D.O.A. (1949)

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Daddy Day Care (2003)

"Supporting players save "Daddy's" day in this pleasant, fitfully amusing family comedy which entertains despite an inconsistent script (Geoff Rodkey) and insipid direction"

Damn the Defiant! (1962)

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Dan in Real Life (2007)

"...a thoroughly contrived romantic comedy that is spiked into the end zone by its engaging cast and shambling production design."

Dancer in the Dark (1999)

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The Dancer Upstairs (2003)

"The screenplay [of "The Dancer Upstairs"] works more than it doesn't but there isn't the chemistry between the stars I would like to see."

Dangerous Beauty (1998)

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The Dangerous Lives of Altar Boys (2002)

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Dante's Peak (1997)

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Daredevil (2003)

"“Daredevil” is, first, for the fans of Stan Lee’s oeuvre and, then, for superhero comic fans everywhere."

Dark Blue (2003)

"David Ayer's ("Training Day") adaptation of a James Ellroy story is a more believable take on the 'corrupt older cop tries to seduce trainee partner' than the incredible twenty-four fireworks of "Training Day" and its thoroughly evil protagonist"

Dark City (1998)

"e of the most breathtakingly spectacular looking films to come down the pike in some time.."

The Dark Knight (2008)

"Director Christopher Nolan, who cowrote this dense, dark story with brother Jonathan, has taken the comic book super hero movie onto another plateau...Post 9/11 themes dominate..."

Dark Matter (2008)

"...an interesting study of Chinese students trying to assimilate into the American educational system that fails to lay the groundwork for its violent ending."

Dark Water (2005)

"The horror of this mostly horrorless movie consists of the title water gushing from every plumbing orifice available. It may be icky but it sure isn’t scary."

Darkness Falls (2003)

"Neophyte director Jonathan Liebesman tries to dredge up chills with loud noises and those unexpected black cats that jump out of total darkness...For a really scary Tooth Fairy, try Tom Noonan in Michael Mann's "Manhunter.""

Das Boot (1982)

"Captures, perfectly, the claustrophobia of U-boat life."

Dawn of the Dead (2004)

"2004's Dawn of the Dead delivers the entire package, gripping you by the throat before the opening credits have run and never letting go."

The Day After Tomorrow (2004)

"Emmerich builds his global disaster invigoratingly and the special effects team are to be commended, but the screenplay is a holey assemblage of cliche and borrowings"

The Day I Became A Woman (2001)

""The Day I Became a Woman" is a trio of fables which simply yet evocatively lay out the problems of being a woman in Iran."

A Day in the Country (1936)

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The Day of the Dolphin (1973)

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Day Watch (2007)

"Surprisingly, Day Watch ups the ante with preposterously entertaining plot lines and fewer mind blowing effects [than the first]."

Days and Clouds (2008)

"Soldini gets at all the nuances of a marriage of many years in crisis, and, without a typical 'happy' ending where all worries are neatly resolved, wraps with hopeful poetry..."

Days of Glory (2006)

"...demonstrates that films which aim to educate modern audiences about historical injustices will never have an expiration date."