Splat 1.5/4 |
Games People Play: New York (2004) |
"Where real reality shows freak out about their contestants' murky pasts, this one openly exploits its damaged-goods participants." |
Peter Debruge |
- |
Gangs of New York (2002) |
Click here to see the review. |
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- |
Gangs of New York (2002) |
"After sets of old New York were built in Rome, the shoot went on to consume far more time and money than planned." |
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- |
Gangs of New York (2002) |
Click here to see the review. |
|
Tomato 4/4 |
Garden State (2004) |
"A seductive, genuine, and ultimately heartbreaking comedy." |
Peter Debruge |
- |
Gasoline (2001) |
Click here to see the review. |
|
Tomato 4/4 |
George A. Romero's Land of the Dead (2005) |
"The only summer movie that matters this year... Land of the Dead is Romero's long-awaited masterpiece..." |
Aaron Hillis |
Splat 1/4 |
Georgia Rule (2007) |
"If there was ever a film project that deserved sabotaging, this is it." |
Glenn Kenny |
Splat 1/4 |
Gerry (2003) |
"Van Sant fails to understand that when 'nothing' happens in the films of Tarr and Denis, it happens for a very good reason, not for a lack of anything better to do, as is the case here." |
Glenn Kenny |
Splat 1.5/4 |
Get Rich or Die Tryin' (2005) |
"This would-be blaxploitation blockbuster isn't about redemption through artistic expression or pursuing positive means to escape the fools' game; Get Rich ain't nuttin but bitches and money." |
Aaron Hillis |
Tomato |
Ghost Dog: The Way of the Samurai (1999) |
"Less a pastiche than a mastermix from a cinematic DJ at the height of his formalist powers, Ghost Dog is pretty ill -- but it's not evil." |
Glenn Kenny |
Tomato 4/5 |
Ghost in the Shell (1995) |
No article available. |
Aaron Hillis |
Tomato |
Ghost World (2001) |
"A tale of teen angst that manages to be artfully stark and uproariously funny at the same time." |
Glenn Kenny |
Tomato 3/4 |
Ghosts of the Abyss (2003) |
"Fascinating, haunting, and poignant 3-D IMAX documentary." |
Susannah Gora |
Splat 0/4 |
Gigli (2003) |
"Gigli rhymes with "really." As in "really bad," or "really offensive," or "really wish I’d remembered my gun so I could just shoot myself now and end the misery."" |
Laine Ewen |
Tomato 2.5/4 |
The Girl Next Door (2004) |
"With a more focused plotline, The Girl Next Door might have surpassed its genre. Still, as far as teen sex films go, this one scores." |
Laine Ewen |
Tomato 3/4 |
Girl with a Pearl Earring (2003) |
"A fine adaptation that perfectly captures the novel's quiet moodiness." |
Kelly Borgeson |
- |
Girl, Interrupted (1999) |
Click here to see the review. |
Glenn Kenny |
Tomato 4/4 |
Girlhood (2003) |
"It may be the least expected happy ending in years." |
Aaron Hillis |
Splat 1.5/4 |
Girls Will Be Girls (2003) |
"Even the acerbic wit slowly eats away at the story line until, at the end of the 82 minutes, there is little left but an acid-washed Lifetime movie." |
Laine Ewen |
- |
The Glass House (2001) |
"Hansel and Gretel gets a shiny new update in this thriller from TV vet and first-time feature director Daniel Sackheim." |
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- |
Glitter (2001) |
"A singer with dreams of hitting it big sends her demo to a deejay (Beesley), who loves it, plays it, and-naturally-turns her into a star, falling in love with her." |
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Tomato 3/4 |
God Grew Tired of Us (2007) |
"At the very least, it's a powerful film." |
Joey Chase |
Splat 1.5/4 |
Gods and Generals (2003) |
"Never manages anything like thrills and by the long-delayed end has turned into one big forced march." |
Kerrie Mitchell |
Splat 1.5/4 |
Godsend (2004) |
"Godsend overflows with missed opportunities, making barely half-assed attempts to explore the great dramatic implications of human duplication." |
Aaron Hillis |
Splat |
The Golden Bowl (2001) |
"One of James's juiciest scenarios, but barely anybody involved in this enterprise seems to have caught its groove." |
Glenn Kenny |
Splat 2/5 |
The Golden Compass (2007) |
"The Golden Compass ultimately fails as a film in its broad strokes and inadequate scene development." |
Deborah Day |
Tomato 4/5 |
The Golem (1920) |
No article available. |
Aaron Hillis |
Tomato 3.5/4 |
Good Bye, Lenin! (2004) |
"The illusion of a perfect East German state exists solely for one woman's benefit, the deception a charming display of just how far a son will go out of love for his mother." |
Peter Debruge |
Splat 2/4 |
The Good German (2006) |
"I hold Soderbergh in high esteem, but as handsome a technical achievement as it is, The Good German plays to me as a failed experiment." |
Glenn Kenny |
- |
The Good Girl (2002) |
Click here to see the review. |
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- |
Good Morning, Vietnam (1987) |
Click here to see the review. |
|
Tomato |
Good Night. And, Good Luck (2005) |
"Clooney has broken free of his second-rate Soderberghian style and come into his own as a solid directorial force." |
Aaron Hillis |
- |
The Good Thief (2003) |
Click here to see the review. |
|
Splat 2/4 |
A Good Year (2006) |
"Provence looks like a lovely place to visit and Mr. Scott deserves his rest now and then, but let's hope he gets back to darker work soon." |
Scott Warren |
Tomato 5/5 |
The Good, the Bad and the Ugly (1966) |
No article available. |
Aaron Hillis |
- |
Gosford Park (2001) |
"'It's not really a whodunit,' says Altman, who tells the tale from the servants' point of view. 'It's more like, who cares?'" |
|
Splat |
Gosford Park (2001) |
"Altman's fecklessness pretty much reduces the likes of Derek Jacobi and Alan Bates to bit players who haven't been given any bits." |
Glenn Kenny |
- |
Gothika (2003) |
Click here to see the review. |
|
Splat 2/4 |
Gothika (2003) |
"Deserves credit for embracing the ghost story genre so whole-heartedly, but as any ten-year-old girl can tell you, there's nothing original here to see." |
Laine Ewen |
- |
Grand Prix (1966) |
Click here to see the review. |
|
- |
Grease (1978) |
Click here to see the review. |
|
Tomato 2.5/4 |
The Great Debaters (2007) |
"It's terrifically acted, pretty much a given with this cast." |
Glenn Kenny |
Tomato 3/4 |
Gridiron Gang (2006) |
"But can The Rock pull off a dramatic role? Surprisingly, for the most part, the answer is yes, and the film is a success for it." |
Bartley Morrisroe |
Tomato 3.5/4 |
Grindhouse (2007) |
"Exploitation cinema is combustible stuff that only highly trained professionals should be permitted to play with." |
Glenn Kenny |
Tomato 4/4 |
The Ground Truth (2006) |
"This film, a raw howl of outrage and pain, is proudly one-sided, allowing a generation of wounded men and women to scream their betrayal." |
Sara Brady |
- |
The Grudge (2004) |
Click here to see the review. |
|
Tomato 2.5/4 |
The Guardian (2006) |
"Kevin Costner has spent the better part of two decades playing "just over the hill," and he's pretty much got it down pat." |
Scott Warren |
Splat 1.5/4 |
Guess Who (2005) |
"There are moments when it seems Kutcher might look right into the camera and say, 'Ready to see me walk right into another impossibly stupid faux pas?'" |
Kevin Allison |
Splat 2.5/4 |
A Guide to Recognizing Your Saints (2006) |
"For just about every bit that throbs convincingly with the pain of an open wound or the thrill of a newfound love, there's some arty or self-serving flourish that doesn't achieve Montiel's desired effect." |
Glenn Kenny |
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