Tomato B+ |
Rabbit-Proof Fence (2002) |
"Piercingly affecting...while clearly a manipulative film, emerges as powerful rather than cloying." |
Frank Swietek |
Splat C |
Race to Witch Mountain (2009) |
"Like so many of Disney's revampings (see Flubber), it's merely another disappointing attempt to revive the old chestnuts by larding them up with special effects." |
Frank Swietek |
Splat C- |
Rachel Getting Married (2008) |
"A cluttered cinematic hullabaloo that seems more interested in music acts, dance routines and long-winded, impromptu speeches than in fashioning an effective dramatic arc." |
Frank Swietek |
Tomato B- |
Racing Stripes (2005) |
"It has enough heart and humor to land it in the winner's circle, even if not in first place." |
Frank Swietek |
Splat D+ |
Radio (2003) |
"It's likely to make you weep--either because you're a sucker for such manipulation or because you'll be depressed about having wasted two hours of your time on such sappy drivel." |
Frank Swietek |
Splat C- |
Rails & Ties (2007) |
"The metaphors flow almost as freely as the tears in this sentimental weepie." |
Frank Swietek |
Splat C- |
Rain (2002) |
"Unless you enjoy watching repeated shots of people waking
up in an alcoholic stupor, you're likely to find 'Rain' a
cinematic washout." |
Frank Swietek |
Tomato 3/5 |
Raining Stones (1993) |
No article available. |
Frank Swietek |
Splat D |
Raise Your Voice (2004) |
"One has to suspend disbelief to an almost incredible degree to swallow any of this movie." |
Frank Swietek |
Splat D+ |
Raising Helen (2004) |
"Like a bad sitcom, it wants to make you smile while tugging at your heartstrings, but what it induces is a grimace and heartburn." |
Frank Swietek |
Tomato A- |
Raising Victor Vargas (2003) |
"Narratively slight but wonderfully vivid and genuinely moving." |
Frank Swietek |
Splat D |
Rambo (2008) |
"The original Rambo movie was actually titled First Blood...This one should be called Entirely Too Much Blood." |
Frank Swietek |
Splat |
Random Hearts (1999) |
"Scott Thomas' haughtiness proves more annoying than touching." |
Frank Swietek |
Splat F |
Rat Race (2001) |
"A woebegone attempt at an ensemble farce which Paramount
Pictures could label 'guaranteed laugh-free' without the slightest
danger of a lawsuit." |
Frank Swietek |
Tomato A |
Ratatouille (2007) |
"The best comedy of the summer, animated or not, and perceptive parents may enjoy it even more than their offspring." |
Frank Swietek |
Tomato 3/5 |
The Raven (1963) |
No article available. |
Frank Swietek |
- |
Ray (2004) |
"Interview with Jamie Foxx" |
Frank Swietek |
Tomato B- |
Ray (2004) |
"Slick, oversized (at 153 minutes), ostensibly warts-and-all but actually quite reverential, the movie is nonetheless quite enjoyable, thanks [to]...Foxx's galvanizing turn." |
Frank Swietek |
Tomato B- |
Read My Lips (2002) |
"Its rawness and vitality give it considerable punch." |
Frank Swietek |
Splat C+ |
The Reader (2008) |
"Intelligent and impeccably crafted but...also rather remote and chilly, the kind of film in which craft trumps heart...ultimately fails to do emotional justice to the subject it tackles." |
Frank Swietek |
Splat F |
Ready to Rumble (2000) |
"A movie made by yahoos for yahoos...the cinematic equivalent of a body-slam in which the viewer is on the receiving end." |
Frank Swietek |
Splat 1/5 |
Ready to Wear (1994) |
No article available. |
Frank Swietek |
Splat C- |
The Real Cancun (2003) |
"An artificial contrivance that doesn't tell you much that you didn't already know, but does so loudly and garishly." |
Frank Swietek |
Tomato B+ |
Real Women Have Curves (2002) |
"Sharp, shrewd and observant...a small gem of a movie." |
Frank Swietek |
Splat D- |
The Reaping (2007) |
"An unholy mixture of religious balderdash and horror-movie cliche...it would probably be wise to Passover it." |
Frank Swietek |
Tomato A |
Rear Window (1954) |
"There's no need for anybody to go on at length about the absolute brilliance of Alfred Hitchcock's 1954 thriller, which represented the first stunning cinematic statement about the effects of the kind of modern voyeurism associated with film itself." |
Frank Swietek |
Splat C |
Rebound (2005) |
"As familiar as it is, 'Rebound' could well have been titled 'Replay,' but although it's just a formula flick, it's not an awful one. Too bad that's not saying much." |
Frank Swietek |
Tomato B- |
The Reception (2005) |
"Isn't much more than a high-toned soap opera, but it's a relatively sophisticated and occasionally affecting one." |
Frank Swietek |
Tomato B- |
Recess: School's Out (2001) |
"Compared to most of the dumbed-down dreck that's been foisted upon young audiences in recent years, it's a pleasant diversion." |
Frank Swietek |
Splat 1/5 |
Reckless (1995) |
No article available. |
Frank Swietek |
Splat C+ |
The Reckoning (2004) |
"In the final reckoning, this modern version of a medieval morality play, with its fine surface but problematic plot, proves more impressive for its body than its soul." |
Frank Swietek |
Splat C |
The Recruit (2003) |
"A gaudy, contrived bit of cinematic legerdemain thick with style and atmosphere but distinctly short on logic and sense." |
Frank Swietek |
Tomato B+ |
Red Cliff (2009) |
"A magnificent achievement...both fascinating and fun--so good, in fact, that after watching this cut you just might to search out the director's original 280-minute version." |
Frank Swietek |
Tomato B |
Red Dragon (2002) |
"Impresses as a skillfully assembled, highly polished and professional adaptation...just about as chilling and unsettling as 'Manhunter' was." |
Frank Swietek |
Tomato B- |
Red Eye (2005) |
"A genuine white-knuckle flight...though it hits some narrative potholes and logical turbulence, it takes you where Craven wants you to go." |
Frank Swietek |
Tomato A- |
Red Lights (2004) |
"Kahn has taken the slight, character-driven piece and invested it with a delicious frisson of quiet, almost everyday menace...stop and watch." |
Frank Swietek |
Splat F |
Red Planet (2000) |
"[A] completely idiotic, excruciatingly dull potboiler." |
Frank Swietek |
Tomato B |
Red Road (2007) |
"Those willing to work their way through a woman's halting effort to overcome grief will find it a sensitive and engrossing film, though not always an entirely plausible one." |
Frank Swietek |
Splat 2/5 |
Red Sonja (1985) |
No article available. |
Frank Swietek |
Splat C |
Redacted (2007) |
"Even the rants against Redacted by that noxious blowhard Bill O'Reilly aren't quite reason enough to recommend it." |
Frank Swietek |
Splat D+ |
Redbelt (2008) |
"A cornball martial arts movie in Mametspeak...like a Chuck Norris picture played with the solemnity of a Shakespearean tragedy." |
Frank Swietek |
Tomato 3/5 |
Reds (1981) |
No article available. |
Frank Swietek |
Tomato 3/5 |
The Ref (1994) |
No article available. |
Frank Swietek |
Splat 2/5 |
Regarding Henry (1991) |
No article available. |
Frank Swietek |
Splat D+ |
Reign of Fire (2002) |
"A Jaws ripoff no less ludicrous than Orca-Killer Whale... not only silly but narratively muddy and visually murky." |
Frank Swietek |
Splat C |
Reign Over Me (2007) |
"A manipulative male-bonding dramedy that's hobbled by the questionable casting of Adam Sandler in a pivotal role and use of a national tragedy to give it emotional resonance." |
Frank Swietek |
Splat F |
Reindeer Games (2000) |
"A ludicrously convoluted, laughably hard-boiled heist movie that inspires incredulity rather than affection." |
Frank Swietek |
Tomato B- |
Religulous (2008) |
"A Maher riff that's amusing enough, but hardly profound--one that's unlikely to alter your views on religion, whatever choir you're in." |
Frank Swietek |
Tomato B- |
Remember the Titans (2000) |
"Unless you find the idea of such an earnest, well-meaning mixture of rah-rah sports action, social commentary and maudlin tearjerker off-putting from the start, you'll find that this example is professionally crafted and perhaps even momentarily stirring." |
Frank Swietek |
Splat C- |
Renaissance (2006) |
"A by-the-numbers futuristic cop yarn as ordinary in its narrative as it's remarkable for its technique...as boring as most of its live-action siblings in the genre." |
Frank Swietek |