The Game Plan (2007)

"A comedy so formulaic and uninspired that you'd swear you've seen the movie before."

Garden State (2004)

"Likable enough when it isn't trying too hard to be self-consciously quirky."

George A. Romero's Land of the Dead (2005)

"Nope, there's not much here. But it's still good, cheesy fun."

Get Over It (2001)

"It's predictable but charming and just the thing to take some of the sting out of this season of box-office discontent."

Get Smart (2008)

"All this plays like a pale retread of a Mission: Impossible script. Which would be fine if Get Smart were actually funny."

Ghost Ship (2002)

"A waste of a great setting and some talented actors."

Ghost World (2001)

"Has many pleasures, not the least of which are some devilishly good performances."

Gilda (1946)

"Interview with director Elaina Archer about her documentary on Rita Hayworth, "Rita.""

The Girl Next Door (2004)

"Honestly, it's interchangeable with any of those early '80s late-night cable staples whose posters featured close-ups of babes in bikinis."

Girl with a Pearl Earring (2003)

"Come to it wide awake and fully caffeinated or risk drifting off into a beauty-induced coma."

The Girlfriend Experience (2009)

"Grey is comfortable in front of the camera (and this time she gets to keep most of her clothes on), but her range is limited."

Gladiator (2000)

"Gladiator becomes a sterile deconstruction of bloodshed."

God's Army (2000)

Click here to see the review.

Godzilla 2000 (2000)

"Short on real excitement."

The Golden Bowl (2001)

"After two hours of stilted dialogue (delivered by usually reliable performers who here seem totally at sea) and lush photography, your average viewer will have been massaged into a near-comatose state."

Golden Door (2007)

"Although it has a gorgeous, lyrical visual style, it contains no stirring speeches or sentimentality."

Gone Baby Gone (2007)

"A tightly controlled, carefully modulated piece of drama that will keep you thinking long after you’ve left the theater."

Gooby (2009)

"Instead of inspiring children to be brave and loving, it will most likely send them cowering under the covers in terror. They’ve already got Chucky movies for that."

The Good Girl (2002)

"By turns very dark and very funny."

Good Night. And, Good Luck (2005)

"A triumph, a lean, claustrophobic and unexpectedly funny history lesson so beautifully written and superbly played that you may not even notice it’s good for you."

A Good Woman (2005)

"As a rule I’m a pushover for Oscar Wilde’s brand of high-flown drollery. But A Good Woman, director Mike Barker’s film version of Wilde’s Lady Windermere’s Fan, left me high, dry and grumpy."

Goodbye Solo (2009)

"A memorable study in humanity rather than the sentimental bath it might have been."

Gosford Park (2001)

"The most enjoyable Altman effort in nearly a decade."

Goya in Bordeaux (2000)

Click here to see the review.

Gran Torino (2008)

"Maybe it’s his no-nonsense style -- unaffected acting, matter-of-fact cinematography, the deft juggling of emotional opposites -- but Gran Torino seems to unfold effortlessly in the hands of a master."