Tomato B- |
Ladder 49 (2004) |
"In its own plodding way, Ladder 49 does finally achieve emotional resonance." |
Gary Thompson |
Splat |
Lady in the Water (2006) |
"Much narrative energy is devoted to the arcane details of the narf mythology, and those familiar with the director's methods grow impatient waiting for the air to clear." |
Gary Thompson |
Splat |
Ladykillers (2004) |
"One of those Coen brothers comedies wherein their elaborate vision takes on a weight that seems to prevent comic liftoff." |
Gary Thompson |
Splat |
The Lake House (2006) |
"I don't know what you do with a script like this, wherein the dynamics that keep the characters apart are as ludicrous as those that bring them together." |
Gary Thompson |
Splat |
Lake Placid (1999) |
"An aggressively cheesy horror movie with a tongue-in-cheek script and an ensemble cast upstaged by several million dollars in digital effects." |
Gary Thompson |
Tomato |
Lakeboat (2001) |
"Movies about blue-collar workers are usually romanticized or artificial or ruined by slumming Hollywood stars, but Lakeboat is the real deal." |
Gary Thompson |
Tomato B- |
Lakeview Terrace (2008) |
"A lurid finale and some late-game script weaknesses work to diminish a character that Jackson has worked hard to embellish." |
Gary Thompson |
Splat C+ |
Land of the Lost (2009) |
"Preteen boys and Ferrell followers will like it fine. Wider audiences might be harder to impress." |
Gary Thompson |
Splat |
Lantana (2001) |
"I grew to resent the way the storylines began to collide and converge -- it isn't a small world, it's microscopic." |
Gary Thompson |
Splat |
Lara Croft Tomb Raider: The Cradle of Life (2003) |
"There are levels of acceptable stupidity in summer movies, but I'm afraid Lara Croft too often dips below the line." |
Gary Thompson |
Splat |
Lara Croft: Tomb Raider (2001) |
"Anyone who wants to see an actual movie, well, Tomb Raider stands as another mediocre addition to our ongoing summer of crap." |
Gary Thompson |
Tomato B+ |
Lars And The Real Girl (2007) |
"There are some pretty nice moments here -- it's good to see Gosling take a role that doesn't ask him to be a genius or a maniac, and that gives him a different look." |
Gary Thompson |
Splat |
The Last Castle (2001) |
"Seems less than the sum of its parts." |
Gary Thompson |
Tomato B- |
Last Chance Harvey (2008) |
"It's well done by the two leads, who register as real enough to rescue the movie at almost every turn from mawkishness and predictability." |
Gary Thompson |
Splat |
Last Days (2005) |
"If you're looking for character insight, let alone plot exposition... forget about it." |
Jonathan Takiff |
Tomato A- |
Last Holiday (2006) |
"The movie, which is directed by Wayne Wang (The Joy Luck Club, Smoke) leads to a predictable but smile-worthy conclusion." |
Jenice Armstrong |
Splat F |
The Last House on the Left (2009) |
"It's a typical neo-horror thriller that replaces suspense with grotesque clinical violence." |
Gary Thompson |
Tomato |
The Last King of Scotland (2006) |
"The subject is really Garrigan, the embodiment of the West and its naive habit of looking at the Third World and seeing what it wants to see." |
Gary Thompson |
Splat |
The Last Kiss (2006) |
"... you wonder if something wasn't lost in translation." |
Gary Thompson |
Tomato B |
The Last Mimzy (2007) |
"The family-friendly Mimzy should work well with its target audience of younger children." |
Gary Thompson |
Tomato |
Last Orders (2002) |
"Bleakly funny, its characters all the more touching for refusing to pity or memorialize themselves." |
Gary Thompson |
Splat |
The Last Samurai (2003) |
"The samurai rebellion is an actual (and complex) historical event given fictional (and simplified) treatment here." |
Gary Thompson |
Tomato |
The Last Western (2006) |
"Deaux's subdued, lyrical film gives you the sense of Pioneertown as the last refuge for the people who wish to live as they please, to be left alone." |
Gary Thompson |
Tomato |
Laurel Canyon (2003) |
"The main reason to see Canyon isn't the tofu of writer/director Lisa Cholodenko's plot. It's for the red meat of McDormand's performance." |
Gary Thompson |
Splat C |
Law Abiding Citizen (2009) |
"Somebody has given Law Abiding Citizen a lethal injection of absurdity. Although I have to say, as ridiculous movies go, this one has its moments." |
Gary Thompson |
Tomato |
Lawless Heart (2002) |
"A small, funny and quietly effective movie that makes a beguiling virtue of modesty." |
Gary Thompson |
Splat |
Laws of Attraction (2004) |
"There is a great deal of strain in Moore's work here, the kind that often indicates an attempt to fill holes in a weak script." |
Gary Thompson |
Splat |
Layer Cake (2005) |
"Layer Cake may leave you with the feeling that you got dessert but missed the meal." |
Gary Thompson |
Splat |
The League of Extraordinary Gentlemen (2003) |
"On the big screen this concept looks thin and at times downright farcical." |
Gary Thompson |
Tomato B- |
Leatherheads (2008) |
"There's a subtlety to the filmmaking that's a refreshing change from the numbing obviousness of movies geared to the teen demo." |
Gary Thompson |
Splat |
Legally Blonde 2: Red, White and Blonde (2003) |
"Elle is such a nice person, and Witherspoon so effervescent, it seems impolite to point out that this comedy is hardly ever funny, unless you get a big kick out of seeing small dogs in cute outfits. Over and over and over again." |
Gary Thompson |
Splat |
The Legend of Bagger Vance (1999) |
"Its aspirations are rarely realized." |
Gary Thompson |
Splat |
The Legend of Zorro (2005) |
"If the question is whether passion, excitement and intrigue can be written into the narrative of marriage, the answer in The Legend of Zorro is an emphatic no." |
Gary Thompson |
Tomato |
Lemony Snicket's A Series of Unfortunate Events (2004) |
"It has the earmarks of a franchise that might actually get better with age." |
Gary Thompson |
Tomato |
Levity (2003) |
"It's probably impossible for a movie featuring Thornton, Freeman, Dunst and Hunter to be bad or uninteresting, and Levity is neither." |
Gary Thompson |
Splat C |
License To Wed (2007) |
"Dismissing License to Wed as a comedy unworthy of a sitcom is to insult sitcoms." |
Gary Thompson |
Splat |
Life (1999) |
"Mostly lifeless because deep down, it's really about other movies." |
Gary Thompson |
Splat |
The Life Aquatic With Steve Zissou (2004) |
"It's not funny. Neither is it sad, or moving, and without any of that, The Life Aquatic is not much of a movie." |
Gary Thompson |
Splat C |
The Life Before Her Eyes (2008) |
"It wears you down, and maybe that's why the conclusion doesn't pack much of a punch." |
Gary Thompson |
Splat |
The Life of David Gale (2003) |
"There are many unbelievable bits." |
Gary Thompson |
Tomato |
Lightning in a Bottle (2004) |
"A fast, sweet, cram course in the blues. And it does so in an extremely coherent, vital and entertaining fashion." |
Jonathan Takiff |
Splat C- |
The Limits of Control (2009) |
"If you force-fed horse tranquilizers to The Bourne Identity, you'd end up with something like Limits of Control." |
Gary Thompson |
Splat C |
Lions for Lambs (2007) |
"The dialogue between Streep and Cruise is slick and musical, and the actors find the rhythm of it, but it doesn't convince as the kind of power-brokering that goes on in big-time politics and media." |
Gary Thompson |
Splat |
Little Black Book (2004) |
"Warning: Hijinks really don't ensue." |
Catherine Lucey |
Tomato |
Little Children (2006) |
"The main reason to watch is Winslet, who brings flesh-and-blood dimension to Perrotta's central character." |
Gary Thompson |
Tomato |
Little Man (2006) |
"[Little Man] gets a surprising share of laughs by digitally placing Marlon Wayans' head on a small boy's frame." |
Gary Thompson |
Tomato |
Little Miss Sunshine (2006) |
"Little Miss Sunshine turns out to have real warmth and empathy for its characters." |
Gary Thompson |
Splat |
Little Nicky (2000) |
"It replaces Sandler's physical shtick with a lot of blah digital effects, and it clearly lacks inspiration." |
Gary Thompson |
Splat |
The Longest Yard (2005) |
"A project devoted entirely to laughs, and money." |
Gary Thompson |
Splat C+ |
The Lookout (2007) |
"We know what's coming, [writer-director] Frank knows we know. His challenge is to make us care regardless. I confess that I didn't." |
Gary Thompson |