeing poor abused Mother Nature kicking mankind in the collective keister. That's precisely what Day After delivers." |
Robert W. Butler |
Tomato |
De-Lovely (2004) |
"Despite the occasional lapse, De-Lovely works because of Kline. He zeroes in on Porter's charm and insouciance but isn't afraid to expose the man's selfishness." |
Robert W. Butler |
Tomato |
Dear Frankie (2005) |
"Dear Frankie will win you over in spite of your reservations." |
Robert W. Butler |
Tomato 3/5 |
Dear God (1996) |
"Cutesy comedy that makes good use of the Kinnear charm." |
Shawn Bowers |
Tomato 3/4 |
Death at a Funeral (2007) |
"Describing the plot and characters doesn’t begin to convey the out-of-control energy the film radiates. You have to be there." |
Robert W. Butler |
Tomato 3/4 |
Death Race (2008) |
"While steel-plated cars bristling with firepower are guaranteed to get adolescent hearts stirring, the movie offers myriad pleasures for adults." |
Jason Heck |
Tomato |
Death to Smoochy (2002) |
"Funny in a sick, twisted sort of way." |
David Frese |
Splat 2/4 |
Deception (2008) |
"A generic thriller with a generic title, Deception is so predictable you could guess what happens even if the trailer hadn’t already given away just about every important plot development." |
Robert W. Butler |
Tomato |
The Deep End (2001) |
"Guaranteed to thrill." |
Robert W. Butler |
Splat 2/4 |
Definitely, Maybe (2008) |
"The biggest problem with Definitely, Maybe is that leading man Reynolds feels strangely out of water in a role that never lets him unleash his comedy chops." |
Robert W. Butler |
Splat 2/4 |
Deja Vu (2006) |
"Loud, noisy and not nearly as smart as it thinks it is." |
Robert W. Butler |
Splat 2.5/4 |
Deliver Us From Eva (2003) |
"A by-the-numbers romantic comedy that, were it not for the fact that it's populated with African-Americans, would be completely generic." |
Robert W. Butler |
Tomato 2.5/4 |
The Departed (2006) |
"It’s not great Scorsese, certainly not in the league of Raging Bull or 2004’s The Aviator. But it’ll do for now." |
Robert W. Butler |
Tomato 3.5/4 |
Departures (2009) |
"Absolutely, beautifully, tear duct openingly right." |
Robert W. Butler |
Splat 0/4 |
Deuce Bigalow: European Gigolo (2005) |
"Good for Schneider that he was able to bilk a major Hollywood studio out of an estimated $20 million to make this reeking bucket of sewage. Bad for anyone who has the misfortune of seeing it." |
David Frese |
Tomato 3/4 |
The Devil and Daniel Johnston (2006) |
"What makes Devil fascinating is the harrowing arc of Johnston’s life. This is a story of youthful promise undermined by horrendous mental illness." |
Robert W. Butler |
Tomato 3/4 |
The Devil Wears Prada (2006) |
"Devil is pretty lightweight stuff. But the performances are so good they elevate everything else." |
Robert W. Butler |
Tomato |
The Devil's Backbone (2001) |
"It has a couple of classic horror moments that will have audiences jumping for the ceiling, but even more ambitious and rewarding is its examination of the horrors of reality." |
Robert W. Butler |
Splat |
The Devil's Rejects (2005) |
"The longer The Devil’s Rejects drags on, the more obvious it becomes that Zombie has no ideas of his own and is simply riffing on what other people have done." |
Loey Lockerby |
Tomato |
Diamond Men (2001) |
"Cohen is himself a former 'diamond man,' which is no doubt why this world has been so perfectly realized for the screen." |
Robert W. Butler |
Splat 2/4 |
Diary of a Mad Black Woman (2005) |
"One is left with the sense that while Perry has captured certain truths about human experience, he undermines himself by ignoring psychological detail in favor of big gestures and simplistic explanations." |
Robert W. Butler |
Splat C |
Dickie Roberts: Former Child Star (2003) |
"Your appreciation of the movie will hinge on your tolerance for the "quirky" antics of Spade." |
Shawn Bowers |
Splat |
Die Another Day (2002) |
"Too loud, too long and too frantic by half, Die Another Day suggests that the Bond franchise has run into a creative wall that 007 cannot fly over, tunnel under or barrel through." |
Robert W. Butler |
Tomato A- |
Die Another Day (2002) |
"With its contemporary feel and set pieces galore, this Bond will leave you both shaken and stirred." |
Shawn Bowers |
Tomato 2.5/4 |
Die Hard 4: Live Free or Die Hard (2007) |
"There’s still some 'Yippe-ki-yay' left in this franchise." |
Robert W. Butler |
Tomato |
DIG! (2004) |
"An amazing documentary that should be required viewing for every garage band dreaming of hitting the big time." |
Robert W. Butler |
- |
Digimon: The Movie (2000) |
Click here to see the review. |
Robert W. Butler |
Tomato |
Dinosaur (2000) |
"Nothing we've seen before -- not the Jurassic Park or Toy Story films -- has quite prepared us for the total immersion into another world that this film delivers." |
Robert W. Butler |
Tomato 3/4 |
Dirty Pretty Things (2003) |
"Lopez has so often been cast as an affable Teddy Bear that it's a real treat to see him inhabit this amoral schemer." |
Robert W. Butler |
Splat |
A Dirty Shame (2004) |
"It's rude. It's crude. Every now and then it's bust-a-gut funny. Unfortunately, not often enough." |
Robert W. Butler |
Tomato 3/4 |
The Discreet Charm of the Bourgeoisie (1972) |
"It remains a classic of surrealism, packed with disturbing images and sly (some would say 'perverse') humor." |
Robert W. Butler |
Tomato |
The Dish (2001) |
"An uproariously funny lark that first beguiles us with its comedy but leaves us in a warm glow of admiration and inspiration." |
Robert W. Butler |
Tomato 3/4 |
Disney's A Christmas Carol (2009) |
"In the end you don’t have to analyze it... that tear in your eye tells you it’s working." |
Robert W. Butler |