Splat |
The Pacifier (2005) |
"An unnecessarily morbid premise that sits uneasily with the slapstick comedy that follows." |
Gary Thompson |
Tomato B |
The Painted Veil (2006) |
"The story is told with integrity, and its sense of 1920s colonial China makes for an absorbing, cultural-political backdrop." |
Gary Thompson |
Splat |
Palindromes (2005) |
"I think because his provocations are so oppressively over the top (under the bottom?) -- he's the Michael Bay of pessimism. His flesh-eating/molester narratives prompt mainly fatigue, and if we avert our eyes, it is to check our watch." |
Gary Thompson |
Tomato B+ |
Pan's Labyrinth (2006) |
"It all adds up to what many regard as the year's best film (a National Board of Review best picture), a work of imagination that is thrilling and feels like something completely new." |
Gary Thompson |
Tomato |
Panic (2000) |
"An oddly touching movie about fathers and sons and what is passed down between them." |
Gary Thompson |
Splat |
Panic Room (2002) |
"What the audience feels is exhaustion, from watching a movie that is dark (dark green, to be exact), sour, bloody and mean." |
Gary Thompson |
Splat C |
Paper Heart (2009) |
"The crockumentary crashes and burns in Paper Heart, built around comedian Charlyne Yi's purported search for true love." |
Gary Thompson |
Tomato B- |
Paranormal Activity (2009) |
"There's more going on here than simple scares." |
Gary Thompson |
Tomato B |
The Passion of the Christ (2004) |
"One of the things that happens while you watch a man slowly beaten to death is that the fact of his life is reinforced. This happened, Gibson is saying." |
Gary Thompson |
Splat C+ |
Paul Blart: Mall Cop (2009) |
"Unlike James himself, the movie is a few bricks shy of a load, which explains why a movie obviously ticketed for a holiday release has backed up to mid-January." |
Gary Thompson |
Splat |
Pay It Forward (2000) |
"It becomes the rare movie that starts well and gets bad as it goes along." |
Gary Thompson |
Splat |
Payback (1999) |
"A genre that's been beaten to a pulp!" |
Gary Thompson |
Splat |
Paycheck (2003) |
"Has the feel, alas, of a movie that Woo did so he could get to do something else -- it's not a very personal work for him, and it lacks freshness." |
Gary Thompson |
Splat |
Pearl Harbor (2001) |
"Pearl is more like Top Gun blown up to three hours in a windy gust of self-importance that can't be sustained by a feeble script and a cast lacking in star power." |
Gary Thompson |
Tomato B |
Penelope (2008) |
"This is tricky material, but director Mark Palansky manages to find the right offbeat tone, drawing on the slightly surreal presentation we might expect from Tim Burton, Terry Gilliam or Jean-Pierre Jeunet." |
Gary Thompson |
Splat |
The Perfect Score (2004) |
"It's a curious (and not very appealing) group of rebels, whose outrage seems to grow mainly from a sense of entitlement." |
Gary Thompson |
Splat C- |
Perfect Stranger (2007) |
"There's a good thriller to be made one day about the way the Internet both reveals and disguises its users, but this isn't it." |
Gary Thompson |
Splat |
Personal Velocity (2002) |
"Even with the explanatory voiceovers, these episodes feel truncated and unsatisfactory." |
Gary Thompson |
Splat |
Peter Pan (2003) |
"Peter marvels at the 'cleverness' of himself, yet communicates nothing so much as blandness, even when he's flying through the air." |
Gary Thompson |
Splat |
Phone Booth (2003) |
"A movie that loves to torture people for the sake of torturing them." |
Gary Thompson |
Tomato |
The Pianist (2002) |
"The Pianist is a fine valedictory work for Polanski, made richer by his own experiences, making his other movies somehow richer in the bargain." |
Gary Thompson |
Splat |
Pieces of April (2003) |
"'Pieces of April' was an extremely bad song (memory bouquet...ugh), so there's every reason to think the movie will be better. And it is... slightly." |
Gary Thompson |
Tomato B |
Pineapple Express (2008) |
"The story is designed to meander, but Green keeps the pace strong, building to an extended slapstick finale." |
Gary Thompson |
Splat |
Pink Panther (2006) |
"Not even the Rocky series is as willfully flogged as The Pink Panther, which is now on its eighth sequel, the third without Sellers." |
Gary Thompson |
Splat |
Pirates of the Caribbean: Dead Man's Chest (2006) |
"As the pirates say... AAAARRRRGGGHH!" |
Gary Thompson |
Splat C |
Planet 51 (2009) |
"The animated sci-fi spoof Planet 51 makes you wonder if things might be more interesting on Planet 52." |
Gary Thompson |
Tomato |
Planet of the Apes (2001) |
"The fascinating visuals are one reason to see the new Planet of the Apes." |
Francesca Chapman |
Splat |
The Pledge (2001) |
"Scenes of the defenseless girl accepting gifts from a 6-foot-5 pedophile while Black watches from a helpless distance are, in my book, refund material." |
Gary Thompson |
Tomato |
Pollock (2000) |
"Filled with fine performances." |
Francesca Chapman |
Splat C+ |
Poseidon (2006) |
"From the beginning, there's something furtive and morally dubious about this splinter group." |
Gary Thompson |
Tomato |
Possession (2002) |
"Stripped almost entirely of such tools as nudity, profanity and violence, LaBute does manage to make a few points about modern man and his problematic quest for human connection." |
Gary Thompson |
Splat C |
Post Grad (2009) |
"The movie then works vigorously to squander both talent and timeliness." |
Gary Thompson |
Splat |
A Prairie Home Companion (2006) |
"If Companion were merely an exercise in styles, it would be a complete success. Problems arise in conjuring a storyline to fill the space between acts, or to give the movie an arc." |
Gary Thompson |
Tomato A- |
Precious: Based on the Novel PUSH by Sapphire (2009) |
"With so many performers contributing so much solid work, it may be time to acknowledge that Daniels knows what he's doing. The guy can handle actors." |
Gary Thompson |
Splat C |
Premonition (2007) |
"Hitchcock would have had a wonderful time with this." |
Gary Thompson |
Splat |
The Prestige (2006) |
"For my money, there was too much turning and not enough prestige in The Prestige." |
Gary Thompson |
Tomato |
Pride (2007) |
"In the end, we're left in Pride with what the actors can bring to it, and it bobs along on the buoyancy of charm and dignity that Howard brings to the role of Coach Ellis." |
Gary Thompson |
Splat C- |
Pride and Glory (2008) |
"The moral decay of movies as evidenced by increased and wholly gratuitous violence against children finds a logical, sorry bottom in Pride and Glory." |
Gary Thompson |
Tomato |
Pride and Prejudice (2005) |
"Wright's movie is a wide-screen spectacle, and the director uses the space smartly, filling it with details that illustrate important sociological information about its central family, the Bennets." |
Gary Thompson |
Splat |
The Prince & Me (2004) |
"The script puts the two characters through their paces. Blandly." |
Gary Thompson |
Tomato |
The Prince of Egypt (1998) |
"Behold the power of computer animation!" |
Gary Thompson |
Tomato B |
The Princess and the Frog (2009) |
"The Princess and the Frog is a perky, pretty piece of the traditional hand-drawn Disney animation, helped by dandy Randy Newman songs." |
Gary Thompson |
Tomato |
The Princess and The Warrior (2001) |
"Tykwer bails himself out with a strong, imaginative conclusion that delineates his themes of salvation and grace." |
Gary Thompson |
Splat |
The Princess Diaries (2001) |
"The flaws in The Princess Diaries' dated story line are numerous and irritating, its message about physical beauty is frustrating, and you might want to think twice before taking any curly-haired, eyeglass-wearing child to see it." |
Francesca Chapman |
Tomato |
The Prize Winner of Defiance, Ohio (2005) |
"It's a well-done autobiography, full of small but telling moments and details that add dark edges to the frame." |
Gary Thompson |
Splat C |
The Promotion (2008) |
"Director Steve Conrad probably counts on the natural likability of Scott and Reilly to make this comedy go down a little easier, but it doesn't always do the trick." |
Gary Thompson |
Splat |
Proof (2005) |
"Emotions are built around acts of betrayal never truly felt by the viewer, or that register as phony or overblown." |
Gary Thompson |
Splat C |
The Proposal (2009) |
"The leads are appealing, the material familiar -- it adds a Front Page romantic angle to The Devil Wears Prada, and reworks ideas from Green Card." |
Gary Thompson |
Tomato |
The Proposition (2006) |
"A movie of striking and resonant images." |
Gary Thompson |
Tomato B |
Public Enemies (2009) |
"Director Michael Mann is a stylish, brooding perfectionist who makes movies about men who are stylish, brooding perfectionists." |
Gary Thompson |