Tomato |
O (2001) |
"An exceptionally intelligent and powerful contemporary adaptation of Othello." |
Lou Lumenick |
Tomato 3/4 |
O Brother, Where Art Thou? (2000) |
"The performances by George Clooney and Coen regulars like John Goodman and John Turturro are simply a delight." |
Jonathan Foreman |
Splat 2/4 |
O Fantasma (2000) |
"Arty gay film." |
Megan Turner |
Tomato 3.5/4 |
O'Horten (2009) |
"A small masterpiece of poignant deadpan humor." |
Lou Lumenick |
Tomato 3/4 |
Oasis (2004) |
"You'll have to look long and hard to find a performance as emotionally raw as that of Moon So-ri." |
V.A. Musetto |
Tomato 3/4 |
Oblivion (2008) |
"Prolific filmmaker Heddy Honigmann, the champion of the little people, is back and in fine form." |
V.A. Musetto |
Tomato 3/4 |
Obscene: A Portrait Of Barney Rosset And Grove Press (2008) |
"A compelling documentary about [Barney Rosset] directed by neophytes Neil Ortenberg and Daniel O'Connor." |
V.A. Musetto |
Tomato 3/4 |
Observe and Report (2009) |
"I don't want to oversell it, but Observe and Report is the sort of offbeat studio movie that should be encouraged." |
Lou Lumenick |
Splat 2/4 |
Occupation: Dreamland (2005) |
"The film doesn't add much to what we know about the war." |
Kyle Smith |
Tomato 3/4 |
Ocean's Eleven (2001) |
"Pure Hollywood moonshine." |
Lou Lumenick |
Tomato 3/4 |
Ocean's Thirteen (2007) |
"Hollywood's summer of risk-free programming continues with the fourth three-peat in six weeks, Ocean's Thirteen, the least overbearing of the franchise installments rolled out so far." |
Lou Lumenick |
Tomato 3/4 |
Ocean's Twelve (2004) |
"This slickly entertaining sequel is all about savoring eye candy." |
Lou Lumenick |
Splat 2/4 |
Odessa Odessa (2005) |
"Sometimes beautiful to look at but ultimately too poetic for its own good." |
Russell Scott Smith |
Splat 1.5/4 |
Off Jackson Avenue (2009) |
"If there really are 8 million stories in the naked city, you'd think that writer-director John-Luke Montias would have come up with more convincing scenarios for his Queens-based movie Off Jackson Avenue." |
V.A. Musetto |
Splat 1/4 |
Off the Black (2006) |
"If your film is as downbeat and deflated as this one, you had better be leading up to a more interesting insight than, 'The older I get, the more I know that I don't know anyone.'" |
Kyle Smith |
Splat 1/4 |
Off the Hook (2002) |
"Off the Hook is overlong and not well-acted, but credit writer-producer-director Adam Watstein with finishing it at all." |
Lou Lumenick |
Splat 2/4 |
Off the Map (2005) |
"Scott's work as a director lacks the sense of vivid urgency he's displayed as an actor." |
Lou Lumenick |
Tomato 3/4 |
Offside (2006) |
"The story is good-natured, but Panahi's message is serious: That ludicrous rules turn Iranian women into third-class citizens. And what better way is there to get that point across than through sports and laughter?" |
V.A. Musetto |
Splat 1/4 |
The Oh in Ohio (2006) |
"Despite this seemingly surefire premise and cast of veteran comedians - there's even a cameo by Liza Minnelli as a masturbation coach -- The OH in Ohio just lies there, without a single laugh." |
Lou Lumenick |
Splat 0/4 |
Oh My God (2009) |
"Hearing snoring from behind me at a screening the other day, I looked around and noticed four people had dozed off during the prettily photographed, boring vanity project that is Oh My God?" |
Lou Lumenick |
Splat 1/4 |
Old Dogs (2009) |
"Old Dogs does to the screen what old dogs do to the carpet. It's unfortunate that only the latter can be taken out and shot." |
Kyle Smith |
Splat 1/4 |
Old Joy (2006) |
"Only the alt-country score by Yo La Tengo makes any of this bearable." |
Kyle Smith |
Tomato 2.5/4 |
Old School (2003) |
"Old School scores points for its refreshing lack of cheap gross-out humor." |
Megan Lehmann |
Tomato 4/4 |
Oldboy (2005) |
"An adrenalin rush that will keep you buzzing for days." |
V.A. Musetto |
Splat 2.5/4 |
Oliver Twist (2005) |
"Polanski's take will spark debate among Dickens lovers, but audiences won't respond as warmly as they have to Lean's classic." |
Kyle Smith |
Tomato 3/4 |
The Omen (2006) |
"The devil takes care of business in exactly the same way, as if he's reading from the book of Re-Revelation. But director John Moore has added some creepy visuals and assembled an unusually strong cast for a horror flick." |
Kyle Smith |
Splat 2.5/4 |
On A Clear Day (2006) |
"The recent Anthony Hopkins film The World's Fastest Indian, a charming true story loaded with nutty details, painted a similar picture of an older man's quest, but with much brighter colors than the gray tones of On a Clear Day." |
Kyle Smith |
Tomato 3/4 |
On Guard (1997) |
"Boasting the best sword-fighting sequences to hit the screen in many years, it is so enjoyably old-fashioned it even looks as if it were made in the '70s." |
Jonathan Foreman |
Splat 0/4 |
On the Line (2001) |
"More 'it stinks' than 'NSYNC." |
Lou Lumenick |
Tomato 3/4 |
On the Outs (2005) |
"It delivers a genuine emotional wallop." |
Lou Lumenick |
Splat 2/4 |
On the Rumba River (2008) |
"Delightful music alternates with too-brief interviews with Wendo and his colleagues. On the Rumba River cries out for narration to help viewers understand the tragic context of his life." |
Lou Lumenick |
Tomato 3/4 |
On the Run (1998) |
Click here to see the review. |
Jonathan Foreman |
Tomato 3/4 |
On the Run (2002) |
"An enjoyably spare and fast- moving French thriller." |
Jonathan Foreman |
Tomato 3.5/4 |
Once (2007) |
"So heartfelt and sparse, so quietly genuine with its dingy digital images -- so not Rent." |
Kyle Smith |
Tomato 3/4 |
Once in a Lifetime: The Extraordinary Story of the New York Cosmos (2006) |
"No Hollywood scriptwriter would dare make up a tale as outrageously unlikely -- but, as it happens, true -- as the one so entertainingly told in the documentary Once in a Lifetime: The Extraordinary Story of the New York Cosmos." |
Lou Lumenick |
Tomato |
Once in the Life (2000) |
"Would easily qualify for an Oscar nomination if it were in a movie that was a bit less like canned theater and more cinematic." |
Lou Lumenick |
Tomato 3/4 |
Once Upon a Time in Mexico (2003) |
"A heady mix of Tarantino-esque pulp." |
Megan Lehmann |
Tomato 2.5/4 |
Once Upon a Time in the Midlands (2003) |
"Ifans' sniveling strains our sympathies, but the supporting cast is terrific." |
Megan Lehmann |
Splat |
The One (2001) |
"This sci-fi/martial arts hybrid has the stale aura of a product assembled out of bits of other action movies." |
Jonathan Foreman |
Splat 2/4 |
The One (2001) |
"This sci-fi/martial arts hybrid has the stale aura of a product assembled out of bits of other action movies." |
Jonathan Foreman |
Tomato 3/4 |
One Day in the Life of Andrei Arsenevich (2001) |
"Excellent documentary." |
V.A. Musetto |
Tomato 3/4 |
One Day You'll Understand (2008) |
"The film is to be seen for Moreau, a French national treasure, who gives a beautiful, understated performance that transcends the derivative story." |
V.A. Musetto |
Tomato 3/4 |
One Girl Against the Mafia (2002) |
"A riveting and inspiring story right out of The Godfather." |
Lou Lumenick |
Tomato 3.5/4 |
One Hour Photo (2002) |
"With One Hour Photo, Williams triumphs by exceeding both in sheer actor's craft -- and the depths he plumbs in his character's tortured soul." |
Lou Lumenick |
Splat 0/4 |
One Last Thing (2005) |
Click here to see the review. |
V.A. Musetto |
Splat 2/4 |
One Missed Call (2003) |
"One Missed Call is a mess." |
V.A. Musetto |
Splat |
One Night at McCool's (2001) |
"Sourly unsexy and vulgar." |
Jonathan Foreman |
Splat 0.5/4 |
One Night With The King (2006) |
"The cinematography and sets look great, but the script is a bummer. It's overlong, overwrought and overblown." |
V.A. Musetto |
Splat 0/4 |
One Third (2006) |
"Vanity productions don't come much worse than One Third." |
Lou Lumenick |
Tomato 2.5/4 |
One to Another (2007) |
"Only the French could or would make a movie like this. You'll enjoy it if you turn off your brain and concentrate on the eye candy." |
V.A. Musetto |
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