Tomato 3.5/4 |
I am a Sex Addict (2005) |
"I Am a Sex Addict is a sophisticated and open baring of one man's soul. And quite a few other things." |
John Anderson |
Splat 2/4 |
I Am Legend (2007) |
"Most everything in I Am Legend feels lifted from elsewhere." |
Jan Stuart |
Splat |
I Am Sam (2002) |
"Pounds its noble intentions and emotional intensity into your head until you can't help but cry -- in physical pain from all the pummeling." |
Gene Seymour |
Tomato 2.5/4 |
I Capture the Castle (2003) |
"It may be best to think of I Capture the Castle as a kind of comfy chair with a few frayed edges and telltale leaks in its upholstery. Perfect furniture, in other words, for a lazy summer afternoon." |
Gene Seymour |
Tomato 4/4 |
I Don't Want To Sleep Alone (2007) |
"I Don't Want to Sleep Alone is emotional in what it says about the need for connections, religious in what it asks about the universe." |
John Anderson |
Splat |
I Dreamed of Africa (2000) |
"Hudson is hamstrung by a script that strives to touch on every episode in Gallmann's life (or book) without knitting them into a coherent whole." |
John Anderson |
Splat 2.5/4 |
I Heart Huckabees (2004) |
"The trip is a little too academic to reach its own heart." |
Jan Stuart |
Splat 0/4 |
I Know Who Killed Me (2007) |
"I Know Who Killed Me, ostensibly a horror thriller in the slice-and-dice vein of Captivity and Saw, bagged as many laughs in its bloodbath finale as anything in The Simpsons Movie." |
Jan Stuart |
Tomato 2.5/4 |
I Like Killing Flies (2006) |
"It's a rough-hewn film, more interesting, probably, to those who've actually made it through a meal there, but fun and maybe even inspiring." |
John Anderson |
Tomato 3/4 |
I Love You, Man (2009) |
"Even though I Love You, Man supplies plenty of cringes, it also has overtones of warmth and undertones of real humor, and two stars -- Paul Rudd and Jason Segel -- who do what they do with aplomb." |
John Anderson |
Splat 2.5/4 |
I Love Your Work (2005) |
"I Love Your Work gets the dissonance of the celebrity lifestyle to a T. But the self-reflexive strategy of Goldberg and co-writer Adrian Butchart is too brainy by half." |
Jan Stuart |
Splat 1/4 |
I Now Pronounce You Chuck And Larry (2007) |
"What were they thinking? Simple: They weren't." |
John Anderson |
Tomato |
I Remember Me (2001) |
"A tender, yet pointed documentary of perseverance, thwarted hope and medical buffoonery." |
Gene Seymour |
Splat 1.5/4 |
I Spy (2002) |
"Humor in I Spy is so anemic." |
John Anderson |
Splat 2/4 |
I Think I Love My Wife (2007) |
"Rock's depiction of women as either pouting spoilsports, nagging, frigid soccer moms or man-eating vixens harkens back to the pre-feminist '60s." |
Jan Stuart |
Splat 3/4 |
I Want Someone to Eat Cheese With (2007) |
"...painful, funny and honest, and the tone Garlin achieves is steady and true." |
John Anderson |
Tomato 3.5/4 |
I'll Sing For You (2004) |
"A musical biopic conceived as a lyric dreamscape, as a meditation on fate and faith." |
Gene Seymour |
Splat 2/4 |
I'll Sleep When I'm Dead (2004) |
"Works to shake free of noir directives, to the point where it loses direction altogether." |
Gene Seymour |
Tomato 3/4 |
I'm Not Scared (2004) |
"Few movies purporting to chronicle loss of innocence convey its jolt and sadness as effectively." |
Gene Seymour |
Tomato 4/4 |
I'm Not There (2007) |
"I'm Not There takes its audience across a Rubicon of moviegoing disillusionment, apathy and sloth: If you are, as you say, so tired of the old, then here is the new. Embrace it, or please shut up." |
John Anderson |
Tomato 2.5/4 |
I'm Reed Fish (2007) |
"The acting is good, the turf is familiar, and the mood is sweet without causing diabetes." |
John Anderson |
Tomato 3.5/4 |
I've Loved You So Long (2008) |
"In a few moments the British actress, playing a haunted woman named Juliette, will begin speaking French, but in these moments her face reveals more than any dialogue." |
Rafer Guzman |
Tomato 3/4 |
I, Robot (2004) |
"A whodunit that keeps you guessing right to the end." |
Gene Seymour |
Tomato 3/4 |
Ice Age (2002) |
"Vivid conception with amusing, witty stretches that offset the intervals of goo." |
Gene Seymour |
Splat 2/4 |
Ice Age: Dawn of the Dinosaurs (2009) |
"Treacly and barely amusing." |
Rafer Guzman |
Splat 2/4 |
The Ice Harvest (2005) |
"Harold Ramis' aptly titled The Ice Harvest has the cynicism in spades, but stylistic savoire faire has been replaced by take-no-prisoners boorishness." |
Jan Stuart |
Tomato 3/4 |
Ice Princess (2005) |
"The movie carries out its generic, almost ritualized narrative with honest sentiment and engaging warmth." |
Gene Seymour |
Splat 2/4 |
Identity (2003) |
"It can make for an exasperating ride, since the filmmakers fudge the line between earnest manipulation and flip self-mockery." |
Jan Stuart |
Tomato 3/4 |
Idlewild (2006) |
"There are enough qualities in Idlewild to make you believe not only in [director] Barber's potential, but in a fruitful marriage of hip-hop sensibility with the movie musical genre." |
Gene Seymour |
Splat 2/4 |
Igby Goes Down (2002) |
"You get the impression that writer and director Burr Steers knows the territory ... but his sense of humor has yet to lose the smug self-satisfaction usually associated with the better private schools." |
John Anderson |
Tomato 3/4 |
Igor (2008) |
"Director Tony Leondis and screenwriter Chris McKennna have mined everything from Young Frankenstein to Sleepy Hollow to Japanese anime to the German Neo-Expressionists to create that rare thing, a cartoon for adults." |
John Anderson |
Splat 2/4 |
Illegal Tender (2007) |
"This second-rate action drama features a mostly Latino but mostly wasted cast." |
Rafer Guzman |
Tomato 3.5/4 |
The Illusionist (2006) |
"The high gloss doesn't intrude on the narrative cunning -- or, for that matter, the foxy grandeur of the performances." |
Gene Seymour |
Tomato 3/4 |
Imaginary Heroes (2004) |
"Family crosscurrents are so rarely explored with any kind of intelligence in commercial American filmmaking, one applauds Harris for going there at all." |
Jan Stuart |
Tomato 2.5/4 |
Imagine Me & You (2006) |
"Parker's frothy relationship drama/comedy of manners throws a few curves into the rec room of romantic triangles." |
John Anderson |
Splat 2/4 |
Imelda (2004) |
"While dismissing her point of view, it also takes her absolutely seriously -- her presentation of the 'facts' often makes her seem ridiculous, but at the same time beyond criticism." |
John Anderson |
Splat 1.5/4 |
Importance of Being Earnest (2002) |
"What Wilde regarded as 'a trivial comedy for serious people,' Parker has made over into a trivial comedy for trivial people." |
Jan Stuart |
Splat |
Impostor (2001) |
"It's a big production, but the movie feels somewhat counterfeit." |
Jan Stuart |
Splat 2/4 |
In America (2003) |
"Ostensibly, it's meant to be part family drama and part love letter to New York. But it feels like a movie made by a tourist." |
John Anderson |
Tomato 2.5/4 |
In Bruges (2008) |
"Martin McDonagh's raucous dark comedy teeters between cheeky humor and violence, overplaying both to varying degrees." |
Jan Stuart |
Tomato 3.5/4 |
In Good Company (2004) |
"In Good Company is the perfect comedy for this topsy-turvy age of bottom-lining and pup-eat-dog." |
Jan Stuart |
Splat 2/4 |
In Her Shoes (2005) |
"A saggy, baggy monster whose mood swings and personality tics spill over in unrelenting gushes." |
Gene Seymour |
Tomato |
In July (2000) |
"Very funny and charming." |
John Anderson |
Splat 1/4 |
In My Country (2005) |
"There is no historical moment so epochal that it cannot be reduced to schlock entertainment in the right hands." |
Jan Stuart |
Tomato 3/4 |
In My Skin (2003) |
"Not easy, but it is thoroughly cinematic and gripping." |
John Anderson |
Tomato 3/4 |
In Praise of Love (2001) |
"The movie's ripe, enrapturing beauty will tempt those willing to probe its inscrutable mysteries." |
Gene Seymour |
Splat 2.5/4 |
In Search of a Midnight Kiss (2008) |
"Holdridge shows talent, as do his leads, but along with money for popcorn, bring patience." |
John Anderson |
Tomato |
In the Bedroom (2001) |
"Field has made a movie in which everything feels organic, nothing seems untrue and the effect is unforgettable." |
John Anderson |
Splat 2/4 |
In the Cut (2003) |
"A knotty mess, but not quite dismissable either." |
John Anderson |
Splat 1/4 |
In the Land of Women (2007) |
"These are purely movie creatures -- entities that may, in fact, arise from pods and exist only in relation to other movies and movie creatures." |
John Anderson |
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