Tomato 3/4 |
Cabin Fever (2003) |
"This impressively icky, witty scare pic from director Eli Roth combines the hillbilly-country horror of the first Blair Witch Project with the viral decimation and paranoia of 28 Days Later." |
Steven Rea |
Tomato 2.5/4 |
Cadillac Records (2008) |
"As drama, Cadillac is adequate. As a jukebox musical, it soars." |
Carrie Rickey |
Tomato 3/4 |
Calendar Girls (2003) |
"It reels us in because it is about people who for so long have paid lip service to making a difference that they are profoundly altered when they actually do." |
Carrie Rickey |
Splat 2/4 |
Callas Forever (2004) |
Click here to see the review. |
|
Splat |
Calle 54 (2001) |
"A good listen without being a particularly good watch." |
Carrie Rickey |
Tomato |
Camp (2003) |
"Instead of a homogenized, mass-produced polish, boasts funky, handmade brio that may sometimes be cliched but is always heartfelt." |
Carrie Rickey |
Splat 2.5/4 |
Candy (2006) |
"There's a formula here, and it's not the liquid being shot into popping veins." |
Steven Rea |
Tomato 3/4 |
El Cantante (2007) |
"Directed with palpable passion and terrific period feel by Ichaso, El Cantante has camerawork and editing that move with the 4/4 rhythm of salsa, upbeat even when the drama grows downbeat." |
Carrie Rickey |
Tomato 3/4 |
Capitalism: A Love Story (2009) |
"In passages, the movie is eloquent. In sum, it is scattershot. Organization is not Moore's strongest suit; indignation is." |
Carrie Rickey |
Tomato 3.5/4 |
Capote (2005) |
"Engages both the practical and the moral implications of Capote's achievement." |
Carrie Rickey |
Tomato 3/4 |
Captain Corelli's Mandolin (2001) |
"In a season dominated by effects-driven blockbusters, this old-style, lyrical love story should find its audience and then some." |
Steven Rea |
Tomato 3.5/4 |
Capturing the Friedmans (2003) |
"Everything is evidence in this astounding movie that frustrates the moviegoer's natural instinct to identify with the hero." |
Carrie Rickey |
Tomato 3/4 |
Caramel (2008) |
"Set in a culture caught between East and West, between male chauvinism and female empowerment, Labaki's movie isn't about to revolutionize a genre -- its charms are modest, but many." |
Steven Rea |
Tomato 3/4 |
Carandiru (2004) |
"Searing and hypnotic." |
Carrie Rickey |
Splat 2/4 |
Cars (2006) |
"Pixar finally rolled out a clunker." |
Steven Rea |
Tomato 3/4 |
Cartel (2009) |
"The Cartel does what good reporters are supposed to do: follow the money." |
Steven Rea |
Tomato 2.5/4 |
Casa de los Babys (2003) |
"It is a movie of remarkable performances." |
Carrie Rickey |
Splat 2/4 |
Casanova (2005) |
"One would expect Casanova, a movie about the storied loverboy of 18th-century Venice, to be wicked, ribald fun. One would be wrong." |
Steven Rea |
Tomato 3/4 |
Cashback (2007) |
"A sleek little meditation on beauty, desire, love and time. Now and then, it's fairly sophisticated stuff." |
Steven Rea |
Tomato |
Casino Royale (2006) |
"You who carped that the 007 films had devolved into a catalog of fresh gadgets and stale puns, eat crow. You who said that the Austin Powers superspy spoofs made James Bond irrelevant, behave." |
Carrie Rickey |
Splat 2/4 |
Cassandra's Dream (2008) |
"There's not a believable character, nor line of convincing dialogue to be found." |
Steven Rea |
Tomato |
Cast Away (2000) |
"While Cast Away works as a simple saga of survival, the film plays on deeper levels too." |
Steven Rea |
Tomato 2.5/4 |
The Cat's Meow (2002) |
"The visually stylish, if narratively stodgy, film is a parable of Hollywood success and personal failure told with authority by one himself a showbiz victor and victim." |
Carrie Rickey |
Tomato B |
Catch a Fire (2006) |
"Luke is fine in the lead, proving that his good work in Antoine Fisher was no fluke." |
Steven Rea |
Splat 2/4 |
Catch and Release (2007) |
"However diverting are Garner, Smith and the scenery, the ricochet-romance aspect of Grant's film is, frankly, icky." |
Carrie Rickey |
Tomato 3/4 |
Catch Me If You Can (2002) |
"Fleet-footed and fun, if a mite too long." |
Steven Rea |
Tomato 3.5/4 |
Caterina in the Big City (2005) |
"A warm and resonant comedy." |
Carrie Rickey |
Tomato 3/4 |
Cats & Dogs (2001) |
"Cat people and dog people of all ages will enjoy the tactics of this interspecies war, though the film makes the somewhat exaggerated assumption that cats are selfish and fascist and that dogs are selfless and humanist." |
Carrie Rickey |
Splat 1.5/4 |
Catwoman (2004) |
"Awful adaptation of the comic-book character created by Batman's Bob Kane." |
Steven Rea |
Splat 2/4 |
The Cave (2005) |
Click here to see the review. |
|
Tomato |
The Caveman's Valentine (2001) |
"Mood -- and of course Jackson's performance -- sustains the movie." |
Carrie Rickey |
Splat |
The Cell (2000) |
"Whatever happened to minimalism?" |
Steven Rea |
Splat 2/4 |
Cellular (2004) |
Click here to see the review. |
|
Splat |
The Center of the World (2001) |
"Enough to send you running from the theater, yawning." |
Steven Rea |
Tomato |
Chain Camera (2001) |
"A candid, compelling documentary." |
Steven Rea |
Splat 1.5/4 |
Chandni Chowk to China (2009) |
"If Slumdog Millionaire's success has Hollywood thinking American audiences are ready for the authentic Indian movie experience, Chandni Chowk to China could quickly put the kibosh on that notion." |
Steven Rea |
Splat 2.5/4 |
Changeling (2008) |
"With its many tonal shifts and dangling subplots, J. Michael Straczynski's sprawling script is a problem. Jolie's performance is another." |
Carrie Rickey |
Tomato 3/5 |
Changing Lanes (2002) |
"A seething, searing tragedy of unmannerliness." |
Carrie Rickey |
Splat 2.5/4 |
Chaos Theory (2008) |
"Reynolds is more than likable in the lead." |
Steven Rea |
Tomato 4/4 |
Charlie and the Chocolate Factory (2005) |
"A mischievously inventive, surreal entertainment, one that celebrates not only Whipple Scrumptious Fudgemallow Delight and Nutty Crunch Surprise but Busby Berkeley, Stanley Kubrick, the Beatles, and the outer-space acting choices of one Johnny Depp." |
Steven Rea |
Tomato 3/4 |
Charlie Bartlett (2007) |
"There's lots to like." |
Steven Rea |
Tomato 3/4 |
Charlie Wilson's War (2007) |
"Charlie Wilson's War tells its tale briskly, almost merrily. This is not a sober history lesson, but a political comedy laced with sex (party girls in limos, strippers in hot tubs), booze, and even good old-fashioned cocaine." |
Steven Rea |
Splat |
Charlie's Angels (2000) |
"This choppily edited film looks like confetti." |
Carrie Rickey |
Tomato 3/4 |
Charlie's Angels: Full Throttle (2003) |
"Gleefully airheaded and slick." |
Steven Rea |
Splat 2/4 |
Charlotte Gray (2001) |
"One wishes that the muddled script ... had received the same attention as the costumes and cinematography." |
Carrie Rickey |
Tomato 3/4 |
Charlotte's Web (2006) |
"The movie may not be perfect, but it beautifully distills White's simple message. We are all born to die. But we are also born to befriend." |
Carrie Rickey |
Splat 2.5/4 |
Chasing Liberty (2004) |
"Chasing Liberty boasts exceedingly high levels of improbability and an embarrassment of continuity and character shortfalls, but still has a certain bubbleheaded charm." |
Steven Rea |
Tomato 2.5/4 |
Chasing Papi (2003) |
"A buoyant antidote to those toxic all-you-need- is-love romantic comedies." |
Carrie Rickey |
Tomato 3/4 |
The Chateau (2002) |
"The Chateau belongs to Rudd, whose portrait of a therapy-dependent flakeball spouting French malapropisms ... is a nonstop hoot." |
Steven Rea |
Tomato 3/4 |
Che (2008) |
"With Benicio Del Toro delivering a fiercely indrawn and mesmerizing performance in the title role, Che is neither a hagiography nor a superficial character sketch." |
Steven Rea |