Splat 2/5 |
S.F.W. (1994) |
Click here to see the review. |
Alison Macor |
- |
S.O.B. (1981) |
Click here to see the review. |
Marjorie Baumgarten |
Splat 1.5/5 |
S.W.A.T. (2003) |
"Surely something more original than this could have been mined from the history of North America's largest and most professional police force." |
Marc Savlov |
Splat 1.5/5 |
S1m0ne (2002) |
"The film targets the new star system, the media, the studios, digital technology, and pretty much everything else you might care to think of -- and not enough script to back it all up." |
Marc Savlov |
Tomato |
Saboteur (1942) |
"Another of Hitchcock's deadly mistaken-identity tales." |
Marjorie Baumgarten |
Splat 2.5/5 |
Sabrina (1995) |
"While it can't hold a candle to Wilder’s film, the updated Sabrina has its moments." |
Marjorie Baumgarten |
Tomato 4/5 |
The Saddest Music in the World (2004) |
"Beckons with a seductive and unforgettable melody." |
Marjorie Baumgarten |
Tomato 4/5 |
Safe (1995) |
Click here to see the review. |
Marjorie Baumgarten |
Tomato 4.5/5 |
Safe Men (1998) |
Click here to see the review. |
Marjorie Baumgarten |
Tomato 3.5/5 |
Safe Passage (1994) |
Click here to see the review. |
Marjorie Baumgarten |
- |
Safety Last (1923) |
Click here to see the review. |
Marjorie Baumgarten |
Tomato 3.5/5 |
The Safety of Objects (2003) |
Click here to see the review. |
Kimberly Jones |
- |
The Saga of Anatahan (1953) |
Click here to see the review. |
Marjorie Baumgarten |
Splat 2/5 |
Sahara (2005) |
"Just don’t go expecting complex moral and ethical quandaries and you’ll likely never think of Ishtar even once." |
Marc Savlov |
Tomato 3/5 |
Les Saignantes (2005) |
Click here to see the review. |
Marjorie Baumgarten |
Tomato 2.5/5 |
The Saint (1997) |
"A remarkably likable thriller." |
Marc Savlov |
Tomato 4.5/5 |
Saint Clara (1996) |
Click here to see the review. |
Marc Savlov |
Splat 2/5 |
Saint Ralph (2005) |
Click here to see the review. |
Marrit Ingman |
Tomato 3/5 |
Salmonberries (1990) |
Click here to see the review. |
Marjorie Baumgarten |
Tomato 3/5 |
Salton Sea (2002) |
"A solid piece of dirty work." |
Marc Savlov |
Splat 1.5/5 |
Same Old Song (1997) |
"A tired tune, conducted by a maestro who appears to be tone-deaf." |
Marjorie Baumgarten |
Splat 2.5/5 |
The Same River Twice (2003) |
"Offers glimmers of truth about the aging process, but there is always the sense that Moss only wades knee-high into this river." |
Marjorie Baumgarten |
- |
Sammy and Rosie Get Laid (1987) |
Click here to see the review. |
Marjorie Baumgarten |
- |
Samurai X - OVA 3: Trust (1999) |
Click here to see the review. |
Marjorie Baumgarten |
Tomato 3/5 |
The Sandlot (1993) |
Click here to see the review. |
Marjorie Baumgarten |
Tomato |
Sanjuro (1962) |
"Mifune's disheveled samurai is an almost cartoonlike send-up of the established samurai image." |
|
Tomato 2.5/5 |
The Santa Clause (1994) |
"The jokes are mostly funny, the divorced parents stay happily divorced, and we're treated to yet another earnestly dopey performance by the endearing Judge Reinhold." |
Hollis Chacona |
Splat 2/5 |
The Santa Clause 2 (2002) |
Click here to see the review. |
Marrit Ingman |
Splat 0/5 |
The Santa Clause 3: The Escape Clause (2006) |
"Bah, humbug." |
Marc Savlov |
Tomato |
Santa Sangre (1990) |
"[A] wild explosion of movie madness that culls from Freud, Jung, and surrealism to create a bloody circus of the mind." |
Marjorie Baumgarten |
Tomato |
Santa vs. the Snowman (2002) |
"An entertaining kids' diversion." |
Marjorie Baumgarten |
- |
Santitos (1997) |
Click here to see the review. |
Sarah Hepola |
Tomato 3.5/5 |
Saraband (2005) |
"A pure distillation of the great director's ongoing themes of the frailty of the human psyche and mankind’s willful inability to accept the inevitable, whatever that may be." |
Marc Savlov |
Splat 2/5 |
Sarafina! (1992) |
Click here to see the review. |
Marjorie Baumgarten |
- |
The Saragossa Manuscript (1965) |
"The three-hour movie is frequently described as a Chinese box of imaginative stories within stories based on an early 19th-century novel by Jan Potocki." |
Marjorie Baumgarten |
Splat 2.5/5 |
Sarah Silverman: Jesus is Magic (2005) |
Click here to see the review. |
Marjorie Baumgarten |
- |
Satan's Cheerleaders (1977) |
Click here to see the review. |
Marjorie Baumgarten |
Tomato 3/5 |
Satin Rouge (2002) |
"Anchored by a terrific performance by Abbass, Satin Rouge shows that the idea of women's self-actualization knows few continental divides." |
Marjorie Baumgarten |
Splat 1/5 |
Satin Steel (1994) |
Click here to see the review. |
Joey O'Bryan |
Tomato |
Saturday Night Fever (1977) |
"Today mostly regarded as disco camp, Saturday Night Fever should rank as one of the great American films." |
Marjorie Baumgarten |
Splat 2/5 |
Savage Grace (2008) |
"Savage Grace is a movie that badly wants to shock you. The only thing that might raise an eyebrow here, however, is the shocking rate at which everyone lights up a cigarette every five minutes." |
Steve Davis |
Tomato 4.5/5 |
Savage Nights (1994) |
Click here to see the review. |
Marjorie Baumgarten |
- |
Savage Streets (1983) |
Click here to see the review. |
Marjorie Baumgarten |
Tomato 4/4 |
The Savages (2007) |
"Jenkins' superlative work proves her first film was no fluke; let's hope it doesn't take another nine years to hear from her again." |
Marjorie Baumgarten |
Splat 2.5/5 |
Save the Last Dance (2001) |
"To the film's credit, it tries, and while it never really sings, it does deliver the dance." |
Kimberly Jones |
Tomato 3/5 |
Saved! (2004) |
"A sweet, often very funny, and ultimately pretty soft satire in which everybody – and I mean everybody – is let off the hook." |
Kimberly Jones |
Tomato 3/5 |
Saving Face (2005) |
" ... surprisingly fresh and charming overall." |
Marrit Ingman |
Splat 2/5 |
Saving Grace (2000) |
Click here to see the review. |
Marjorie Baumgarten |
Tomato 4/5 |
Saving Private Ryan (1998) |
"A bitter, bloody masterpiece with adrenalized emotions and hyper-realized images." |
Marc Savlov |
Splat 0/5 |
Saving Silverman (2001) |
Click here to see the review. |
Marc Savlov |
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