The Tailor of Panama (2001)

"A big disappointment."

Taking Lives (2004)

"Taking Lives is a swell-looking movie with lavish production values and not a single original idea, not a single surprise."

The Talented Mr. Ripley (1999)

"A gripping, entertaining thriller, full of fine performances, which captures a faraway time and place like a dream."

Tarzan (1999)

"Tarzan is a cut above new-generation Disney animated movies for many reasons, but one is clearly the story's emotional resonance."

Taxi to the Dark Side (2008)

"It's not anti-military, or even anti-war. Like the equally remarkable No End In Sight, it is a pointed critique of the manner in which the war was waged, and it questions the competence and honor of the men who have been running it."

Team America: World Police (2004)

"There is a special place in the satire hall of fame for any movie that can prompt public rebukes from both Matt Drudge and Sean Penn."

Tenacious D in: The Pick of Destiny (2006)

"If you got a buzz from Beavis & Butthead and Bill & Ted, Dumb and Dumber and Spinal Tap, you'll probably get a bunch of chuckles out of Tenacious D: The Pick of Destiny."

The Terminal (2004)

"The implicit message is not subtle, but it's heartfelt."

Terminator Salvation (2009)

"In the end, the resistance discovers that machines have the same potentially deadly flaw as so many summer movies: Expository dialogue."

Thank You For Smoking (2006)

"Thank You For Smoking is not big, or great, or earth-shattering, but it is exceedingly rare -- an astute and witty comedy that will make adults laugh."

The Signal (2007)

"A botched sci-fi story about the horror that erupts when televisions suddenly start emitting signals that turn folks into maniacs (maybe we should have gone with Toshiba)."

There Will Be Blood (2007)

"That this insistently grim movie remains watchable is due in large measure to Day-Lewis, playing another wild-eyed eccentric (shades of Bill the Butcher) to mesmerizing effect."

Things We Lost in the Fire (2007)

"Merges the familiar genres of grief/recovery and addiction/recovery, but is honest and well-written enough to avoid genre pitfalls."

This Film is Not Yet Rated (2006)

"A funny, diverting look at the apparently kooky workings of the Motion Picture Association of America's ratings board."

The Three Burials of Melquiades Estrada (2005)

"Gives us little information about Pete and Mequiades, but plenty about the loathsome border patrol guy."

The Time Machine (2002)

"For every cheesy scene, though, there is a really cool bit -- the movie's conception of a future-world holographic librarian (Orlando Jones) who knows everything and answers all questions, is visually smart, cleverly written, and nicely realized."

Torque (2004)

"Torque is a movie for those who thought "2 Fast 2 Furious" was 2 long or 2 mentally taxing."

Town and Country (2001)

"So much nuttiness, so few laughs."

Traffic (2000)

"Soderbergh deserves credit for the attempt, and praise for the degree that he manages to sort everything out."

Transamerica (2005)

"Maybe the hype had my expectations too high, but I expected more from Huffman."

Transformers: Revenge of the Fallen (2009)

"It's the movie to see if the most important person in your life is Optimus Prime. If, like me, you think Optimus Prime is a Roman steakhouse, move on."

The Trip (2003)

"The movie's strength is the rapport between the two appealing leads. It's hurt, though, by shifts in structure and tone."

Triumph of Love (2002)

"Intentionally choppy editing that calls undue attention to the cinematic form."

Troy (2004)

"A bit of a whimper for a $180 million movie that seeks to measure the weight of war and clocks in at nearly three hours."

The Twilight Saga: New Moon (2009)

"New Moon, for at least an hour, is laughably silly and unfathomably dull."