Tomato 3/4 |
Baadasssss! (2004) |
"A sobering and wildly entertaining account of how the elder Van Peebles crashed through the hurdles that continue to hinder independent filmmakers." |
Carrie Rickey |
Tomato 2.5/4 |
Babel (2006) |
"I was shaken, but not stirred." |
Carrie Rickey |
Tomato 2.5/4 |
Baby Boy (2001) |
"Affecting if sometimes overwrought." |
Steven Rea |
Tomato 3/4 |
Baby Mama (2008) |
"[Writer/director] McCullers takes all the loose plot strands and ties them in a neat knot and cuts it, as an obstetrician might a newborn's umbilicus. Still, I left with a smile." |
Carrie Rickey |
Splat |
The Bachelor (1999) |
"Feeble and formulaic." |
Desmond Ryan |
Splat 2.5/4 |
Bad Boys II (2003) |
"Despite some awesomely choreographed stunts and the two stars' pedal-to -the-metal appeal, the movie seems endless." |
Steven Rea |
Splat 2/4 |
Bad Company (2002) |
"Bad Company would just be another silly, intermittently funny, buddy comedy were it not for a plot unlaughably close to current events." |
Carrie Rickey |
Tomato 3.5/4 |
Bad Education (2004) |
"A masterful epic charting love's labyrinths." |
Carrie Rickey |
Tomato 3/4 |
Bad Lieutenant: Port of Call New Orleans (2009) |
"A one-of-a-kind experience that boasts a twice-in-a-lifetime performance from Nicolas Cage." |
Carrie Rickey |
Splat 2/4 |
Bad News Bears (2005) |
"Thornton's subversive performance as the type of guy parents warn their kids to stay away from is in this PG-13 movie a tad too profane for the preteens who would really dig it and too juvenile for most adults." |
Carrie Rickey |
Splat 2/4 |
Bad Santa (2003) |
"There simply aren't enough laughs in this Christmas comedy -- it's more like a stocking stuffed with lumps of coal." |
Steven Rea |
Splat 2.5/4 |
Baghead (2008) |
"Even in the spookiest woods in the dead of night, there will be no difficulty figuring this one out." |
Steven Rea |
Splat 2/4 |
Baise Moi (2001) |
"In railing against the exploitation of women, the movie is itself quite often exploitative." |
Desmond Ryan |
Tomato 3/4 |
The Ballad of Jack and Rose (2005) |
"A potent, mesmerizing drama of a counterculture Adam and Eve and their expulsion from paradise." |
Carrie Rickey |
Tomato 3/4 |
Ballast (2008) |
"What this unclassifiable story may lack in decibels, it has in emotional depth." |
Carrie Rickey |
Tomato 2.5/4 |
Balls of Fury (2007) |
"While Balls of Fury is slightly more sophisticated in its comic strategies, 'slightly' remains the operative word." |
Steven Rea |
Tomato 3.5/4 |
Balzac and the Little Chinese Seamstress (2005) |
"A funny, sad and absolutely lovely film." |
Steven Rea |
Tomato |
Bamboozled (2000) |
"It's been a long time since I've seen a movie that made me feel, think, laugh and cry -- often simultaneously." |
Carrie Rickey |
Tomato 3.5/4 |
The Band's Visit (2007) |
"Every frame of this low-key delight is about foreignness." |
Carrie Rickey |
Tomato 3/4 |
Bandits (2001) |
"Billy Bob Thornton, wearing a succession of toupees, wigs, fake facial hair, and funny hats, and twitching more than a horse's behind, is the best reason to see Bandits." |
Steven Rea |
Tomato 3/4 |
Bandslam (2009) |
"In a goofily endearing performance reminiscent of the young John Cusack, Connell is charming and relatable. Likewise, Kudrow, as the overprotective mother who both fears and wants more independence for her son." |
Carrie Rickey |
Tomato 3/4 |
The Banger Sisters (2002) |
"An exhilarating estrogen flick for those losing theirs and contact Viagra for everyone else." |
Carrie Rickey |
Splat 1/4 |
Bangkok Dangerous (2008) |
"Bankgok Ridiculous is more like it." |
David Hiltbrand |
Tomato 3/4 |
The Bank Job (2008) |
"All in all, the film written by Dick Clement and Ian LaFrenais feels both absolutely of the 1970s and absolutely fresh." |
Carrie Rickey |
Tomato 3.5/4 |
The Barbarian Invasions (2003) |
"If you haven't seen the original, which, if memory serves, was billed as 'The Big Chill with a doctorate,' no worries. Arcand's follow-up stands alone as a universal story of generational reconciliation." |
Carrie Rickey |
Tomato 2.5/4 |
Barbershop (2002) |
"A stage-y but likable ensemble piece." |
Steven Rea |
Tomato 3/4 |
Barbershop 2: Back in Business (2004) |
"Affectionate and deeply funny." |
Carrie Rickey |
Splat 2/4 |
Bartleby (2002) |
"Except for Paymer as the boss who ultimately expresses empathy for Bartleby's pain, the performances are so stylized as to be drained of human emotion." |
Carrie Rickey |
Splat 2/4 |
Basic (2003) |
"If we can't trust the narrators of the flashbacks, whom can we trust? Certainly not a director and screenwriter (James Vanderbilt) whose narrative approach is to repeatedly lay down a rug and pull it from under us." |
Carrie Rickey |
Splat 1.5/4 |
Basic Instinct 2 (2006) |
"Stone's purring, snarling, bedroom kink is embarrassing." |
Steven Rea |
Splat 2.5/4 |
Batman Begins (2005) |
"Is it too much to ask that the action sequences not be monotonously, narcotizingly dull?" |
Carrie Rickey |
Tomato 2.5/4 |
Battle For Haditha (2007) |
"Lacking in subtlety and nuance, Broomfield's nerve-jangling movie nonetheless succeeds in showing the war from various vantage points. And from wherever one's standing, the view is profoundly disturbing." |
Steven Rea |
Tomato 4/4 |
Battle of Algiers (1966) |
"Magnificent moviemaking." |
Steven Rea |
Splat 2/4 |
The Battle of Shaker Heights (2003) |
"As putatively quirky coming-of-age movies go, this one feels factory-tooled -- and fake." |
Steven Rea |
Tomato 3/4 |
The Baxter (2005) |
"No great shakes, The Baxter nonetheless has a quiet loopiness going for it." |
Steven Rea |
Splat 1.5/4 |
Be Cool (2005) |
"Represents the mind-numbing antithesis of cool." |
Steven Rea |
Tomato 3/4 |
Be Kind Rewind (2008) |
"A celebration of the DIY aesthetic, and of the universal appeal of movies, Be Kind Rewind is a charmingly off-the-wall little tale." |
Steven Rea |
Tomato 3/4 |
Be Kind Rewind (2008) |
"A celebration of the DIY aesthetic, and of the universal appeal of movies, Be Kind Rewind is a charmingly off-the-wall little tale." |
Steven Rea |
Tomato 4/4 |
The Beaches of Agnes (2009) |
"A captivating cine-memoir, impressionistic and surrealistic, surveying Varda's formidable career as a still photographer, filmmaker, documentarian, and life force." |
Carrie Rickey |
Tomato 3.5/4 |
The Beat That My Heart Skipped (2005) |
"Duris' performance is more finely tuned and less frenetic than Keitel's enjoyably over-the-top job, and the film's emotional chords resonate in more satisfying and complicated ways." |
Steven Rea |
Splat 2.5/4 |
The Beautiful Country (2005) |
"This ambitious drama grapples with big themes -- identity, family, East-West conflict - but loses itself in melodrama, caricature and narrative missteps." |
Steven Rea |
Splat |
Beautiful Creatures (2001) |
"Emits an aura of contrived cool." |
Steven Rea |
Tomato 3/4 |
A Beautiful Mind (2001) |
"Crowe and Connelly's work rises above the mush." |
Steven Rea |
Tomato 3/4 |
The Beauty Academy of Kabul (2006) |
"Without editorializing, Mermin raises fascinating questions about the cultural impact of globalization, the allure of the West, and the troubled history of an ancient land." |
Steven Rea |
Tomato 3/4 |
Beauty in Trouble (2008) |
"Beauty in Trouble offers a meditation on the legacies of communism and the lure of capitalism, but also on the human need for love, connection and family." |
Steven Rea |
Tomato 3/4 |
Beauty Shop (2005) |
"The loose, lively spirit of the performances breathes life into the cliches." |
Steven Rea |
Splat 2/4 |
Because I Said So (2007) |
"Keaton is a national treasure, always worth the visit even when, as is the case of Because I Said So, her movie isn't." |
Carrie Rickey |
Tomato 3/4 |
Becket (1964) |
"The pleasure of these two extravagantly gifted actors at the top of their game -- their diction! their conviction! their beauty! -- is enormous." |
Carrie Rickey |
Splat 2.5/4 |
Becoming Jane (2007) |
"[A] moderately engaging pseudo-Brit-lit piffle." |
Steven Rea |
Splat |
Bedazzled (2000) |
"A comedy that is weak even by today's humble standards, and pitiful when measured against the Cook-Moore version." |
Desmond Ryan |