Splat |
The Da Vinci Code (2006) |
"Ron Howard and screenwriter Akiva Goldsman struggle mightily to cram as much as possible of Dan Brown's labyrinthine thriller into a 2-hour-28-minute running time, resulting in a movie both overstuffed and underwhelming." |
David Ansen |
- |
Daddy Nostalgia (1990) |
Click here to see the review. |
David Ansen |
- |
Dante's Peak (1997) |
Click here to see the review. |
David Ansen |
Tomato |
Dark City (1998) |
"Proyas floods the screen with cinematic and literary references ranging from Murnau and Lang to Kafka and Orwell, creating a unique yet utterly convincing world." |
Andrea C. Basora |
Tomato |
The Dark Knight (2008) |
"Nolan wants to prove that a superhero movie needn't be disposable, effects-ridden junk food, and you have to admire his ambition." |
David Ansen |
- |
The Dark Knight (2008) |
"Christopher Nolan: The Dark Knight Q&A" |
Devin Gordon |
Tomato |
Days of Glory (2006) |
"It isn't often a movie has the power to force a country to do the right thing." |
David Ansen |
- |
The Daytrippers (1995) |
Click here to see the review. |
David Ansen |
- |
Dead Man (1996) |
Click here to see the review. |
David Ansen |
- |
A Decade Under the Influence (2003) |
Click here to see the review. |
David Ansen |
- |
Deceived (1991) |
Click here to see the review. |
David Ansen |
Tomato |
Deja Vu (2006) |
"It's preposterous, but never dull: Scott whips the action into a taut, tasty lather." |
David Ansen |
Tomato |
The Departed (2006) |
"The Departed is Scorsese's most purely enjoyable movie in years." |
David Ansen |
- |
Devil in a Blue Dress (1995) |
Click here to see the review. |
David Ansen |
Splat |
The Devil Wears Prada (2006) |
"Dramatically anorexic." |
David Ansen |
- |
Dick Tracy (1990) |
Click here to see the review. |
David Ansen |
- |
Die Hard 3: Die Hard With a Vengeance (1995) |
Click here to see the review. |
David Ansen |
Tomato |
The Dinner Game (1998) |
"Despite the stagey set-up (it was originally conceived as a play and it shows), the film manages to maintain its humor and energy until the final scene in which Veber suddenly casts aside his delightful meanspiritedness and gets soft-hearted and preachy." |
Andrea C. Basora |
Tomato |
Disney's The Kid (2000) |
"The journey itself is more charming, and less sentimental, than you might suspect." |
David Ansen |
Tomato |
The Diving Bell and the Butterfly (2007) |
"The Diving Bell and the Butterfly keeps opening up, its structure mimicking the awakening of its extraordinary protagonist's mind." |
David Ansen |
Tomato |
Dogtown and Z-Boys (2002) |
"You want to know more about their private lives than you get. But most viewers may be too stoked by the sheer adrenaline rush of the subject to care." |
David Ansen |
- |
Double Indemnity (1944) |
Click here to see the review. |
David Ansen |
Splat |
Doubt (2008) |
"Doubt stirs up a lot of stormy theatrical weather, but the stolid transfer from stage to screen does Shanley's play no favors." |
David Ansen |
- |
Dr. Dolittle (1998) |
Click here to see the review. |
David Ansen |
Tomato |
Dreamgirls (2006) |
"The movie belongs to Hudson as the proud, self-destructive Effie. When she's center stage, Dreamgirls transports you to movie musical heaven." |
David Ansen |
- |
Driving Miss Daisy (1989) |
Click here to see the review. |
David Ansen |
Splat |
Drowning Mona (2000) |
"Sitting in the theater watching this crap, it's impossible not to wonder why one bothered to go at all." |
Ted Gideonse |
- |
Drugstore Cowboy (1989) |
Click here to see the review. |
David Ansen |
Tomato |
The Duchess (2008) |
"It's elegantly mounted and never dull -- and always easy on the eyes." |
David Ansen |
- |
Dying Young (1991) |
Click here to see the review. |
David Ansen |
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