Splat 2/4 |
Facing the Giants (2006) |
"If it cannot avoid the clichés of both the sports film and the inspirational film, at least Facing the Giants leavens its message with good humor." |
Robert W. Butler |
Tomato 3/4 |
Factotum (2006) |
"This adaptation of Charles Bukowski's semi-autobiographical novel doesn't whitewash a career boozer's life, but in this bleary world it finds a throbbing, deadpan hilarious vein of black humor." |
Robert W. Butler |
Tomato 3/4 |
Fados (2009) |
"Fados is basically a collection of musical performances by two dozen practitioners of the form, but Saura always finds a way to make it cinematic." |
Robert W. Butler |
Tomato 3/4 |
Fahrenheit 9/11 (2004) |
"Fahrenheit 9/11 is worthy because it attempts to connect the dots." |
|
Splat 1.5/4 |
Failure to Launch (2006) |
"Failure to Launch stumbles its way to a happy ending without generating either much romance or comedy." |
Robert W. Butler |
- |
Faithless (2001) |
Click here to see the review. |
Robert W. Butler |
Splat 2/4 |
Familiar Strangers (2008) |
"Familiar is right." |
Jason Heck |
Tomato |
The Family Man (2000) |
"It is Leoni's Kate who grounds this enterprise and gives it some soul." |
Robert W. Butler |
Tomato 3/4 |
The Family Stone (2005) |
"Warm up your belly muscles and grab a box of tissues. When it doesn’t have you aching with laughter, The Family Stone will have you sobbing like a little girl." |
Robert W. Butler |
Tomato 2.5/4 |
Fanboys (2009) |
"t’s the strong Star Wars/geek-centric nature of the film that helps it succeed." |
Jason Heck |
Splat 2/4 |
Fantastic Four (2005) |
"A human rubber band, a transparent woman, a guy on fire, a walking rock pile, and a guy named Doom seem perfectly plausible in the funny books.On the big screen, not so much." |
David Frese |
Tomato 3/4 |
The Fantastic Four: Rise of the Silver Surfer (2007) |
"Clocking in at a mere yet mighty 92 minutes, this superior sequel to 2005’s Fantastic Four skillfully crams loads of action, humor and even (gasp!) character development into its short but sweet flight of comic-book inspired fantasy." |
Brian McTavish |
Tomato |
Far From Heaven (2002) |
"Thanks to Haynes' absolute control of the film's mood, and buoyed by three terrific performances, Far From Heaven actually pulls off this stylistic juggling act." |
Robert W. Butler |
Splat 2/4 |
Fast & Furious (2009) |
"A tryptophan yawn." |
Robert W. Butler |
Tomato |
The Fast and the Furious (2001) |
"This item still may be worth your attention, if only for the presence of Vin Diesel." |
Robert W. Butler |
Splat 2/4 |
Fast Food Nation (2006) |
"Richard Linklater’s latest is a humorless, glum multicharacter melodrama that plays like John Sayles Lite." |
Robert W. Butler |
Splat |
Fat Albert (2004) |
"While it's pleasant enough for all ages, it's too clean for today's kids, it's too sappy for jaded adults, and not yet nostalgic enough for those of us who grew up with the original." |
Ward Triplett III |
Splat 1/5 |
Father's Day (1997) |
"Not really memorable except for the fact that it was a box-office failure, even the performances of the two comedy stars can't save it from itself." |
Shawn Bowers |
Tomato 3/4 |
Favela Rising (2006) |
"Using a visual style of oversaturated colors that seem to leap off the screen, Mochary and Zimbalist offer an unforgettable portrait of the favelas, where young men openly polish their machine guns and a bullet-riddled body may lie around any corner." |
Robert W. Butler |
Splat 2.5/4 |
Fear(s) of the Dark (2008) |
"They all visualize the fears that haunt our dreams, but only McGuire brings them to full, unnerving life." |
Loey Lockerby |
Splat 1.5/4 |
Feast (2006) |
"Cheap-looking, gore-drenched and so postmodern and self-consciously above it all that it’s hard to care about anyone’s fate, Feast is sort of a mean-spirited variation on the vastly superior Tremors." |
Robert W. Butler |
Tomato 3.5/4 |
Feast of Love (2007) |
"This one will sneak up on you." |
Robert W. Butler |
Splat |
Femme Fatale (2002) |
"Feels like nothing quite so much as a middle-aged moviemaker's attempt to surround himself with beautiful, half-naked women." |
Robert W. Butler |
Tomato 2.5/4 |
Fever Pitch (2005) |
"Sometimes hitters can get caught just looking at that curve fall in for a strike, and all they can do is wonder how they fell for something so light. Plenty of people will leave Fever Pitch with that feeling." |
Ward Triplett III |
Tomato |
Fighter (2001) |
"It's a rarity these days: a film that will leave you thinking." |
Robert W. Butler |
Splat 2/4 |
Fighting (2009) |
"There’s only so much you can do with a cliché." |
Robert W. Butler |
- |
The Filth and the Fury (1999) |
Click here to see the review. |
Robert W. Butler |
Splat 2.5/4 |
The Final Cut (2004) |
"For all its brain teasing, Final Cut is more a philosophical rumination than an engaging drama." |
Robert W. Butler |
Tomato |
Final Destination (2000) |
"I'll take this any day over Scream 3." |
Brian McTavish |
Splat |
Final Fantasy: The Spirits Within (2001) |
"Truth is, there's hardly an original idea on display here." |
Robert W. Butler |
Splat 2.5/4 |
Find Me Guilty (2006) |
"While it delivers a few good laughs, the film is short on drama and suspense." |
Robert W. Butler |
Tomato A |
Finding Nemo (2003) |
"There are so many subtle jokes, or little bits of insight into these fish's minds, it proves yet again that Pixar strives to make a complete experience instead of just 'some cool-looking graphics.'" |
Shawn Bowers |
Splat 1.5/4 |
Fired Up (2009) |
"The film’s misogyny is countered only by its homophobia -- its male gay characters are mincing idiots, while the women could have walked out of a you-wish Playboy spread." |
Loey Lockerby |
Splat 1.5/4 |
Firewall (2006) |
"Aspiring Hollywood filmmakers, take note. If you want to get a movie produced with minimal creative effort, Richard Loncraine and Joe Forte have provided the perfect template with Firewall." |
Loey Lockerby |
Splat 1.5/4 |
First Sunday (2008) |
"It tries far too hard and achieves far too little. The laughs it causes are guilty ones, but not that guilty, because there aren’t that many." |
Jason Heck |
Tomato 3/4 |
The Five Obstructions (2004) |
"Stands as a testament to the elasticity of human imagination and to a friendship that can survive even the devious deconstructionist schemes of Lars von Trier." |
Robert W. Butler |
- |
The Five Senses (1999) |
Click here to see the review. |
Robert W. Butler |
Tomato 3/4 |
Flags of Our Fathers (2006) |
"Flags is more of a director’s film than an actor’s film. Still, special mention must be made of Phillippe, here giving his most complete and nuanced performance, and of Beach, whose Ira Hayes ends up in a drunken downward spiral." |
Robert W. Butler |
Tomato 3/4 |
Flash of Genius (2008) |
"It’s a testament to Kinnear’s charisma that we stick with Kearns through thick and thin." |
Robert W. Butler |
Splat 2/4 |
Flawless (2007) |
"Like the diamonds that motivate its characters, Flawless” has a pretty surface but not much else." |
Loey Lockerby |
Tomato 2.5/5 |
Flight of the Phoenix (2004) |
"A serviceable adventure outing." |
Robert W. Butler |
Tomato 2.5/4 |
The Flight of the Red Balloon (2008) |
"There’s no editing within a scene, no close-ups. No incidental music. Just life, or a pretty accurate simulation of life." |
Robert W. Butler |
Splat 1.5/4 |
Flightplan (2005) |
"The longer the conclusion drags, the more attractive the exit sign looks." |
Dan Lybarger |
Tomato 3/4 |
Fling (2008) |
"An impressive first feature." |
Robert W. Butler |
Tomato 3/4 |
Flow: For Love of Water (2008) |
"Before ending on a somewhat hopeful note of defiant activism, Irena Salina’s globe-hopping documentary is a terrifying downer." |
Robert W. Butler |
Splat 1.5/4 |
Fly Me To The Moon (2008) |
"Fly Me to the Moon is the first animated feature made specifically for the 3-D format. If this were not the case, it would have gone straight to DVD. Everything else about it is as lazy and dull as the latest cheap Pixar knockoff." |
Loey Lockerby |
Splat 2.5/4 |
Flyboys (2006) |
"The film spends most of its time on the ground, where a historically accurate but not terribly dramatic screenplay wanders through the same military clichés we’ve been seeing since movies were invented." |
Robert W. Butler |
Splat 2.5/4 |
The Flyboys (2008) |
"It’s like two stories unfolding in parallel universes." |
Robert W. Butler |
Splat |
Focus (2001) |
"It plays less like a theatrical feature than a made-for-cable movie." |
Robert Trussell |
Tomato 4/4 |
The Fog of War (2003) |
"Morris uses McNamara's long life and firsthand experience to indicate how technology has made the ethics of war much more difficult to tread." |
Dan Lybarger |