I Am Legend (2007)

"It's almost as if the filmmakers wanted to say something about isolation, and loneliness, in the urban environment. Almost."

I Am Trying to Break Your Heart (2002)

"Tells Wilco's story so well that you'll leave the theater thinking the album is a work of genius."

I Love You, Beth Cooper (2009)

"The charmlessness of its central characters -- Rust's charisma-challenged Denis, Panettiere's Barbie-hard and vacuous Beth -- makes this putative farce all the more difficult to endure."

I Now Pronounce You Chuck And Larry (2007)

"I feel compelled to apologize about laughing at Chuck and Larry, like many Sandler films less a movie than a fistful of funny moments."

I Spy (2002)

"The execution is so dumbed-down, so dumbfounding, that sophisticated moviegoers might confuse it for outtakes from Spy Kids 2 and XXX."

I'm Going Home (2002)

"What a role this is for Piccoli, who plays the hubristic king, the bereaved husband, the grand artist, in tones that range from thunder to whisper."

I'm Not There (2007)

"I'm Not There is at once experimental and mainstream: Haynes juggles the facts, plays fast and loose, but serves up images, and songs that are as much a part of the collective pop consciousness as anything the 20th century produced."

I, Robot (2004)

"I, Robot is less compelling as a drama of the human enslavement of androids than it is an intriguing vision of a treeless, cashless future."

Ice Age (2002)

"On its icy face, the new film is a subzero version of Monsters, Inc., without the latter's imagination, visual charm or texture."

Ice Age: The Meltdown (2006)

"On the short list of sequels superior to the originals -- alphabetically between The Godfather, Part II and Toy Story 2 -- you may enter Ice Age: The Meltdown."

Ice Princess (2005)

"The figure-skating sequences thud instead of zing, as though photographed by a hippo in house slippers."

Idlewild (2006)

"[The Outkast duo] are, as might be expected, terrific in the musical numbers and painfully self-conscious in the dramatic sequences."

Il Divo (2009)

"All in all, this phenomenal film illustrates Alexis de Tocqueville's observation that "The people get the government they deserve." In both meanings of the word, Il Divo is sensational."

Imaginary Heroes (2004)

"The gift of Imaginary Heroes is getting to know these anything- but-ordinary people."

Importance of Being Earnest (2002)

"Despite the sparkling source material ... this romp through Victorian parlors frequently falls flat on its rump."

In a Dream (2009)

"In a Dream captures a family imploding. Their lives are laid bare, in broken bits, like the ceramic that Isaiah uses for his art, and they come together in In a Dream with sadness and beauty, rage and insight."

In Bruges (2008)

"In the end, In Bruges is a bit arch and artificial, but it is more than redeemed by Farrell and Gleeson's presence, and by the bushwhacking wit of the film's writer/director."

In Her Shoes (2005)

"Imagine Sex and the City negotiating Terms of Endearment with The Golden Girls."

In Search of a Midnight Kiss (2008)

"What follows - walking, talking, flirting, fighting - is a charming piece of low-budget, improv-y filmmaking in the tradition of Richard Linklater's Before Sunrise."

In the Land of Women (2007)

"The film belongs to Brody, irritating and endearing and relatable in ways that actors rarely are."

In the Mood for Love (2001)

"A feast for the eyes and succor for the soul."

In the Shadow of the Moon (2007)

"In the Shadow of the Moon is, quite simply, a revelation."

The In-Laws (2003)

"Formulaic and unnecessary."

The Incredible Hulk (2008)

"Alas, The Incredible Hulk is no Iron Man, and a brief appearance by a devilishly goateed Tony Stark only serves to remind us of that fact."

The Independent (2001)

"Morty Fineman ... doesn't really exist. But the cheese whiz with a camera makes for a hilarious subject."