G-Force (2009)

"Just about the only folks likely to find this humdrum hybrid of Mission: Impossible and The Wind in the Willows worthy for consideration are non-discriminating pip-squeaks happy to watch rodents rappelling walls and scampering along air ducts."

Gangs of New York (2002)

"An elaborately worked-over opus that's as tarted-up and artificial as Scorsese's '70s classic Mean Streets was gritty and real."

Garfield the Movie (2004)

"Our 8-year-old adored it. But except for Murray's voice-over work, Mom was allergic."

George A. Romero's Diary of the Dead (2008)

"Moderately scary, moderately amusing, intermittently dull and obvious, Diary of the Dead is not groundbreaking, nor even ground-quaking."

Georgia Rule (2007)

"The American public likes nothing better than a tragedy with a happy ending, William Dean Howells observed. But Marshall so cautiously downplays the tragic elements of his plot that the sweetness and light left a sour taste in my mouth."

Get Carter (2000)

"Moves along with virtually no rhythm, no suspense, and no spark from the morose, goateed star."

Get Smart (2008)

"All that's missing is the spirit and the anarchic humor of the sitcom created by Mel Brooks and Buck Henry. The result is an overdressed, carefully stitched scarecrow of a comedy."

Ghost Ship (2002)

"Although there are several truly jolting scares, there's also an abundance of hackneyed dialogue and more silly satanic business than you can shake a severed limb at."

Ghost World (2001)

"Birch and Johansson inhabit Zwigoff's film with deft assurance and subtle moves."

The Gift (2001)

"At its best The Gift evokes some of the creepy chills of To Kill a Mockingbird. And at its heart, there's Blanchett, an actress whose instincts are unerring, and dead-on."

Gigli (2003)

"A torpid dud starring the cuddly celebrity twosome of the moment."

A Girl Cut in Two (2008)

"A cool study of erotic longing, misguided love and class warfare in the civilized spheres of French society, Claude Chabrol's A Girl Cut in Two, despite its high melodrama and wicked humor, delivers a real emotional wallop."

The Girl from Paris (2002)

"A lovely, keenly observed film."

The Girlfriend Experience (2009)

"Coldly voyeuristic, the film is a piece of cultural anthropology that doesn't even pretend to get into the soul of its characters."

Gloomy Sunday (2003)

Click here to see the review.

God Grew Tired of Us (2007)

"Not as good, nor as complex, as The Lost Boys, but that doesn't make the story of mass annihilation, sprawling refugee camps, the generosity of Americans, and the resilience of a handful of Sudanese survivors any less worthy of telling -- again."

Godsend (2004)

"A murky thriller."

Godzilla 2000 (2000)

"Godzilla 2000 ... is dubbed into English in a manner that's occasionally too jokey for its own good."

Gojira (1954)

"Morally compelling aspects of Honda's film lost to Americans are now restored."

The Golden Compass (2007)

"Visually, The Golden Compass is dazzling, hopscotching from hallowed halls of academe to the Nordic tundra, from luxe manors to creepy, sci-fi-like facilities. The effects couldn't be better."

Gomorra (2008)

Click here to see the review.

Gone Baby Gone (2007)

"Casey's big brother has made a tough, taut mystery."

Good Boy! (2003)

"It's a gentle parable of interspecies love and loyalty and a very nice time if you don't mind a little Fido flatulence."

The Good German (2006)

"The Good German doesn't look like a period movie, and it doesn't feel like one. The black-and-white images are thin and garish, with blinding whites that destroy whatever Soderbergh is trying to do with shadow and contrast."

Good Hair (2009)

"Good Hair is certainly no arid anthropological study. Rock's queries are loose and quippy, but his instincts are as sharp as an investigative journalist's."