Splat |
O (2001) |
"It's a doomy dirge of a movie, in which the protagonists, or at least the actors who play them, aren't equipped to handle their outsize passions." |
Peter Rainer |
- |
O Brother, Where Art Thou? (2000) |
"The Coens' usual arch deliberateness isn't quite as deliberate, and there's an appealing shagginess to some of the episodes and performances." |
Peter Rainer |
- |
The Object Of My Affection (1998) |
Click here to see the review. |
David Denby |
Tomato |
Observe and Report (2009) |
"Observe and Report is the rare 'action-comedy' (almost always a muddled hybrid) that earns its cathartic climax. The blood is real because the psychosis is real. But somehow -- the magic of comedy -- it’s also uproarious." |
David Edelstein |
Tomato |
Ocean's Eleven (2001) |
"It can, at times, be forgettable in a fun way, especially when its funniest performers are caught in Soderbergh's spinning crosshairs." |
Peter Rainer |
Tomato |
Ocean's Thirteen (2007) |
"Is it possible that only a director so distrustful of surfaces could surrender so thrillingly to the big lie?" |
David Edelstein |
- |
Ocean's Twelve (2004) |
Click here to see the review. |
Logan Hill |
- |
Office Space (1999) |
Click here to see the review. |
Peter Rainer |
Tomato |
Old Joy (2006) |
"Against a radiant backdrop of decay and rebirth, nothing needs to be said; everything in this lovely film is crystalline." |
David Edelstein |
Splat |
The Omen (2006) |
"Yet another remake no one needs is The Omen, based on an empty 1976 horror vessel." |
David Edelstein |
- |
On The Ropes (1999) |
Click here to see the review. |
Peter Rainer |
Splat |
One Hour Photo (2002) |
"Sy's scary ordinariness is a species of acting stunt. There's no there there." |
Peter Rainer |
- |
Only the Strong Survive (2003) |
Click here to see the review. |
Peter Rainer |
- |
Open Range (2003) |
Click here to see the review. |
Peter Rainer |
Tomato |
Open Water (2004) |
"Terrifying precisely because it doesn't go in for cheesy shock tactics and special effects." |
Peter Rainer |
Tomato |
Operation Filmmaker (2008) |
"Operation Filmmaker doesn’t quite shake out as a microcosm of the American-Iraq relationship, although [director] Davenport cheekily toys with the conceit. But the movie is endlessly resonant." |
David Edelstein |
- |
The Opposite of Sex (1998) |
Click here to see the review. |
David Denby |
Tomato |
The Order of Myths (2008) |
"Entertaining, mind-opening docs open every month, but none has broken through to a wide audience. Now comes the latest winner, Margaret Brown’s penetrating The Order of Myths." |
David Edelstein |
- |
The Orphanage (2007) |
Click here to see the review. |
Sara Cardace |
Tomato |
Osama (2003) |
"The first film shot entirely in Afghanistan since the rise and fall of the Taliban, and it’s a heartbreaking look back at life under that regime." |
Peter Rainer |
Tomato |
The Other Boleyn Girl (2008) |
"And what of these young American actresses’ putting on British accents to vie for the king? They seem, at first, like coeds in a college production of The Importance of Being Earnest, but once the dislocation fades, their commitment wins you over." |
David Edelstein |
Tomato |
Our Brand Is Crisis (2005) |
"Only a naïf would be surprised by Our Brand Is Crisis, but only a nihilist would not be alarmed by the endless reverberations of Boynton’s case study—and by its suggestion of a systemic separation of modern politics and the national good." |
David Edelstein |
- |
Our Lady of the Assassins (2001) |
Click here to see the review. |
Peter Rainer |
- |
Our Song (2001) |
Click here to see the review. |
Peter Rainer |
Tomato |
The Outsider (2006) |
"[A] delicious cult-of-personality documentary..." |
David Edelstein |
Tomato |
Overnight (2004) |
"The latest entry in the ever-expanding Harvey Weinstein demonology, this jittery documentary is as raw as the filmmakers’ rattled nerves." |
Logan Hill |
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