The Wackness (2008)

"Quite aside from its dramatic ambitions, The Wackness does a nifty job of capturing the zeitgeist of Manhattan on the eve of Rudy Giuliani’s big crackdown on drugs, thugs, sex shops and colorful street life."

Waking Life (2001)

"It does have the makings of a major cult item."

Walk on Water (2005)

"If you want to test the current state of Israel's collective soul you could do a whole lot worse than Walk on Water."

Walking Tall (2004)

"At a too-short 86 minutes, the remake sacrifices exposition and coherence in the name of action. But when the action is lame, what's the freaking point?"

Wallace & Gromit Gift Set (1990)

"The Wallace and Gromit films are always fun for all ages...this set should hold you over until they can get the full-length feature made...."

Wanted (2008)

"With a star-heavy cast, mind-blowing visuals and more blood than a vampire flick, this modern-day fantasy about an ages-old brotherhood of assassins is an over-the-top guilty pleasure."

War of the Worlds (2005)

"This is one genuinely scary, disturbing movie."

The Watcher (2000)

"Mind you, it's not a bad serial killer movie. Just routine."

Water (2006)

"It slowly builds in emotional power."

The Way of the Gun (2000)

"Uplifting? Not for a second. But if you're in the mood for a furious ride, The Way of the Gun delivers."

We Don't Live Here Anymore (2004)

"These are terrifically talented actors wasted on a film that's short on insight, long on self-pity and essentially anti-erotic."

We Were Soldiers (2002)

"Wallace proves himself a first-class action director, with the ebb and flow of battle unfolding in a manner that is comprehensible yet chaotic."

The Wedding Date (2005)

"Hardly worth an $8 ticket, however, especially since you can see Messing play the same character in a better-written venue every week. After all, that's one of the central messages of the film: Never pay for something you can get for free."

The Wedding Planner (2001)

"A mildly entertaining flick."

Welcome to Mooseport (2004)

"Director Donald Petrie and screenwriter Tom Schulman are masters of middle-of- the-road blandness. What they provide is harmless and occasionally worth a chuckle, but there's not much point in watching a movie when you already know every line."

What a Girl Wants (2003)

"There are about half a dozen sequences of Bynes trying on different outfits and so many bubble-gum pop songs on the soundtrack, it's like being trapped at a junior high slumber party."

What Happens in Vegas (2008)

"It’s a testament to how good casting can help a film and bad writing can hurt it even more."

What the Bleep Do We Know? (2004)

"A different kind of movie."

What Would Jesus Buy? (2007)

"And as far as sermons go, it’s a good one. You just wish the director had found someone else to deliver it."

What's The Worst That Could Happen? (2001)

"Despite its flaws, this amoral little movie rises to mediocre."

When Brendan Met Trudy (2001)

"Maybe the film is only cotton candy, but as empty calories go, it's satisfying enough."

Where The Truth Lies (2005)

"Take away the kinky sex -- the reason for no MPAA rating -- and there’s even less to be interested in."

Whip It (2009)

"Whip It is an unexpectedly touching film about female empowerment."

White Countess (2005)

"... all atmosphere with little dramatic juice."

White Oleander (2002)

"Lohman not only goes toe-to-toe with Pfeiffer, she carries almost every scene, and does so with a performance that should make her a star in her own right."