Tomato |
The Adventures of Rocky and Bullwinkle (2000) |
"It's not a classic. But it's also nothing that the late Jay Ward, who developed the characters more than 40 years ago, would be ashamed of, either." |
Brian McTavish |
Splat |
Along Came a Spider (2001) |
"No matter how many all-too-remarkable twists and turns it puts us through, it still feels too routine." |
Brian McTavish |
Splat |
Angel Eyes (2001) |
"The movie's ad campaign would have you believe that the couple's relationship is potentially dangerous. It's not, but it's pretty hard to swallow." |
Brian McTavish |
Splat 2/4 |
Abandon (2002) |
"In the end, 'Abandon' winds up like a fitfully coherent term paper written by a brilliant student who had imbibed a few too many study aids." |
Dan Lybarger |
Tomato 3.5/4 |
About a Boy (2002) |
"The "American Pie" duo deserves credit for making a convincingly British comedy that is also charmingly universal." |
Dan Lybarger |
Splat 1.5/4 |
Agent Cody Banks (2003) |
"This juvenile take on the James Bond films feels more like a heavily watered-down vodka martini than a genuine offering for kids." |
Dan Lybarger |
Splat 1.5/4 |
Alfie (2004) |
"If there was ever a film that begged not to be remade, the 1966 black comedy Alfie is screaming to be left alone in a loud Cockney accent." |
Dan Lybarger |
Splat 2/4 |
Austin Powers in Goldmember (2002) |
"Somewhere in the back of Mike Myers' mind there's probably a hope that Austin Powers lacks the resilience of James Bond." |
Dan Lybarger |
- |
Austin Powers in Goldmember (2002) |
"From my view, after the war up until the '50s, everything was in black-and-white. In the '60s, everything burst into Technicolor." |
Dan Lybarger |
Tomato 2.5/4 |
Awesome! I... Shot That! (2004) |
"The shaky camerawork gets old quickly. So does the fan who filmed himself urinating." |
Dan Lybarger |
Splat 1/4 |
Aeon Flux (2005) |
"Charlize Theron has her Oscar. Now she has her Catwoman." |
David Frese |
Splat 1/4 |
All Roads Lead Home (2008) |
"It’s not that the film is too complicated, it’s just unwieldy." |
David Frese |
Tomato 3/4 |
Ashes of Time Redux (1994) |
"In the end, it’s not unlike a Jackson Pollock painting. No matter how close or how far away you stand from it, some people just get it and some people don’t." |
Jason Heck |
Tomato 2.5/4 |
Accepted (2006) |
"Accepted is enjoyable in spite of itself." |
Loey Lockerby |
Splat |
Adam Sandler's Eight Crazy Nights (2002) |
"There are a few clever moments in Eight Crazy Nights, but they come after long stretches of repetitive, juvenile gags that can be found in most of Sandler's other films." |
Loey Lockerby |
Splat 1.5/4 |
After the Sunset (2004) |
"This is the kind of film that exists solely to show off pretty actors and scenery." |
Loey Lockerby |
Tomato 3/4 |
After The Wedding (2007) |
"After the Wedding is a sad film in many ways, but it’s also surprisingly uplifting. Thanks to [director] Bier and her cast, any tears shed in the audience will be perfectly natural." |
Loey Lockerby |
Tomato 2/4 |
Against the Ropes (2003) |
"It is February, and this one is at least watchable. So go ahead and pick it up. Just don't expect it to be there when you get home." |
Loey Lockerby |
Splat |
The Amityville Horror (2005) |
"After a while, it's more annoying than scary, as niceties like suspense and atmosphere are ignored in favor of making people spill their popcorn. It's the laziest possible way to direct a horror movie." |
Loey Lockerby |
Splat |
Analyze That (2002) |
"Robert De Niro and Billy Crystal made a surprisingly good comedy team in Analyze This. They're still amusing in the follow-up, but this time the result is forced and dull." |
Loey Lockerby |
Tomato 2.5/4 |
The Ant Bully (2006) |
"The Ant Bully is too flawed to be a true classic, or even the best of this busy year. But when it stops talking and starts moving, it reaches breathtaking heights that almost make up for its lows." |
Loey Lockerby |
Splat 2/4 |
ATL (2006) |
"ATL is unlikely to inspire any emotion stronger than vague indifference." |
Loey Lockerby |
Tomato 2.5/4 |
August Rush (2007) |
"Although Williams seems to be in another film altogether, Russell and Rhys Meyers make an attractive and believable would-be couple, and Highmore may actually be the best child actor working today." |
Loey Lockerby |
Splat |
The Animal (2001) |
"You've got to wonder why the work of Schneider, David Spade and others seemed smarter and fresher on SNL." |
Rasmi Simhan |
Splat 2/4 |
A Scanner Darkly (2006) |
"A Scanner Darkly has virtually no action and is so slow to reveal itself that it dissipates whatever dramatic clout the novel may have had." |
Robert W. Butler |
Tomato |
A.I. Artificial Intelligence (2001) |
"Even if you don't much care for the experience, A.I. will ... plant ideas in your brain that can't be easily shaken loose." |
Robert W. Butler |
Tomato 3.5/4 |
About Schmidt (2002) |
"Takes us on a journey toward self-awareness that is both deadpan hilarious and profoundly moving." |
Robert W. Butler |
Tomato 2.5/4 |
Absurdistan (2008) |
"Absurdistan lives up to its name with its virtual nonstop drollery. And in Malerova the film has a most appealing leading lady." |
Robert W. Butler |
- |
Across the Sea of Time (1995) |
Click here to see the review. |
Robert W. Butler |
Tomato 3/4 |
Adam (2009) |
"Dancy gets the juiciest role and wisely underplays it." |
Robert W. Butler |
Tomato 3/4 |
Adaptation (2002) |
"A brain twister, less a movie-movie than a funny and weird meditation on Hollywood, success, artistic integrity and intellectual bankruptcy." |
Robert W. Butler |
Splat 2.5/4 |
Adoration (2009) |
"It never adds up to a satisfying whole." |
Robert W. Butler |
Tomato 3/4 |
Adventureland (2009) |
"If his plot falls into a predictable pattern, Mottola is able to work some attractive variations with his strong cast." |
Robert W. Butler |
Splat 1/4 |
Adventures of Sharkboy and Lava Girl in 3-D (2005) |
"The story is impossible, the acting generally awful and the 3-D effects so unremarkable that you're tempted to yank off the glasses and watch it with the naked eye." |
Robert W. Butler |
- |
An Affair of Love (2000) |
Click here to see the review. |
Robert W. Butler |
Tomato |
Aimee & Jaguar (2000) |
"A gripping espionage yarn, an overwhelming love story and a devastating history lesson." |
Robert W. Butler |
Tomato 3/4 |
Air Guitar Nation (2007) |
"For every dork who has stood before the home stereo speakers and banged away on an invisible instrument, here at last is validation." |
Robert W. Butler |
Tomato 3/4 |
Akeelah and the Bee (2006) |
"... it's never preachy." |
Robert W. Butler |
Tomato 3/4 |
The Alamo (2004) |
"This is the best Alamo movie ever -- the most accurate, the best-acted, the most sumptuously mounted." |
Robert W. Butler |
Splat 1.5/4 |
Alex and Emma (2003) |
"A romantic comedy that's painfully short on romance and comedy." |
Robert W. Butler |
Splat 1.5/4 |
Alexander (2004) |
"There's no joy here, no fun, no excitement. It's a 178-minute-long wall hanging." |
Robert W. Butler |
Tomato |
Ali (2001) |
"Not the greatest, but awfully darn good." |
Robert W. Butler |
Tomato |
Alias Betty (2002) |
"Some of what happens in Alias Betty is highly improbable. Yet Miller and his excellent cast sell the story by not overplaying their hands." |
Robert W. Butler |
Tomato 2.5/4 |
Alien vs. Predator (2004) |
"For 90 minutes it held my interest on a purely visceral level." |
Robert W. Butler |
Tomato 3/4 |
Alien: The Director's Cut (2003) |
"Even 25 years later Alien still can make us jump." |
Robert W. Butler |
Splat 1/4 |
All About Steve (2009) |
"Maybe a sitcom laugh track would have helped. At least it would provide a hint of where we’re supposed to chuckle." |
Robert W. Butler |
Splat |
All Over the Guy (2001) |
"It says nothing new, but it says it painlessly." |
Robert W. Butler |
Splat 2.5/4 |
All The King's Men (2006) |
"It’s well acted by Sean Penn and Jude Law. The only problem is I didn’t care." |
Robert W. Butler |
- |
All the Pretty Horses (2000) |
Click here to see the review. |
Robert W. Butler |
Tomato |
Almost Famous (2000) |
"One of the year's most enjoyable movies. It isn't particularly deep, but it resonates with the truths of an era." |
Robert W. Butler |