Splat |
The Da Vinci Code (2006) |
"A thriller that's cautious, dutiful, competent - good enough to make its pile of money, but not bold enough to capture imaginations the way Brown's book did." |
Gary Thompson |
Splat F |
Daddy Day Camp (2007) |
"Perhaps a productive use for Daddy Day Camp may be found among death row inmates who wish to make their final minutes feel like weeks." |
Gary Thompson |
Splat |
Daddy Day Care (2003) |
"There's something wrong with an Eddie Murphy movie that has you biding your time until Steve Zahn arrives." |
Gary Thompson |
Splat |
Dancer in the Dark (1999) |
"[Bjork] won the top acting honor at Cannes, but as I took full measure of her screen persona, I kept wondering what time she was due back at Santa's workshop." |
Gary Thompson |
Tomato |
The Dangerous Lives of Altar Boys (2002) |
"A coming-of-age story handled with an unusual amount of integrity and sensitivity." |
Gary Thompson |
Splat |
Daredevil (2003) |
"This is a movie so underimagined, so corporate, so defensive, so dully determined to be like other profitable action-hero movies that it's almost impossible to believe it was ever attached to an original idea." |
Gary Thompson |
Tomato B- |
The Darjeeling Limited (2007) |
"It's far more streamlined and focused than the director's recent stuff." |
Gary Thompson |
Tomato |
Dark Blue (2003) |
"After an hour of not much, Dark Blue stumbles onto a terrific scene, the sort that makes the whole movie worthwhile." |
Gary Thompson |
Tomato B |
The Dark Knight (2008) |
"Everything rides on the Joker's formidability as a villain who can carry that kind of weight. In his last role, Ledger makes us believe." |
Gary Thompson |
Splat |
Dark Water (2005) |
"This whole down-tempo, static, kiddie doppelganger genre is just about out of steam, and even the filmmakers seem to sense it." |
Gary Thompson |
Splat |
Darkness Falls (2003) |
"With it's no-name cast and dopey plot, there is little to explain why this generic piece of work did not go straight to DVD." |
Gary Thompson |
Tomato |
Dave Chappelle's Block Party (2006) |
"[Chappelle is] a uniter, not a divider." |
Gary Thompson |
Tomato B |
Dawn of the Dead (2004) |
"Some of the movie is wickedly funny, some just wicked." |
Gary Thompson |
Splat |
The Day After Tomorrow (2004) |
"Another day at the office for director Roland Emmerich, who has previously attacked American cities in Independence Day and Godzilla." |
Gary Thompson |
Splat C+ |
Day Watch (2007) |
"Daywatch has the fingerprints of Hollywood miscalculation." |
Gary Thompson |
Splat |
De-Lovely (2004) |
"Kevin Kline shines in the Cole Porter bio De-Lovely but whether the movie is any better than the 1946 cornball bio Night and Day is De-Batable." |
Gary Thompson |
Splat D |
Deal (2008) |
"A poker movie that has the dubious honor of being even worse than Lucky You." |
Gary Thompson |
Tomato |
Dear Frankie (2005) |
"It quietly builds empathy though the credibility of its central relationships." |
Gary Thompson |
Tomato B+ |
Death at a Funeral (2007) |
"It's a British comedy that shows the minor miracles that can be performed with a cast of (mostly) British actors, a drawing room, and a funny idea." |
Gary Thompson |
Tomato |
Death Of A Dynasty (2005) |
"Death of a Dynasty accomplishes what it set out to do -- to make a few laughs." |
Damon C. Williams |
Splat |
Death of a President (2006) |
"Aside from its fake assassination, Death of a President hasn't much of substance: warmed-over criticism of the Patriot Act and the Iraq war, in a form less trenchant than your nightly dose of Jon Stewart, or even Chris Matthews." |
Gary Thompson |
Splat |
Death to Smoochy (2002) |
"Dreadfully, historically unfunny -- a career low for DeVito, Williams (which is saying something) and certainly Norton." |
Gary Thompson |
Splat D |
Deception (2008) |
"[I] was able to use my amazing powers of observation to deduce that McGregor's character was being set up. How, you ask? By taking note of the fact that the name of the movie is Deception." |
Gary Thompson |
Splat |
Deck the Halls (2006) |
"It's Bottom Ten bad, destined to wind up on end-of-the-year 'Worst Of' lists. It may still be there at the conclusion of this century." |
Gary Thompson |
Tomato |
Deep Blue (2005) |
"Deep Blue, while as gorgeously photographed as other nature documentaries, is more grisly than most." |
Gary Thompson |
Tomato |
The Deep End (2001) |
"Swinton is a standout." |
Gary Thompson |
Tomato B |
Defiance (2008) |
"It is less Tuvia's and Zus' moral stances and more Craig's and Schreiber's magnetism that makes Defiance a rousing ride." |
Gary Thompson |
Tomato B |
Deja Vu (2006) |
"Deja Vu manages to take its premise, about unique surveillance technology that allows investigators to revisit past events, and expand it into an interesting narrative." |
Gary Thompson |
Splat |
Deliver Us From Eva (2003) |
"The movie goes according to romantic comedy plan -- he pretends to like her, then he actually likes her, and she likes him, then she finds out he was put up to it, and so on." |
Gary Thompson |
Tomato |
Deliver Us From Evil (2006) |
"Manages to find a chilling new angle to the subject of sex abuse scandals within the Catholic Church." |
Gary Thompson |
Tomato |
The Departed (2006) |
"It's one of the better films by one of our better directors, and even though it's technically a remake (of a popular Hong Kong export) it's pure Scorsese in its study of masculine bonds, of loyalty, of betrayal." |
Gary Thompson |
Splat |
Derailed (2005) |
"The movie is plodding and humorless, and full of nasty stereotypes." |
Gary Thompson |
Tomato |
The Devil and Daniel Johnston (2006) |
"Despite the overstating of his artistic case, I still found Jeff Feuerzeig's film account incredibly compelling, in a freaky, can't-help- but-stare-at-the- roadside-accident kind of way." |
Jonathan Takiff |
Tomato |
The Devil Wears Prada (2006) |
"This just in: Meryl Streep is a brilliant actress." |
Gary Thompson |
Splat |
The Devil's Rejects (2005) |
"Zombie ... shouldn't be allowed to make any more horror movies until he learns the difference between what is horrifying and what is merely disgusting." |
Gary Thompson |
Splat |
Diary of a Mad Black Woman (2005) |
"It's an unusual mix of vulgarity and piety." |
Gary Thompson |
Splat |
Die Another Day (2002) |
"About an hour into Die Another Day, I started looking around for Fat Bastard." |
Gary Thompson |
Splat C+ |
Die Hard 4: Live Free or Die Hard (2007) |
"Three movies later, his indestructibility has become something of a joke, and McLane has morphed into a de facto superhero, sure to survive every chopper crash and five-vehicle pile-up." |
Gary Thompson |
Tomato |
Dirty Pretty Things (2003) |
"[Frears has] done great stuff. This is one of his best." |
Gary Thompson |
Tomato |
The Dish (2001) |
"A movie of small steps that manages, in the end, to make a giant dramatic leap." |
Gary Thompson |
Splat C+ |
Disney's A Christmas Carol (2009) |
"There's some dazzling stuff here. But you get creepy, dead-eyed and inexpressive performances - even sympathetic characters end up looking like the ventriloquist's doll in that Anthony Hopkins movie." |
Gary Thompson |
Tomato B+ |
District 9 (2009) |
"You grow more and more impressed with the level of detail -- District 9 is a horrible place, but it starts to feel like a real horrible place, and the plight of its ugly inhabitants begins, against all odds, to earn our sympathy." |
Gary Thompson |
Tomato B |
Disturbia (2007) |
"Unoriginal but still effective, and shows anew how well-suited themes of voyeurism (we all like to watch) are to movies, especially thrillers." |
Gary Thompson |
Splat |
Divine Secrets of the Ya-Ya Sisterhood (2002) |
"Khouri ... manages to deliver the essential information, but her structure leaves actors stranded." |
Gary Thompson |
Splat |
Le Divorce (2003) |
"Struggles to find the right tone to contain both its ripostes and its R.I.P.s." |
Gary Thompson |
Tomato |
Dodgeball: A True Underdog Story (2004) |
"Dodgeball may not be for children, but it is tailor-made for the childish, and it goes without saying that I laughed heartily throughout." |
Gary Thompson |
Tomato |
Dogma (1999) |
"And yet, in its own messy way, Dogma is historic." |
Gary Thompson |
Tomato |
Dogtown and Z-Boys (2002) |
"Fast-paced and wonderfully edited, the film is extremely thorough." |
Dan Gross |
Splat |
Dogville (2003) |
"Drab, schematic, didactic (we are talked down to with non-stop narration) and strikingly self-indulgent, since it diddles with an idea that Rod Serling could have dramatized in 22 minutes." |
Gary Thompson |
Splat |
Domestic Disturbance (2001) |
"Domestic Disturbance will be of interest only to lip readers, able to determine how many nasty F words have been to changed to 'freak' and 'fool.'" |
Gary Thompson |