Adaptation (2002)

"The collaboration of Jonze's unorthodox direction and screenwriter Charlie Kaufman's script hasn't been this delightfully solid since their surrealistic joyride in 1999's wonderfully erratic comedy Being John Malkovich."

Adventureland (2009)

"...a refreshing take on "the teen turmoil scene" where the uncertainty and inherent fear of a gifted mind is explored with the legitimacy of doubt and disappointment."

Afterglow (1997)

"Afterglow plants a cynical seed in its provocative examination of isolation, arbitrary emotional fulfillment, and marital stagnation. Christie dutifully fills the shoes of a wounded woman so convincingly"

Alien Trespass (2009)

"...gently wacky. Although breezy and sketchy on the easy laughs at times, Alien Trespass does promise to entertain for the sole purpose of its campy off-kilter makeup."

Amelie (2001)

"Amelie From Montmartre is pragmatic, lighthearted, imaginative and clearly one of the best romantic charmers to come along in a year that has been dominated by posturing fluff."

Anacondas: The Hunt for the Blood Orchid (2004)

"While not a great film, "Anacondas" does offer some Bite for late summer audiences and is a step up from the previous film in the series."

Antwone Fisher (2002)

"Washington and Luke give honest, touching performances in an African-American exposition that refreshingly puts the spotlight on black aggression from a different, subtle point of view -- riveting in spite of its uneven and saccharine-coated tendencies"

Aqua Teen Hunger Force Colon Movie Film For Theatres (2007)

"Bottom line: consider the engagingly outlandish Aqua Teen Hunger Force as feisty food for incomprehensible thought."

Arthur (1981)

"One will delightfully get drunk between the moon and New York City by drinking up the spry essence in Gordon's romantic comedy Arthur"

Assault on Precinct 13 (2005)

"...[a] disjointed but jolting jailhouse shoot-‘em-up showcase...a frenetic and formulaic action-drama guaranteed to get the adrenaline pumping."

Auto Focus (2002)

"Auto Focus is a revealing albeit uneven biopic about one man's quiet depravity and the concoction of temptation that fueled his quest for compulsive, risque pleasures."

Abandon (2002)

"Abandon has its wincing moments here and there, but for the most part this lackluster teen drama is about as chilling and calculating as a cold half-eaten pork chop."

Accepted (2006)

"Unfortunately for Accepted, the movie's make-the-grade spunkiness as a collegiate cut-up has been emphatically Denied."

Aeon Flux (2005)

"...sci-fi jolting gibberish. Did we already mention witnessing Theron in skin-hugging get-ups acting like a curvaceous contortionist experiencing PMS?"

Against the Ropes (2003)

"Against The Ropes is the latest sucker punch that arrives in the arena of unbearable boxing sagas complete with built-in sporting cliches and forged bravado"

Alexander (2004)

"...a boorish and bloated costume epic that has all the exciting appeal of a prolonged high school social studies lesson during the thankless hazy days of summer"

All The King's Men (2006)

"Zallian's examination of corruption and wayward idealism of political plight is nothing but a meager melodrama searching for its scandalous sentiments."

Along Came Polly (2004)

"Along Came Polly is a scattershot and tiring romantic ruse that depends on its notable players to sell the relentlessly lame, run-of-the-mill package of witless high jinks"

American Dreamz (2006)

"The off-the-cuff slaphappy material feels too stretched out and relentlessly spotty to emphasize any pinpoint intellectual political humor. Slight in its sarcastic overtones..."

The Amityville Horror (2005)

"Douglas feels like conjuring up a cliched creep show that has all the eerie vibes of a creaking screen door in need of some oil on its rusty hinges."

Analyze That (2002)

"This Holiday Turkey should have spent more time on the Couch."

Anything Else (2003)

"Anything Else dangerously embraces the vibes of mediocrity and that’s a crying shame for an artist so capably adventurous as Allen once was in his heyday of potent hilarity."

Are We There Yet? (2005)

"So Are We There Yet? The answer is yes—we arrived and from the looks of this fettered fluff we could ask an equally appropriate inquiry: Is it too late to go back?"

Austin Powers in Goldmember (2002)

"Although the eurphoria is apparent for Austin Powers-mania, why risk the need of squeezing out another installment of a revered movie character dangerously looking to overstay his cinematic welcome in exhausting fashion?"

Adam Sandler's Eight Crazy Nights (2002)

Click here to see the review.