I Am David (2004)

"Interview with I Am David screenwriter-director Paul Feig."

I Am Legend (2007)

"Go for the thrills, for some nerve-gnawing suspense, for the wonderful production design and for the opportunity to spend some time with Will Smith. But this one is not the stuff of legend."

I Capture the Castle (2003)

"The film is a charmer. It's romantic, funny and satisfying."

I Heart Huckabees (2004)

"At first, anyway, it's mildly amusing. But before too long, all this whimsical, metaphysical meandering and smarty-pants wordplay grows wearisome."

I Love You, Man (2009)

"In the end, this is all Rudd’s movie."

I Served the King of England (2008)

"Amelie meets The Pianist in I Served the King of England, one man’s surreal journey through 30 years of Czech history."

I Stand Alone (1998)

Click here to see the review.

I'll Sleep When I'm Dead (2004)

"Hodges and Preston have a commendable attitude, but with the thin story and shallow characters, even the right idea doesn't seem as interesting as it should be."

I've Loved You So Long (2008)

"A good movie with a great performance, I’ve Loved You So Long is about one rewrite away from perfection."

I.O.U.S.A. (2008)

"Future generations may regard I.O.U.S.A. as the most important film of 2008. Not the best. Not the most entertaining. Just the most important."

Ice Age: The Meltdown (2006)

"As tiresome as a joke told repeatedly by a 6-year-old. "

The Ice Harvest (2005)

"[A] lightweight Bad Santa."

Idle Hands (1999)

"Funnier than it is scary, and not very funny at that."

Igby Goes Down (2002)

"It's a movie so audacious as to take your breath away -- and one whose slashing style infuriates almost as often as it satisfies."

The Illusionist (2006)

"Like a good magician, Burger knows how to divert our attention while he works his magic."

IMAX - Antarctica: An Adventure Of A Different Nature (1991)

"A grab bag of material -- a bit of history, a dash of science, some wildlife-film elements… and, of course, a load of fantastic large-format photography that captures the continent's icy wonders with spectacular clarity."

IMAX - Lost Worlds: Life in the Balance (2001)

"The most compelling moments in 'Lost Worlds' are those where the camera does the talking."

IMAX - Ocean Oasis (2002)

"This examination of aquatic life off the shores of the Baja California peninsula of Mexico offers an engrossing way to demonstrate the virtues of the IMAX format."

IMAX - SolarMax (2001)

"Everyone from hard-nosed rationalists to granola-munching mystics should find something to savor."

Impostor (2001)

"The film's few ideas are stretched to the point of evaporation; the whole central section is one big chase that seems to have no goal and no urgency. It's just filler."

In Between Days (2006)

"The film has an admirable humanist agenda, but good intentions don’t matter much when you can’t care for the humans on the screen."

In Good Company (2004)

"Casts a discerning eye on the American workplace in this era of downsizing, takeovers and mergers. It's a comedy, not a tragedy, but that's more a matter of tone than of content."

In the Bedroom (2001)

"This one will haunt you."

In the Mood for Love (2001)

"There may not be another filmmaker working today who can match Wong's ability to find meaning in color and texture."

In the Shadow of the Moon (2007)

"The film is a history lesson, certainly, but history as seen through the eyes of the men who made it."