Tomato |
A.I. Artificial Intelligence (2001) |
"Even if you don't much care for the experience, A.I. will ... plant ideas in your brain that can't be easily shaken loose." |
Robert W. Butler |
Tomato 3.5/4 |
About a Boy (2002) |
"The "American Pie" duo deserves credit for making a convincingly British comedy that is also charmingly universal." |
Dan Lybarger |
Tomato 3.5/4 |
About Schmidt (2002) |
"Takes us on a journey toward self-awareness that is both deadpan hilarious and profoundly moving." |
Robert W. Butler |
Tomato 2.5/4 |
Absurdistan (2008) |
"Absurdistan lives up to its name with its virtual nonstop drollery. And in Malerova the film has a most appealing leading lady." |
Robert W. Butler |
Tomato 2.5/4 |
Accepted (2006) |
"Accepted is enjoyable in spite of itself." |
Loey Lockerby |
Tomato 3/4 |
Adam (2009) |
"Dancy gets the juiciest role and wisely underplays it." |
Robert W. Butler |
Tomato 3/4 |
Adaptation (2002) |
"A brain twister, less a movie-movie than a funny and weird meditation on Hollywood, success, artistic integrity and intellectual bankruptcy." |
Robert W. Butler |
Tomato 3/4 |
Adventureland (2009) |
"If his plot falls into a predictable pattern, Mottola is able to work some attractive variations with his strong cast." |
Robert W. Butler |
Tomato |
The Adventures of Rocky and Bullwinkle (2000) |
"It's not a classic. But it's also nothing that the late Jay Ward, who developed the characters more than 40 years ago, would be ashamed of, either." |
Brian McTavish |
Tomato 3/4 |
After The Wedding (2007) |
"After the Wedding is a sad film in many ways, but it’s also surprisingly uplifting. Thanks to [director] Bier and her cast, any tears shed in the audience will be perfectly natural." |
Loey Lockerby |
Tomato 2/4 |
Against the Ropes (2003) |
"It is February, and this one is at least watchable. So go ahead and pick it up. Just don't expect it to be there when you get home." |
Loey Lockerby |
Tomato |
Aimee & Jaguar (2000) |
"A gripping espionage yarn, an overwhelming love story and a devastating history lesson." |
Robert W. Butler |
Tomato 3/4 |
Air Guitar Nation (2007) |
"For every dork who has stood before the home stereo speakers and banged away on an invisible instrument, here at last is validation." |
Robert W. Butler |
Tomato 3/4 |
Akeelah and the Bee (2006) |
"... it's never preachy." |
Robert W. Butler |
Tomato 3/4 |
The Alamo (2004) |
"This is the best Alamo movie ever -- the most accurate, the best-acted, the most sumptuously mounted." |
Robert W. Butler |
Tomato |
Ali (2001) |
"Not the greatest, but awfully darn good." |
Robert W. Butler |
Tomato |
Alias Betty (2002) |
"Some of what happens in Alias Betty is highly improbable. Yet Miller and his excellent cast sell the story by not overplaying their hands." |
Robert W. Butler |
Tomato 2.5/4 |
Alien vs. Predator (2004) |
"For 90 minutes it held my interest on a purely visceral level." |
Robert W. Butler |
Tomato 3/4 |
Alien: The Director's Cut (2003) |
"Even 25 years later Alien still can make us jump." |
Robert W. Butler |
Tomato |
Almost Famous (2000) |
"One of the year's most enjoyable movies. It isn't particularly deep, but it resonates with the truths of an era." |
Robert W. Butler |
Tomato 2.5/4 |
Along Came Polly (2004) |
"Unpromising premise proves an ideal showcase for the comic talents of Ben Stiller and, to a lesser extent, supporting player Philip Seymour Hoffman." |
Robert W. Butler |
Tomato 4/4 |
Amarcord (1974) |
"Amarcord will make you howl with laughter and then choke back a tear. And all the while you’ll be building your own memories of this landmark movie." |
Robert W. Butler |
Tomato |
Amelie (2001) |
"May be 2001's most charming, creative and ultimately touching film." |
Robert W. Butler |
Tomato |
America's Heart and Soul (2004) |
"Features beautiful cinematography and editing that shrewdly builds each segment to a lump-in-the- throat coda." |
Robert W. Butler |
Tomato 3/4 |
America: Freedom To Fascism (2006) |
"If America: From Freedom to Fascism is right only 10 percent of the time, we're in big trouble." |
Robert W. Butler |
Tomato 2.5/4 |
American Dreamz (2006) |
"American Dreamz has plenty of laughs. You’ll leave the theater feeling not outraged but actually rather cheerful." |
Robert W. Butler |
Tomato |
American Pie 2 (2001) |
"In this film, you just want something or someone to laugh at. On those counts, American Pie 2 is a rousing success." |
Ward Triplett III |
Tomato |
An American Rhapsody (2001) |
"There's something about this film that speaks so loudly of real emotions and real events as to transcend all shortcomings." |
Robert W. Butler |
Tomato 3.5/4 |
American Splendor (2003) |
"About more than just one surly individual. It's a celebration of cinema's possibilities, which here get a jaw-dropping workout." |
Robert W. Butler |
Tomato 3/4 |
American Teen (2008) |
"There are many times when you simply can’t believe you’ve eavesdropped on such personal moments. The triumphs and pains of teenage life are captured here in all their marvelous, maddening complexity." |
Robert W. Butler |
Tomato 3/4 |
American Violet (2009) |
"Put on your outrage cap." |
Robert W. Butler |
Tomato 3.5/4 |
Amreeka (2009) |
"You can try to resist it, but by the time Cherien Dabis’ writing/directing effort is over, you’ll be completely sucked in." |
Robert W. Butler |
Tomato 2.5/4 |
Anchorman: The Legend of Ron Burgundy (2004) |
"Ferrell makes this a movie worth your money, and you'll leave the theater laughing." |
Sam Sessa |
Tomato 2.5/4 |
Angels & Demons (2009) |
"By the time it’s all over audiences may feel they’ve been had by a fiendishly manipulative storyteller. But then, being had is one of the reasons we go to the movies." |
Robert W. Butler |
Tomato |
Animation Show - Volume 1 (2003) |
"Less about yuks than about the fine-arts aspect of animation." |
Robert W. Butler |
Tomato 3/4 |
Anita O'Day - The Life Of A Jazz Singer (2008) |
"It’s lovingly made, with jazzy movement, and though it’s no great technical achievement, its low-budget aura hardly detracts from the mission." |
Steve Paul |
Tomato |
The Anniversary Party (2001) |
"Where else are you going to see so many beautiful people acting in a way that makes the rest of us feel superior?" |
Robert W. Butler |
Tomato 2.5/4 |
The Ant Bully (2006) |
"The Ant Bully is too flawed to be a true classic, or even the best of this busy year. But when it stops talking and starts moving, it reaches breathtaking heights that almost make up for its lows." |
Loey Lockerby |
Tomato 3.5/4 |
Antonio Gaudi (1984) |
"Don't be surprised if after seeing this movie you find yourself eyeing travel brochures for Barcelona." |
Robert W. Butler |
Tomato 3/4 |
Antwone Fisher (2002) |
"The film starts out as competent but unremarkable ... and gradually grows into something of considerable power." |
Robert W. Butler |
Tomato 3/4 |
Anvil! The Story of Anvil (2009) |
"There’s humor in all this misfortune. But the more you watch, the more you empathize." |
Robert W. Butler |
Tomato |
Apocalypse Now Redux (2001) |
"Unlike so many of today's films, which are instantly disposable from first frame to last, Coppola's opus has so many moments of pure cinematic genius that once seen, they stay with us forever." |
Robert W. Butler |
Tomato |
The Aristocrats (2005) |
"The results are unbelievably gross and -- once you get with the program -- side-splittingly funny." |
Robert W. Butler |
Tomato 2.5/4 |
Art School Confidential (2006) |
"Despite running out of juice in its last half-hour, Art School Confidential has enough solid laughs and insider jokes to become a cult perennial." |
Robert W. Butler |
Tomato 3/4 |
Ashes of Time Redux (1994) |
"In the end, it’s not unlike a Jackson Pollock painting. No matter how close or how far away you stand from it, some people just get it and some people don’t." |
Jason Heck |
Tomato |
The Assassination of Richard Nixon (2004) |
"Here's a case of a great performance in a movie so disturbing you get queasy watching it." |
Robert W. Butler |
Tomato |
Assault on Precinct 13 (2005) |
"My advice is to ignore such questions and go with the flow." |
Robert W. Butler |
Tomato |
Asylum (2005) |
"The film's great strength is a cast of supporting players who steal scene after scene from their leading lady." |
Robert W. Butler |
Tomato 2.5/4 |
August Rush (2007) |
"Although Williams seems to be in another film altogether, Russell and Rhys Meyers make an attractive and believable would-be couple, and Highmore may actually be the best child actor working today." |
Loey Lockerby |
Tomato 3/4 |
Auto Focus (2002) |
"Kinnear and Dafoe give what may be the performances of their careers." |
Robert W. Butler |