Tomato B+ |
The Namesake (2007) |
"After The Pursuit of Happyness I didn't think I'd see a better movie about dads for a decade -- maybe that's why I was bowled over by The Namesake." |
Gary Thompson |
Splat C- |
Nancy Drew (2007) |
"Attempts to convert this into a fizzy comedy rely almost entirely on the charms of young comedienne Roberts, who is given very little with which to work." |
Gary Thompson |
Tomato |
Nanny McPhee (2006) |
"As I watched, however, I realized Nanny McPhee wasn't a child's fantasy at all. It was my fantasy." |
Gary Thompson |
Tomato |
Napoleon Dynamite (2004) |
"This is a lot of kitsch, but the movie has a strange sort of affability that pulls you along." |
Gary Thompson |
Tomato 3.5/4 |
Naqoyqatsi (2002) |
"Whether you're moved and love it, or bored or frustrated by the film, you'll still feel something." |
Dan Gross |
Splat |
National Security (2003) |
"The plot settles quickly into a conventional buddy movie framework." |
Gary Thompson |
Splat |
National Treasure (2004) |
"You think for a minute it might tip the movie toward an ending of real integrity -- you know, like the real treasure being the Declaration itself." |
Gary Thompson |
Tomato |
The Nativity Story (2006) |
"There is none of the anti-clerical, anti-establishment fury of Gibson's film; in their place is a simplicity and humble awe that has a very different appeal." |
Gary Thompson |
Splat |
Never Die Alone (2004) |
"Scott Fitzgerald might get a laugh from Never Die Alone." |
Gary Thompson |
Splat |
The New Guy (2002) |
"The film's biggest flaw is that it could have been twice as funny." |
Dan Gross |
Splat |
The New World (2005) |
"For Terrence Malick, The New World is anything but -- it's the same mix of nature photography, monologue and sudden violence we saw in The Thin Red Line." |
Gary Thompson |
Splat |
New York Minute (2004) |
"The Olsen girls were produced in Burbank, Calif.'s cute-kid laboratories for Full House, have since made more than 40 movies and TV shows. They appear grimly determined to be cute co-stars until their 2055 version of The Sunshine Girls." |
Gary Thompson |
Splat C+ |
Next (2007) |
"Who are these terrorists, aside from an unexplained coalition of French, Germans and Asians? Why are they trying to destroy Los Angeles? Was it because of X-Men 3?" |
Gary Thompson |
Tomato B |
Next Day Air (2009) |
"It's hard to make a movie that ends with blazing guns and dead bodies and still send the audience away laughing, but Next Day Air finds the right drive-in movie tone." |
Gary Thompson |
Tomato |
Next Stop Wonderland (1997) |
"What distinguishes Wonderland are its independent touches -- an unusual soundtrack featuring mainly samba music, wide-ranging cultural references, and a production that is ensemble- rather than star-driven." |
Gary Thompson |
Splat |
Nicholas Nickleby (2002) |
"Nicholas Nickleby celebrates the human spirit with such unrelenting Dickensian decency that it turned me (horrors!) into Scrooge." |
Gary Thompson |
Splat C |
Nick and Norah's Infinite Playlist (2008) |
"I, frankly, am too old for this. I did the all-night, bar-hopping, diner-at-dawn thing and, now, just watching it gives me a hangover." |
Gary Thompson |
Splat C |
Night at the Museum (2006) |
"For parents comfortable with drop-off, A Night at the Museum could serve as A Night Away From Your Kids." |
Gary Thompson |
Splat c |
Night at the Museum: Battle of the Smithsonian (2009) |
"If there's one thing that a movie-going Mom or Dad understands, it's the look in the eyes of someone who's just going through the motions, and there's a lot of that going on in Night 2." |
Gary Johnson |
Tomato |
Night Watch (2005) |
"As the movie unspools, it becomes harder to dismiss Night Watch as a knockoff of somebody else's movie. It has an offbeat personality all its own, and an appealing modesty." |
Gary Thompson |
Splat C |
Nim's Island (2008) |
"Jodie Foster isn't the first Oscar winner to be defeated by the deceptively simple demands of slapstick comedy. Only the most recent." |
Gary Thompson |
Tomato |
Nina's Tragedies (2005) |
"A richly evoked family drama." |
Sono Motoyama |
Tomato A |
No Country for Old Men (2007) |
"A rare instance of great American filmmakers taking on a great American book, and winning." |
Gary Thompson |
Tomato B- |
No Impact Man (2009) |
"We're a long way from algae-based biofuel, and until that day, maybe watching less crappy television and spending more times with your kids isn't such a bad idea." |
Gary Thompson |
Tomato B- |
Noise (2008) |
"I'd hate to live in a movie world that didn't make room for weird, imperfect little movies like this." |
Gary Thompson |
Splat C- |
Norbit (2007) |
"If you're Eddie Murphy, and you want to win your Dreamgirls Oscar, you'd better hope voters cast their ballots before they see Norbit." |
Gary Thompson |
Tomato |
North Country (2005) |
"North Country is crisp, efficient, often familiar in form, but exceptional in some ways. It's effective, for instance, in exploring how different women behave differently in the face of abuse." |
Gary Thompson |
Tomato |
Northfork (2003) |
"Northfork isn't a great picture, but it restores to independent movies a tradition of extravagant weirdness that's been missing since David Lynch went uptown." |
Gary Thompson |
Splat C |
Not Easily Broken (2009) |
"Not Easily Broken, battles credibility problems. Even so, Duke crafts some nice scenes between Henson and Lewis as the movie pushes their own relationship to a point of catharsis." |
Gary Thompson |
Tomato |
The Notebook (2004) |
"Sincere, charming performers can overcome a lot, and [McAdams's and Gosling's] rapport cuts through much of the schmaltz, er, special moments of light." |
Gary Thompson |
Tomato B+ |
Notes on a Scandal (2006) |
"Though [Dench's character's] actions are cruel, they are brilliantly, memorably so -- executed with a twisted genius worthy of Iago." |
Gary Thompson |
Splat C+ |
Nothing Like the Holidays (2008) |
"There may be nothing like the holidays, but Nothing Like the Holidays is a lot like the family reunion movies we've seen in previous Christmas seasons." |
Gary Thompson |
Tomato B |
Notorious (2009) |
"There is an unexpected moral dimension in Notorious, which skims the basics of B.I.G.'s well-chronicled career as a rapper, while concentrating on his less-celebrated maturation as father and husband." |
Gary Thompson |
Tomato |
Notting Hill (1999) |
"Grant is unfailingly funny!" |
Gary Thompson |
Splat |
November (2005) |
"Who lives? Who dies? Who cares." |
Gary Thompson |
Splat |
The Number 23 (2007) |
"If you kept at it, you could probably think of 23 other similar movies you'd rather be watching." |
Gary Thompson |
Splat |
Nurse Betty (2000) |
"This black comedy from Neil LaBute doesn't look finished, just abandoned -- a complicated tangle of clashing ideas and styles beyond the director's capacity to reconcile." |
Gary Thompson |