Tomato |
Factotum (2006) |
"Dillon first displayed this talent playing a junkie in Drugstore Cowboy; his Chinaski is like an older, alcoholic reflection of that career-making character." |
Gary Thompson |
Tomato B- |
Fahrenheit 9/11 (2004) |
"Contains some terrific/horrific video." |
Gary Thompson |
Splat C+ |
Failure to Launch (2006) |
"What Failure To Launch doesn't have is the crucial link between McConaughey and Parker suggesting they are indeed meant to be together and worth rooting for, more evidence that chemistry is the one special effect that Hollywood still can't manage." |
Gary Thompson |
Splat |
The Fall (2008) |
"It doesn't make a bit of sense. And after a while, even pretty images become boring when there's nobody in them we care about." |
|
Splat C |
Fame (2009) |
"The new Fame has the feel of diluted imitation -- slick, superficial, short on heart." |
Gary Thompson |
Splat |
The Family Man (2000) |
"A romantic fable, which is a polite way of saying it's full of bull." |
Gary Thompson |
Splat |
The Family Stone (2005) |
"In the spirit of the holiday family saga, I cry, Uncle." |
Gary Thompson |
Splat C |
Fanboys (2009) |
"Fanboys finally arrives in theaters today, although what fanboys will see may be its mangled remains." |
Gary Thompson |
Tomato B |
Fantastic Four (2005) |
"Not the best movie of the summer, but it may the best accompaniment to popcorn." |
Gary Thompson |
Splat C |
The Fantastic Four: Rise of the Silver Surfer (2007) |
"What we get in the end is a lightweight reworking of superhero boilerplate -- megalomania, high-stakes confrontation and obscene spending on special effects." |
Gary Thompson |
Tomato B |
Fantastic Mr. Fox (2009) |
"Fantastic Mr. Fox is certainly different from Anderson's recent stuff, and that's all good." |
Gary Thompson |
Tomato 3.5/4 |
Far From Heaven (2002) |
"No matter how stylized the surroundings ... Haynes treats his characters with a tenderness and sympathy that is anything but sarcastic." |
Gary Thompson |
Splat C |
Fast & Furious (2009) |
"Fast and Furious milks the cars/chicks/hip-hop vibe for all it's worth, which is roughly $8, if you're male, 18 and under." |
Gary Thompson |
Splat |
The Fast and the Furious (2001) |
"Makes Bruckheimer's own Gone in 60 Seconds look sophisticated." |
Gary Thompson |
Splat C+ |
Fast Food Nation (2006) |
"These vignettes pay inconsistent dividends." |
Gary Thompson |
Tomato |
Fat Albert (2004) |
"An innocuous high-concept comedy." |
Gary Thompson |
Tomato |
Fearless (2006) |
"Li's physical performance is terrific, as usual, and it's with wistful feelings that we watch him put a final whuppin' on his last adversary." |
Gary Thompson |
Tomato |
Fever Pitch (2005) |
"What the movie has, besides an amusing grasp of baseball fanaticism, is the Farrellys' rare and ingratiating habit of treating all their characters decently." |
Gary Thompson |
Tomato |
Fight Club (1999) |
"Fincher's Angry Young Man routine has never been more lively, more cleverly scripted, as well-acted or as nicely staged." |
Gary Thompson |
Splat |
Final Destination 3 (2006) |
"These movies have never been my cup of tea, and contemporary horror movies' appetite for pointless sadism leaves me unmoved and not a little alarmed." |
Gary Thompson |
Tomato |
Final Fantasy: The Spirits Within (2001) |
"Just sit back, grip your arm rest like it's a joystick, and enjoy the slam-bang ride through the future-shocked Earth of 2065." |
Jonathan Takiff |
Splat |
Find Me Guilty (2006) |
"Often feels shallow and manipulative, more suited to second-tier cable than the movies." |
Gary Thompson |
Tomato |
Finding Forrester (2000) |
"A well-made story that has echoes of just about every inspirational education movie you've ever seen." |
Gary Thompson |
Tomato |
Finding Nemo (2003) |
"It's business as usual -- the usual being stunning visuals, a charming story, and a dab of emotional resonance thrown in for good measure." |
Gary Thompson |
Tomato |
Finding Neverland (2004) |
"It's so well done, so diabolically effective, that it's not until the movie's over that you realize you've been suckered by well-worn gestures of the classic tearjerker." |
Gary Thompson |
Splat |
Firewall (2006) |
"The Firewall scenario is by now achingly familiar -- rich person in fabulous digs menaced by team of thugs that wants something. Last year it was Hostage, before that Panic Room, with others in between." |
Gary Thompson |
Splat |
First Daughter (2004) |
"A fairy tale that never takes wing." |
Gary Thompson |
Tomato |
Flags of Our Fathers (2006) |
"Flags of Our Fathers is an elegant re-stating of themes we already know -- that men don't fight for a cause, or for glory, but for the guy next to them in the foxhole." |
Gary Thompson |
Tomato B |
Flash of Genius (2008) |
"If timing is everything, there's no better time for Flash of Genius and its story of the Little Guy getting ripped off by Big Business." |
Gary Thompson |
Splat |
Flicka (2006) |
"Wholesome, family-friendly, nicely photographed and, unfortunately, dull." |
Gary Thompson |
Splat |
Flight of the Phoenix (2004) |
"The modernized Phoenix isn't a bad movie, but it's an obvious one." |
Gary Thompson |
Splat |
Flightplan (2005) |
"The last thing we need right now is another blubbering emoter." |
Gary Thompson |
Splat |
The Fluffer (2001) |
"Though some may want to tout it as a gay Boogie Nights, The Fluffer does not approach that film's visual verve." |
Sono Motoyama |
Splat C |
Fly Me To The Moon (2008) |
"The story is inoffensively wholesome, and there may be enough goofy antics to engage young, indiscriminate viewers, but the level of creativity in the animation is serviceable at best." |
Gary Thompson |
Splat |
Flyboys (2006) |
"I found myself fidgeting through much of Flyboys, a fictionalized story of the Lafayette Escadrille crammed with as much nifty aerial photography (real and digitally rendered) as you could hope for." |
Gary Thompson |
Splat |
Focus (2001) |
"It's odd that a movie with such a keen and precise interest in the way things look would be so blind to the incongruous presence of Macy and Dern." |
Gary Thompson |
Tomato |
The Fog of War (2003) |
"McNamara's a slippery guy, and you can see Morris trying to pin him down (on the subject of personal accountability) throughout the movie." |
Gary Thompson |
Splat C |
Fool's Gold (2008) |
"The plot gets messier without getting funnier, and there's something distasteful about the way the movie treats its black Bahamian characters." |
Gary Thompson |
Splat |
For Your Consideration (2006) |
"Guest is on the right track here, but it would have taken more conceptual hard work, and more good writing, to make this premise work." |
Gary Thompson |
Tomato B |
Forgetting Sarah Marshall (2008) |
"Apatow, as usual, gives us what we want." |
Gary Thompson |
Splat |
The Forgotten (2004) |
"Abandons psychological horror for cheesier thrills." |
Gary Thompson |
Splat |
The Fountain (2006) |
"A bravely nonlinear, noncommercial, and sadly noninteresting meditation on the desire to prolong youth and stave off death." |
Gary Thompson |
Tomato B |
Four Brothers (2005) |
"Singleton's love of exploitation (he's morphing into Tarantino) is rooted in the 1970s, and there's something very Berry Gordy about this Detroit, from the soul music to the Kojak cars that everyone seems to drive." |
Gary Thompson |
Splat C+ |
Four Christmases (2008) |
"Four Christmases generates some laughs here and there, but it's wildly uneven, and too often sets aside the generous gifts of a pretty good cast in favor of cheesy slapstick." |
Gary Thompson |
Splat C- |
The Fourth Kind (2009) |
"Nome has seen more than its share of missing and dead people, who deserve better than this kind of hucksterism." |
Gary Thompson |
Tomato B |
Fracture (2007) |
"It's so well written and well acted you hope Fracture holds up all the way, but problems develop." |
Gary Thompson |
Tomato |
Freaky Friday (2003) |
"A fast and funny movie." |
Gary Thompson |
Splat C |
Fred Claus (2007) |
"A great cast fights a losing battle against moldy Christmas movie material in the holiday comedy Fred Claus." |
Gary Thompson |
Splat |
Freddy Got Fingered (2001) |
"This genre ceased to have boundaries about a year ago, as well as any sense of anarchy and subversiveness." |
Gary Thompson |
Splat |
Freddy vs. Jason (2003) |
"After more than a decade of brainstorming, here's what New Line has: Freddy and Jason stage a contest to see who can kill the most teenagers. Jason surges ahead, Freddy gets jealous, so they go at each other. The end." |
Gary Thompson |