- |
W.C. Fields - 3 Comedy Classics (1930) |
Click here to see the review. |
Eddie Cockrell |
- |
W.C. Fields - 6 Short Films (1915) |
Click here to see the review. |
Eddie Cockrell |
- |
W.I.S.O.R. (2001) |
Click here to see the review. |
Gregory Avery |
- |
WADD: The Life and Times of John C. Holmes (2001) |
Click here to see the review. |
Carrie Gorringe |
Tomato 3.5/4 |
Wag the Dog (1997) |
"Here's a delightfully screwball satire that's as enjoyable as your favorite ice cream on a hot summer day. Slick and smooth." |
Elias Savada |
Tomato 6/10 |
Waking Ned Devine (1998) |
Click here to see the review. |
Gregory Avery |
- |
A Walk On the Moon (1998) |
Click here to see the review. |
Paula Nechak |
- |
A Walk to Remember (2002) |
Click here to see the review. |
Cynthia Fuchs |
Tomato 5/5 |
Wallace & Gromit - A Close Shave (1995) |
No article available. |
Elias Savada |
- |
Walt: The Man Behind the Myth (2001) |
"For all the influence that would come from Walt Disney’s cartoons, it’s hard to believe that it took a four-year-old girl to lead him to his initial success." |
Dan Lybarger |
- |
War Photographer (2002) |
Click here to see the review. |
Gregory Avery |
Tomato 3/4 |
Warm Water Under a Red Bridge (2001) |
"Japanese director Shohei Imamura’s latest film is an odd but ultimately satisfying blend of the sophomoric and the sublime." |
Dan Lybarger |
Tomato 6/10 |
The Watcher (2000) |
Click here to see the review. |
Gregory Avery |
Tomato 2.5/4 |
The Waterboy (1998) |
"Sandler has proven himself a worthy alchemist with The Waterboy, transforming swamp water to Evian. Quite a refreshing if moronic romp. Sandler rocks!" |
Elias Savada |
- |
Waterworld (1995) |
Click here to see the review. |
Carrie Gorringe |
Tomato |
We Were Soldiers (2002) |
"Does raise some dicey questions (even if it does mostly drop them)." |
Cynthia Fuchs |
Tomato 6/10 |
The Wedding Planner (2001) |
Click here to see the review. |
Gregory Avery |
Tomato 4/5 |
Welcome to the Dollhouse (1996) |
"Blisteringly honest and side-splittingly funny. Solondz's most accomplished film." |
Dan Lybarger |
- |
Western (1997) |
Click here to see the review. |
Eddie Cockrell |
Splat 0.5/4 |
Wet Hot American Summer (2001) |
"I strongly suggest forgoing Wet Hot American Summer. That scent of sex in the air? It's one limp, cold American odor." |
Elias Savada |
Tomato |
Whale Rider (2003) |
"Think of all the images of girls in U.S. pop movies -- so halter-topped, so perfectly coiffed and appointed, so self-consciously cute, so Mary-Kate-and-Ashleyed. Pai is none of that but much more." |
Cynthia Fuchs |
Tomato 2.5/4 |
What a Girl Wants (2003) |
"Cinderella's back and Disney doesn't have her." |
Elias Savada |
Tomato 3/4 |
What Alice Found (2003) |
"There's something fresh and honest here." |
Elias Savada |
Splat 0/4 |
What Dreams May Come (1998) |
"What Dreams May Come? If I were a betting man, I’d say none. Zilch. Nada. Bleech." |
Elias Savada |
Tomato 4/5 |
What Happened Was... (1994) |
"A darky amusing but sadly poignant look at dating and deception." |
Dan Lybarger |
Splat 1.5/4 |
What Lies Beneath (2000) |
"a turgid, never-say-die, and--despite its pretentious homage to Hitchcock and King--occasionally scary vehicle" |
Elias Savada |
- |
What Planet Are You From? (2000) |
Click here to see the review. |
Jerry White |
Tomato 2.5/4 |
What Women Want (2000) |
"Mel Gibson’s roguish advertising executive showcases his hitherto second-tier romantic comedy talents that borrow a whimsical wink from Maverick." |
Elias Savada |
- |
What's The Worst That Could Happen? (2001) |
Click here to see the review. |
Gregory Avery |
- |
When Brendan Met Trudy (2001) |
Click here to see the review. |
Gregory Avery |
Tomato 4/5 |
When the Cat's Away (1996) |
"A charming French import with lots of heart." |
Dan Lybarger |
Splat 3/10 |
Where the Heart Is (2000) |
Click here to see the review. |
Gregory Avery |
- |
Where the Money Is (2000) |
Click here to see the review. |
David Luty |
Splat |
Whipped (2000) |
"It's not only the structural and visual repetition that's annoying (they always meet in the same booth and the camera set-ups are all the same), it's also the characters' lack of ... development." |
Cynthia Fuchs |
Tomato 5/5 |
White Heat (1949) |
"Cagney's scariest performance anchors a gripping and somewhat kinky thriller." |
Dan Lybarger |
Tomato 4/5 |
White Men Can't Jump (1992) |
"Episodic by enjoyable. Rosie Perez steals this one." |
Dan Lybarger |
- |
White Oleander (2002) |
Click here to see the review. |
Cynthia Fuchs |
- |
Who Killed Pasolini? (1995) |
Click here to see the review. |
Carrie Gorringe |
- |
Who The Hell Is Juliette? (1997) |
Click here to see the review. |
Eddie Cockrell |
- |
The Whole Nine Yards (2000) |
Click here to see the review. |
Cynthia Fuchs |
Tomato 2.5/4 |
Why Do Fools Fall In Love (1998) |
"Writer Tina Andrews’ 15-year effort to bring this story of an extraordinary individual with a humpty-dumpty-life to the screen pays off big time. Here’s one for the ages." |
Elias Savada |
- |
The Widow of St. Pierre (2001) |
Click here to see the review. |
Paula Nechak |
Tomato 3/4 |
Wilbur Wants to Kill Himself (2004) |
"Scherfig has a delightfully warped sensibility that can make stock tales lively and can also make films that are filled with death but are still weirdly life affirming." |
Dan Lybarger |
- |
Wild Bill: Hollywood Maverick (1996) |
Click here to see the review. |
Carrie Gorringe |
- |
The Wild Bunch (1969) |
Click here to see the review. |
Carrie Gorringe |
Tomato 2.5/4 |
The Wild Thornberrys Movie (2002) |
"Fans of the show, their parents, and even kids not privy to the Nick channel will find this a rousing venture about a Dolittlesque girl named Eliza who talks to the animals." |
Elias Savada |
Splat |
Wild Wild West (1999) |
"An elaborately overpriced, over-hyped, and overproduced shell of a movie that will make history only as one of the screen's more self-indulgent box-office bombs." |
KJ Doughton |
- |
The Wild, Wild World of Jayne Mansfield (1968) |
Click here to see the review. |
Gregory Avery |
Tomato |
Willard (2003) |
"Crispin Glover sings the closing credits version of "Ben." It's hard to imagine a more sinister, more perfect interpretation of this most uncanny of tunes." |
Cynthia Fuchs |
Tomato 4/5 |
William Eggleston In The Real World (2005) |
"Watching "William Eggleston in the Real World" is frustrating but intriguing." |
Dan Lybarger |
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