Tomato |
Aberdeen (2001) |
"[Headey's] performance not only gives definition and emotional force to a shapeless movie, but it's the kind of star turn that will have Hollywood producers and agents engaged in kickboxing death matches to ink her." |
Gary Thompson |
Tomato |
About a Boy (2002) |
"The Weitz's have preserved the rich humor of Hornby's comic novel ... and found the ideal point man in Hugh Grant." |
Gary Thompson |
Tomato B- |
Adam (2009) |
"It's the kind of movie that lives or dies by its leads, and Adam benefits from Dancy's tricky work conveying Adam's specialized intelligence, and the warm, generous contribution of Byrne, just nominated for an Emmy for her work on FX's Damages." |
Gary Thompson |
Tomato B |
Adventureland (2009) |
"Adventureland is not as uproarious as Superbad, but has a little more heart, and is a cut above most one-crazy-summer teen movies." |
Gary Thompson |
Tomato |
Agent Cody Banks (2003) |
"A painless hour and a half." |
|
Tomato |
The Agronomist (2004) |
"A profile, often moving, of the quixotic figure at Haiti's hopeful center, Dominique." |
Gary Thompson |
Tomato |
Akeelah and the Bee (2006) |
"Akeelah isn't quite in the class of the movies that inspired it. But it captures the spirit of what made Spellbound so likeable ..." |
Gary Thompson |
Tomato |
The Alamo (2004) |
"The Alamo wants to wring the mythology out of its famous story, and I can't think of a better way than casting Bad Santa as Davy Crockett." |
Gary Thompson |
Tomato |
Alex Rider: Operation Stormbreaker (2006) |
"I think older kids will like its uptempo blend of action and camp." |
Gary Thompson |
Tomato |
Aliens of the Deep (2005) |
"There are impressive rock formations and many other fine things to see, along with an interesting science lesson." |
Gary Thompson |
Tomato |
Along Came Polly (2004) |
"Like Feffer, things go better for the movie when it abandons its original aims." |
Gary Thompson |
Tomato |
Alpha Dog (2007) |
"Cassavetes is more interested in docudrama than commentary, but he does manage to create an interesting tone for the movie -- somewhere between the satire of the unvarnished America in Borat and the red flag waved by Apocalypto." |
Gary Thompson |
Tomato |
Amazing Grace (2007) |
"[Director] Apted gives the movie a reasonably good period feel. Working with an obviously limited budget, it feels like something you might see on the History Channel, but that's not necessarily a knock." |
Gary Thompson |
Tomato |
Amelie (2001) |
"A perfectly timed antidote to grim determinism of other romantic comedies." |
Gary Thompson |
Tomato B |
American Casino (2009) |
"It may be a little too Jack Webb for the masses, but there is value to its sober, just-the-facts approach." |
Gary Thompson |
Tomato B+ |
American Gangster (2007) |
"It's a rare instance of a movie gangster, though wrapped in the unavoidable cloak of big-screen glamour, being held to account for the retail-level destruction caused by his criminal operation." |
Gary Thompson |
Tomato |
American Hardcore (2006) |
"If band names like Circle Jerks, D.O.A., Dead Kennedys and Minor Threat resonate with you, then this documentary celebrating their short-lived, pummeling breed of thrash-and-burn rock music will surely get your blood boiling all over again." |
Jonathan Takiff |
Tomato |
American Splendor (2003) |
"One of the best movies I've seen this year -- original, inventive, surprisingly moving." |
Gary Thompson |
Tomato B+ |
American Teen (2008) |
"American Teen feels like truth, and it's still stranger than fiction." |
Gary Thompson |
Tomato B |
American Violet (2009) |
"American Violet is an earnest muckraker about the justice system that won't win points for style, but wins plenty for substance." |
Gary Thompson |
Tomato |
American Wedding (2003) |
"I laughed pretty much throughout the entirety of American Wedding." |
Gary Thompson |
Tomato A- |
An Education (2009) |
"The way one character bounces off another in An Education is endlessly interesting. No role, no matter how small, is thrown away." |
Gary Thompson |
Tomato B- |
Anchorman: The Legend of Ron Burgundy (2004) |
"Add it all up, and you get something that often meets the standard of being funny. Whether it meets the standard of being a movie is another question." |
Gary Thompson |
Tomato |
The Ant Bully (2006) |
"... it's hard to dislike a movie that teaches useful lessons about team play." |
Gary Thompson |
Tomato |
Antwone Fisher (2002) |
"If the movie is clunky and raw, it's also heartfelt, and director/star Denzel Washington is smart just to keep things simple and stay out of the way of the movie's improbably powerful autiobiographical story." |
Gary Thompson |
Tomato B+ |
Anvil! The Story of Anvil (2009) |
"The movie is a small wonder, because it's not the work of a practiced filmmaker - Sacha Gervasi is a writer and Anvil fan who shot the movie on a whim, but he has a great eye, and is evidently an editing whiz." |
Gary Thompson |
Tomato |
Apocalypse Now Redux (2001) |
"There is more narrative clarity, and almost every character gains definition and humanity." |
Gary Thompson |
Tomato B |
Apocalypto (2006) |
"You have to hand it to Mel Gibson -- when he makes a visceral film, he gives you the actual viscera." |
Gary Thompson |
Tomato B |
Appaloosa (2008) |
"The first hour bored me nearly to tears, but I'm glad I stuck it out, since the last half hour is fresh, diverting and original in the context of a neo-Western. Or a neo anything." |
Gary Thompson |
Tomato |
Are We There Yet? (2005) |
"Does a good job of capturing the aspect of child-parent and child-adult relationships. And although funny, the movie does touch on a few social issues." |
Damon C. Williams |
Tomato |
The Aristocrats (2005) |
"Interesting and informative." |
Gary Thompson |
Tomato |
Arlington Road (1999) |
"A pretty decent thriller." |
Gary Thompson |
Tomato B |
Ashes of Time Redux (1994) |
"Redux is a piece of visual poetry without much interest in conventional narrative." |
Gary Thompson |
Tomato B- |
Astro Boy (2009) |
"The movie never soars like Astro Boy, but it does rise above the lack of promise that prevails in the early scenes, which is a tough thing for any movie to do." |
Gary Thompson |
Tomato B- |
Atonement (2007) |
"An impressive expenditure of talent and craft on a complicated, stubbornly book-bound story that remains at a frustrating emotional distance." |
Gary Thompson |
Tomato |
Austin Powers in Goldmember (2002) |
"The story is as nutty as we've come to expect, just not as funny -- the '70s angle was handled more cleverly in Undercover Brother." |
Gary Thompson |
Tomato |
Austin Powers: The Spy Who Shagged Me (1999) |
"What makes some of this stuff work is not its cruelty but its audaciousness!" |
Gary Thompson |
Tomato B |
Australia (2008) |
"Australia is a wildly over the top look at Down Under, about what we might have expected from Aussie director Baz Luhrmann." |
Gary Thompson |
Tomato B+ |
Avatar (2009) |
"In Avatar Cameron creates an Oz that's as tactile and tangible as if it were made of real materials and real tissue." |
Gary Thompson |
Tomato |
The Aviator (2004) |
"It's not as moving as it's probably meant to be, but as a whole The Aviator is fast (even pushing three hours), entertaining and provocative." |
Gary Thompson |
Tomato B+ |
Away From Her (2007) |
"Polley, borrowing from a story by Alice Munro, and maybe some of its wisdom, gives us more. Here, time rewards compromises and commitment to a flawed arrangement, and we get a rare portrait of the intimacy that can come with endurance." |
Gary Thompson |
Splat |
A Scanner Darkly (2006) |
"Dick does not share Linklater's decency and humanism ... and the cynical, hopeless characters in Scanner sit uncomfortably with Linklater's natural sensibility." |
Gary Thompson |
Splat |
A.I. Artificial Intelligence (2001) |
"Isn't half so intriguing as the alliance that created it." |
Gary Thompson |
Splat |
About Adam (2001) |
"We've all watched enough Springer to know what happens when a fiance makes a move on the bride-to-be's sister. Those family dramas involve lawyers, if not guns and knives. Never rose petals." |
Gary Thompson |
Splat |
About Schmidt (2002) |
"The movie feels as soft and as lost as Schmidt himself, and it's not until he reaches Denver that it's buoyed by a game supporting cast." |
Gary Thompson |
Splat |
Adaptation (2002) |
"A train wreck of a movie, but it's quite a train, and the crash is spectacular." |
Gary Thompson |
Splat |
Adventures of Sharkboy and Lava Girl in 3-D (2005) |
"The movie makes no sense, in any of its three dimensions." |
Gary Thompson |
Splat |
After the Sunset (2004) |
"There isn't a single good thing about this movie." |
Gary Thompson |
Splat |
Against the Ropes (2003) |
"An odd movie -- one that makes ready use of feel-good cliches, but also one that's abnormally willing to acknowledge its heroine's flaws." |
Gary Thompson |
Splat |
Agent Cody Banks 2: Destination London (2004) |
"An inane sequel." |
Gary Thompson |