Tomato 3/4 |
Nacho Libre (2006) |
"The beautifully shot Nacho Libre presents its improbable hero -- doughy, boyish and speaking in a dubious accent -- as someone utterly confident of his abilities, and his place in the world." |
Steven Rea |
Tomato 3/4 |
Nancy Drew (2007) |
"What's not to like about a girl detective who is a good citizen and better student, a leader rather than a follower, a resourceful seamstress who won't cut her clothes to fit this year's fashions?" |
Carrie Rickey |
Splat 2/4 |
The Nanny Diaries (2007) |
"Satire should be knife-sharp and whip-smart, and The Nanny Diaries never is." |
Steven Rea |
Tomato 2.5/4 |
Nanny McPhee (2006) |
"This bracing adaptation of the Nurse Matilda books by Christianna Brand is the acidic antidote to Mary Poppins sweetness." |
Carrie Rickey |
Splat 2/4 |
Napoleon Dynamite (2004) |
"When the audience roared at Napoleon's almost spastic way of slicing the air with his limp-spaghetti arms, I cringed." |
Carrie Rickey |
Splat |
Naqoyqatsi (2002) |
"Reggio's trippy, ambitious downer can also sometimes come across like nothing more than a glorified Nike ad." |
Steven Rea |
Tomato 3/4 |
Narc (2002) |
"Deflated ending aside, there's much to recommend the film." |
Steven Rea |
Tomato 2.5/4 |
NASCAR: The Imax Experience (2004) |
"If the words 'Gentlemen, start your engines' set your heart pounding, this is the Imax experience for you." |
David Hiltbrand |
Splat 2/4 |
National Lampoon's Van Wilder (2002) |
"Unofficially, National Lampoon's Van Wilder is Son of Animal House. Officially, it is twice as bestial but half as funny." |
Carrie Rickey |
Tomato 2.5/4 |
National Treasure (2004) |
"Treasure may fall a notch below Pirates of the Caribbean on the pleasureometer, but it does give American history sex appeal and celebrates a guy who relies on brainware rather than gadgets." |
Carrie Rickey |
Splat 1.5/4 |
National Treasure 2 : Book of Secrets (2007) |
"A thumping, gabby slog." |
Steven Rea |
Tomato 3/4 |
The Nativity Story (2006) |
"Yes, there is something about Mary. Something inspiring. Something hopeful." |
Carrie Rickey |
Splat 2.5/4 |
Neil Young - Greendale (2004) |
"Young might have been thinking high-concept, but on the screen, Greendale devolves into overwrought 'save the planet for another day' screeds and Sunday-school homilies." |
Tom Moon |
Tomato 4/4 |
Neil Young - Heart of Gold (2006) |
"It's movie and music bliss." |
Carrie Rickey |
Splat 2/4 |
Never Again (2002) |
"A bad movie that happened to good actors." |
Carrie Rickey |
Splat 1.5/4 |
Never Die Alone (2004) |
"A hackneyed tale of vengeance set in the 'hood, teeming with stock characters, slo-mo gunplay, and rampant misogyny." |
Steven Rea |
Tomato 3/4 |
Never Forever (2008) |
"Never Forever has the steaminess of pulp and the stateliness of art." |
Steven Rea |
Splat .5/4 |
The New Guy (2002) |
"Every so often a movie comes along that confirms one's worse fears about civilization as we know it. The New Guy is one of them." |
Steven Rea |
Splat 2.5/4 |
New in Town (2009) |
"New in Town is so choppy that it would seem to have been edited with a pickax." |
Carrie Rickey |
Tomato 3.5/4 |
The New World (2005) |
"Like the best music, this film elicits emotions rather than manipulates them." |
Carrie Rickey |
Splat 1.5/4 |
New York Minute (2004) |
"Moldering glob of spun sugar." |
Carrie Rickey |
Tomato 3/4 |
New York, I Love You (2009) |
"The result is a dinner of appetizers that are individually tasty, if not completely satisfying." |
Carrie Rickey |
Tomato 3/4 |
Next (2007) |
"Cage is cool, quiet and a touch melancholy as Johnson -- carrying the burden of his gift with a brooding brow and a ready punch line." |
Steven Rea |
Tomato 3/4 |
Nick and Norah's Infinite Playlist (2008) |
"Nick and Norah springs high on the bounce of its hugely likable leads, Michael Cera and Kat Dennings." |
Carrie Rickey |
Tomato |
Nico and Dani (2001) |
"One of the better recent contributions to an over-crowded field." |
Desmond Ryan |
Splat C |
Night at the Museum (2006) |
"All attempts at non-effects storytelling fall completely flat." |
Gary Thompson |
Splat 2/4 |
Night at the Museum: Battle of the Smithsonian (2009) |
"A super-size rehash of the original." |
Steven Rea |
Tomato 3/4 |
Night Watch (2005) |
"Although it doesn't have Kate Beckinsale, her guns ablazin', vamped out in the latest vampire-slaying couture, Night Watch is vastly more fun than the similar-themed Underworld pics." |
Steven Rea |
Tomato 3/4 |
Nights in Rodanthe (2008) |
"Rodanthe is a reliably steamy stormy sultry story about Inner Change at the Outer Banks where strangers become intimates." |
Carrie Rickey |
Tomato 2.5/4 |
Nim's Island (2008) |
"Keep your shirts on, ladies. You don't need to rent a child to see this mildly diverting, if middling, adventure." |
Carrie Rickey |
Tomato 3/4 |
Nina's Tragedies (2005) |
"Engagingly odd and full of sad, funny moments." |
Steven Rea |
Splat 1/4 |
Nine Dead Gay Guys (2003) |
"It's mindless." |
Steven Rea |
Tomato 3.5/4 |
Nine Lives (2005) |
"[Garcia] leaves you thinking deeply about these people. And leaves you wanting more." |
Carrie Rickey |
Tomato 3.5/4 |
Nine Queens (2002) |
"Delicious deviousness, a tale of con men that successfully cons the audience." |
Carrie Rickey |
Tomato 3.5/4 |
No Country for Old Men (2007) |
"An eerily quiet, bracingly bloody, and expertly laid-out adaptation of the Cormac McCarthy novel." |
Steven Rea |
Tomato 3.5/4 |
No End in Sight (2007) |
"Lucid, concise and devastating." |
Carrie Rickey |
Tomato 3.5/4 |
No Impact Man (2009) |
"Like reality TV, there are moments of drama that have an aura of awkward self-consciousness about them and incidents that feel, if not staged, at the very least orchestrated, amped up. But you have to hand it to Beavan and Conlin." |
Steven Rea |
Tomato 3.5/4 |
No Man's Land (2001) |
"Tanovic's film is coil-sprung to explode on the unsuspecting." |
Carrie Rickey |
Splat 2.5/4 |
No Reservations (2007) |
"Alas, not even Eckhart and Breslin can get Zeta-Jones to simmer." |
Carrie Rickey |
Tomato 2.5/4 |
Nobel Son (2008) |
"Fans of Rickman will appreciate the actor's sneering mix of buffoonery and misanthropy, Steenburgen gives another of her playfully ironic turns, and Miller's direction allows for few, if any, lulls." |
Steven Rea |
Tomato 4/4 |
Nobody Knows (2005) |
"It's a quietly powerful work, pulsing with gentle humor and a gripping sense of imminent calamity and dread." |
Steven Rea |
Tomato 3/4 |
Noise (2008) |
"A tale of obsession and vigilantism cut with humor and a little Hegel, Henry Bean's Noise is a satisfyingly screwy New York story in which a successful businessman/family man jettisons all because he can't stand the cacophony on the street." |
Steven Rea |
Splat 2/4 |
Norbit (2007) |
"The question is not whether Murphy can do anything. He can. The question is why he would want to make a movie as squirmingly unfunny as Norbit." |
Carrie Rickey |
Tomato 3.5/4 |
North Country (2005) |
"What gives North Country urgency is that it's about how a man comes to understand that it's bad for him and for his community to deny his daughter privileges and prerogatives he'd grant his son." |
Carrie Rickey |
Splat 2/4 |
Not Another Teen Movie (2001) |
"For the most part NATM requires passing acquaintance with the source material." |
Carrie Rickey |
Splat 2.5/4 |
The Notebook (2004) |
"If it were a sandwich, it would be two slices of bread without filling. If it were a bridge, it would be two anchorages without a suspension in between. Nice anchorages, though." |
Carrie Rickey |
Tomato 3/4 |
Nothing Like the Holidays (2008) |
"If the conflicts feel warmed over and the resolutions obvious, the performances, particularly those of Rodriguez, Ferlito, Messing and Peņa, are so warm and winning that director Alfredo De Villa makes it a tasty entertainment." |
Carrie Rickey |
Tomato 2.5/4 |
Notorious (2009) |
"Notorious is an efficient biopic, and a celebratory exercise in nostalgia for hip-hop fans of a certain age." |
Dan DeLuca |
Tomato 2.5/4 |
The Notorious Bettie Page (2006) |
"Mol is a delight as the saucy brunette, a God-fearing innocent seemingly oblivious to the use of those lascivious pinup photographs for which she so cheerfully posed." |
Carrie Rickey |
Tomato 3/4 |
Notre Musique (2004) |
"Hardly a director alive possesses Godard's eye for dynamic, inner-lit old-masterly compositions." |
Carrie Rickey |