Splat |
The Machinist (2004) |
"A generic Twilight Zone-type thriller" |
Robert W. Butler |
Tomato |
Mad Hot Ballroom (2005) |
"A very funny and equally moving documentary about fifth-graders learning ballroom dancing." |
Robert W. Butler |
Splat 2/4 |
Mad Money (2008) |
"[It] may not be awful enough to merit shredding but which evaporates from memory the minute the lights come up." |
Robert W. Butler |
Tomato 2.5/4 |
Madagascar (2005) |
"It'll undoubtedly keep the kids occupied and parents intermittently amused. And that's about it." |
Robert W. Butler |
Tomato 2.5/4 |
Madagascar: Escape 2 Africa (2008) |
"Kids will undoubtedly love it. And thanks to those undercurrents of nihilist hilarity, adults can have fun, too." |
Robert W. Butler |
Tomato |
Made (2001) |
"Vaughn and Favreau ... are best friends in real life, and that translates into some priceless on-screen comedy." |
Robert W. Butler |
Splat 2/4 |
Made of Honor (2008) |
"It’s hard to sympathize with characters who bear no resemblance to any existing member of the human species, although, as is typical with this kind of movie, the cast brings a commitment the material doesn’t deserve." |
Loey Lockerby |
Tomato 3/4 |
Mafioso (1962) |
"Some viewers may feel betrayed when the film’s light-hearted and gently mocking attitude suddenly turns deadly serious. I thought it was breathtaking." |
Robert W. Butler |
Tomato |
The Magdalene Sisters (2003) |
"Magdalene Sisters isn't what you'd call a fun night at the movies. It's more of a kick in the stomach." |
Robert W. Butler |
Tomato |
Magnificent Desolation: Walking on the Moon 3D (2005) |
"The film is fascinating history and unabashedly inspirational." |
Robert W. Butler |
Splat |
Mail Order Wife (2005) |
"More an exercise in sustaining a style than a satisfying emotional experience. The men are all self-centered boors, and the women, it turns out, aren't much better. There's nobody in this movie to root for or care about." |
Robert W. Butler |
Tomato |
The Majestic (2001) |
"A thoroughly satisfying melodrama of heart and gentle humor." |
Robert W. Butler |
Tomato |
Maléna (2000) |
"Absolutely beautiful to behold." |
Robert W. Butler |
Splat 1/4 |
Malibu's Most Wanted (2003) |
"Ninety minutes of Kennedy's one-note primping in the movie gets as preposterous and monotonous as the Iraqi Information Minister." |
Dan Lybarger |
Tomato 3/4 |
Mamma Mia! (2008) |
"In bringing her stage production to the screen, first-time film director Phyllida Lloyd has retained the show’s goofy charm and mostly breathless pacing." |
Robert W. Butler |
Splat 1/4 |
The Man (2005) |
"It takes filmmakers of rare skill to make the reliable Eugene Levy unamusing and to reduce Oscar nominee Samuel L. Jackson to a series of angry poses." |
Dan Lybarger |
Splat 2.5/4 |
The Man from Elysian Fields (2002) |
"Everything about the production is tasteful and carefully modulated -- but there's no spunk here." |
Robert W. Butler |
Splat 1/5 |
Man of the House (1995) |
"Pretty weak little family comedy...doesn't hurt but doesn't help." |
Shawn Bowers |
Splat 2/4 |
Man on Fire (2004) |
"For all of its 2 1/2 -hour running time, Man on Fire plays more like Man on Low Simmer." |
Dan Lybarger |
Tomato 3.5/4 |
Man on the Train (2003) |
"This one's a keeper." |
Robert W. Butler |
Tomato 3.5/4 |
Man On Wire (2008) |
"If Man on Wire were fiction it would be hailed as a terrific suspense film, a fascinating character study and an awesome spectacle. But it’s true, which makes it all the more remarkable." |
Robert W. Butler |
- |
The Man Who Cried (2001) |
Click here to see the review. |
Robert W. Butler |
Splat 2/5 |
The Man Who Knew Too Little (1997) |
"Kind of funny...but not enough to recommend." |
Shawn Bowers |
Splat |
The Man Who Wasn't There (2001) |
"Trouble is, there's not enough there there." |
Robert W. Butler |
Tomato 2.5/4 |
Management (2009) |
"Gentle, goofy and never mean, Management isn’t earth-shaking. But it’s a fuzzy warm blanket of a movie." |
Robert W. Butler |
Tomato |
The Manchurian Candidate (2004) |
"Maybe half the film the original was. But in the current movie climate, half a classic is nothing to sneer at." |
Robert W. Butler |
Tomato 4/5 |
Manhattan Murder Mystery (1993) |
"A deft blend of humor and suspence. It's almost as if Allen missed his calling to direct thrillers." |
Dan Lybarger |
Tomato |
March of the Penguins (2005) |
"A film filled with scenes of humor, suspense and stunning beauty." |
Robert W. Butler |
Tomato 3/4 |
Margot at the Wedding (2007) |
"Margot at the Wedding is a good film that’s painful to sit through, and Margot is a protagonist who’s virtually sympathy-free." |
Robert W. Butler |
Tomato 3/4 |
Maria Full of Grace (2004) |
"Sad, sobering, tension-filled and disquieting." |
Robert W. Butler |
Tomato 3/4 |
Marie Antoinette (2006) |
"By film’s end when the royal family is forced to evacuate the besieged Versailles (no guillotine in this retelling), this Marie has achieved something like genuine nobility. When the chips are down she takes her queenly role seriously." |
Robert W. Butler |
- |
Mark Twain's America (1960) |
Click here to see the review. |
Robert W. Butler |
Splat 2/4 |
Marley & Me (2008) |
"It has some funny moments, a lot of tears and way too much dead time in between." |
Robert W. Butler |
Splat 2/4 |
Married Life (2008) |
"Married Life is genteel, well-mannered -- and boring." |
Robert W. Butler |
Splat 2.5/4 |
Martian Child (2007) |
"Heavy-handed sentimentality." |
Robert W. Butler |
Splat 2/4 |
Martin Lawrence Live - Runteldat (2002) |
"As David Letterman and The Onion have proven, the worst of tragedies can be fertile sources of humor, but Lawrence has only a fleeting grasp of how to develop them." |
Dan Lybarger |
Tomato 4/5 |
Marty (1955) |
"Loaded with believably endearing characters, Marty is charming, if stagebound," |
Dan Lybarger |
Tomato 3/4 |
Marx Brothers Collection (1935) |
"This new set made me appreciate the chapter select menus, but it features A Night at the Opera and A Day at the Races. These films require several viewings.
" |
Dan Lybarger |
Tomato |
Masculin Feminin (1966) |
"There's a seductive immediacy to all this… despite the film's obvious satiric touches, you come away from it with a vivid impression of a time and place and the people who inhabited it." |
Robert W. Butler |
Tomato 3.5/4 |
Master and Commander: The Far Side of the World (2003) |
"This is the historic epic as it should be but rarely is." |
Robert W. Butler |
Splat |
The Master of Disguise (2002) |
"Master of Disguise runs for only 71 minutes and feels like three hours." |
Robert W. Butler |
Tomato 3/4 |
The Matador (2005) |
"Kinnear and Brosnan pull it off perfectly." |
Robert W. Butler |
Tomato 3/4 |
Match Point (2005) |
"The film is very well acted, but top honors go to Johansson, who’s just about perfect as the pouty-lipped temptress whom we come to both pity and hate." |
Robert W. Butler |
Tomato 3/4 |
Matchstick Men (2003) |
"Director Scott handles this knotty plot with effortless grace." |
Robert W. Butler |
Tomato B+ |
Matchstick Men (2003) |
"The story's a bit on the traditional side (it could be pitched as "Catch Me If You Can" meets "Ocean's 11"), but the three leads make it an enticing and tense caper flick." |
Shawn Bowers |
Tomato 3/4 |
The Matrix Reloaded (2003) |
"A pretty good amusement park ride." |
David Frese |
Splat 1/4 |
The Matrix Revolutions (2003) |
"An unmitigated disaster." |
Robert W. Butler |
Tomato 2.5/4 |
Max Payne (2008) |
"It's stylishly directed by John Moore, and his actors don't embarrass themselves, despite the iffy premise." |
Jason Heck |
Tomato |
The Mayor of the Sunset Strip (2003) |
"By the time George Hickenlooper's Mayor of the Sunset Strip is over, you won't know whether to envy or pity the subject of this oddly compelling documentary." |
Robert W. Butler |
Tomato 3/4 |
Me and Orson Welles (2009) |
"Linklater’s directing style is pretty much gimmick-free. No razzle-dazzle is required when you have a story as rich as this, characters as fascinating as these and actors who can bring it all to life." |
Robert W. Butler |