Tomato 3.5/4 |
$9.99 (2009) |
"Using the medium of Wallace and Gromit and Gumby, Israeli filmmaker Tatia Rosenthal turns her clay figures into real people in $9.99, a wise, wistful study of hope and dread." |
Steven Rea |
Splat 2/4 |
(Untitled) (2009) |
"(Untitled) asks a lot of intriguing questions -- more intriguing than the film itself." |
Steven Rea |
Splat 1.5/4 |
10,000 B.C. (2008) |
"Would that Emmerich took as much care with his human characters as with inanimate objects and CGI animals." |
Carrie Rickey |
Tomato |
101 Reykjavik (2001) |
"Finely acted and shot with a beautiful, understated cinematic sweep ... 101 Reykjavík is a poignant, endearingly offbeat work." |
Steven Rea |
Tomato |
102 Dalmatians (2000) |
"Amiable, undemanding family holiday entertainment." |
Desmond Ryan |
Splat 1.5/4 |
10th & Wolf (2006) |
"Bobby Moresco, who cowrote Crash and coproduced Million Dollar Baby, makes an undistinguished directing debut, assembling a band of actors who know but two modes: simmering rage and over-the-top histrionics." |
Steven Rea |
Tomato 3/4 |
12 (2007) |
"Full of passion and speechifying, 12 is unmistakably Russian in spirit and sensibility, but its themes are universal at their core." |
Steven Rea |
Tomato 3/4 |
12 and Holding (2006) |
"Illuminating and unsettling." |
Steven Rea |
Tomato 3/4 |
13 Going on 30 (2004) |
"Garner is a delight, a completely accessible personality in completely forbidding clothes." |
Carrie Rickey |
Tomato 3.5/4 |
13 Tzameti (2006) |
"The film is exquisitely simple, and exceptionally tough, and its monochromatic visuals -- and cast of fascinating, hard-bitten faces -- make it impossible not to watch, even when events become close to unbearable." |
Steven Rea |
Splat |
The 13th Floor (1999) |
"The roles are underwritten and, especially in D'Onofrio's case, overacted." |
Desmond Ryan |
Tomato 3/4 |
1408 (2007) |
"An entertainingly hairy paranormal affair based on a King short story, 1408 sets up its star -- and its audience -- for a blood-curdling, bone-chilling night of horror." |
Steven Rea |
Splat |
15 Minutes (2001) |
"Less the blistering satire it imagines itself than a blustering, bloody, blundering melodrama." |
Carrie Rickey |
Tomato 3/4 |
16 Blocks (2006) |
"16 Blocks is a police procedural in the change-your-life spirit of Oprah. And I say this with the deepest respect for both genres." |
Carrie Rickey |
Tomato 3/4 |
17 Again (2009) |
"For me, 17 Again is mildly diverting. For the tweens who are its target audience, Efron's outside shot is a three-pointer." |
Carrie Rickey |
Tomato 2.5/4 |
2 Days In Paris (2007) |
"A movie that is as acutely painful as it is acutely funny." |
Carrie Rickey |
Tomato 2/4 |
2 Fast 2 Furious (2003) |
"The pic is closer to the PlayStation experience of Gran Turismo than to a movie. This is not to say that it isn't fun, only to say that it is more about sensation than sense." |
Carrie Rickey |
Splat 2.5/4 |
2012 (2009) |
"I found myself reaching for a phantom video-game controller to help Our Heroes and Heroine defy certain death." |
Carrie Rickey |
Tomato 3/4 |
2046 (2005) |
"It's all terribly atmospheric, and if you're in the mood for atmosphere, 2046 delivers." |
Steven Rea |
Tomato 3/4 |
21 (2008) |
"21 makes for some slick escapist fantasy. Even if, and because, the fantasy has its roots in something real." |
Steven Rea |
Tomato 4/4 |
21 Grams (2003) |
"Challenges and provokes in unexpected ways." |
Steven Rea |
Tomato 3.5/4 |
24 Hour Party People (2002) |
"The actors' performances are a mix of eerie mimicry and something more: a portrait of ambitious dreamers kicking around big notions and doing absolutely self-destructive, stupid things." |
Steven Rea |
Tomato 3/4 |
25th Hour (2002) |
"It could have been more taut, could have been harder, but 25th Hour still resonates with power and poetry." |
Steven Rea |
Splat 2/4 |
27 Dresses (2008) |
"No self-respecting screenwriter would put a Hugh Grant character through what Heigl's endures here. I don't blame McKenna: I blame a studio system that figures if it worked for Julia Roberts, it will work for Heigl." |
Carrie Rickey |
Tomato 3.5/4 |
28 Days Later (2003) |
"Deftly directed by Danny Boyle and scripted by novelist Alex Garland, 28 Days Later is seat-squirming, hands-over-the-eyes stuff." |
Steven Rea |
Tomato 3/4 |
28 Weeks Later (2007) |
"A bloody, button-pushing shot of adrenaline." |
Carrie Rickey |
Tomato 3/4 |
3-Iron (2005) |
"A mesmerizing, offbeat, violent, playful yet serious parable." |
Carrie Rickey |
Tomato 3/4 |
30 Days of Night (2007) |
"A truly terrifying hell-ride through darkness for grownups." |
Tirdad Derakhshani |
Splat 2/4 |
300 (2007) |
"300 is one breathtaking digi-tableau after another. But the dialogue is a joke, the performances have more to do with bodybuilding than character, and the lesson that the film imparts isn't anything to do with courage and military skill." |
Steven Rea |
Splat |
3000 Miles to Graceland (2001) |
"Elvis would write this one off as a jailhouse crock." |
Carrie Rickey |
Tomato 4/4 |
35 Shots of Rum (2009) |
"35 Shots of Rum is visual poetry, but poetry that examines the human condition with insight and illumination." |
Steven Rea |
Tomato 3.5/4 |
3:10 to Yuma (2007) |
"Yields performances as elemental as the landscape while it questions a culture more concerned with money than human life." |
Carrie Rickey |
Tomato 4/4 |
4 Months, 3 Weeks and 2 Days (2008) |
"The absolute clarity of the storytelling, the aching authenticity of the performances make for a film that will stay with you for at least as long as the period alluded to in its title. It might stay with you forever." |
Steven Rea |
Splat 2/4 |
40 Days and 40 Nights (2002) |
"Although not without its share of laughs, 40 Days is almost pornographic." |
Carrie Rickey |
Tomato 3/4 |
The 40-Year-Old Virgin (2005) |
"A bracingly coarse, surprisingly tender movie." |
Carrie Rickey |
Tomato 2.5/4 |
50 First Dates (2004) |
"I don't think 50 First Dates is a great movie, or a particularly funny one, but I admired its romanticism and its gentle plea for the acceptance of difference." |
Carrie Rickey |
Tomato 3/4 |
500 Days of Summer (2009) |
"An engagingly breezy tale about a guy with a broken heart and the girl who broke it." |
Steven Rea |
Splat 2.5/4 |
5X2 (2005) |
"Neither Marion, with her melancholy stares, nor Gilles, with his detachment and his cigarettes, appears more than a character sketch." |
Steven Rea |
Splat |
The 6th Day (2000) |
"There's no doubt that the formula for this kind of action film is showing its age." |
Desmond Ryan |
Tomato 3/4 |
8 Mile (2002) |
"8 Mile should satisfy Eminem's legion of fans and, at the same time, affirms rap's power as an artform, as real beat poetry, for the uninitiated -- and even for the actively resistant." |
Steven Rea |
Tomato 3/4 |
8 Women (2002) |
"8 Women may not plumb the depths of the female psyche, but it's stylish and frivolous in the most profound ways." |
Steven Rea |
Splat 1.5/4 |
88 Minutes (2008) |
"A maddeningly mediocre, ineptly manipulative 'real-time' thriller. (A real-time thriller that's almost 20 minutes longer than its title suggests.)" |
Steven Rea |
Tomato 2.5/4 |
9 (2009) |
"Acker, whose gifts for mood, design, and character design are impressive enough to have attracted Tim Burton as a producer, is more of an artist than a storyteller." |
Carrie Rickey |
Splat 2.5/4 |
9 Songs (2005) |
"Nice folks, fun time, thanks for the peek (I guess), and so what?" |
Steven Rea |