Tomato 8/10 |
O Brother, Where Art Thou? (2000) |
"A solid middle effort with charm to spare." |
Laura Clifford |
Tomato 8/10 |
O Brother, Where Art Thou? (2000) |
"The high points outweigh the low ... with particular praise for the wonderful selection of period and traditional music." |
Robin Clifford |
Tomato B+ |
O'Horten (2009) |
"Despite one misstep and a telegraphed conclusion, "O'Horten" is an amusing peak into the Norwegian psyche...for a solitary man, Bård Owe makes Horten very good company indeed." |
Laura Clifford |
Tomato B+ |
O'Horten (2009) |
"You invest yourself in the central character and, when the story ends as you hoped with its positive and happy ending, it is with a satisfying sigh of contentment." |
Robin Clifford |
Tomato A- |
Oasis (2004) |
"Lee Chang-dong's miraculous love story is the find of the [59th Venice] festival!...a gritty, urban spin on John Cromwell's post-war classic, The Enchanted Cottage." |
Laura Clifford |
Tomato A- |
Oasis (2004) |
"Oasis is the kind of film that is a must for any serious film buff...and the adventurous movie-goer who isn’t afraid of a little challenge." |
Robin Clifford |
- |
The Object Of My Affection (1998) |
Click here to see the review. |
Robin Clifford |
Splat C |
Observe and Report (2009) |
"Like "Foot Fist," "Observe and Report" is about grating, dysfunctional males and the sluts they love and inappropriate behavior alone does not equal comedy." |
Laura Clifford |
Tomato B |
Ocean's Eleven (2001) |
"Clooney and Pitt have more onscreen chemistry than most celluloid lovers.
" |
Laura Clifford |
Tomato B |
Ocean's Eleven (2001) |
"It is all very slick and isn't the kind of flick that you'll watch again and again, but it is a lot of fun and reps a bit of light entertainment for the holidays." |
Robin Clifford |
Tomato B- |
Ocean's Thirteen (2007) |
"...an airy entertainment that has the smarts to add a second, unexpected swindle that is more satisfying than the main event." |
Laura Clifford |
Splat C |
Ocean's Twelve (2004) |
"...an insult. It's like making moviegoers pay for someone else's overseas frat party" |
Laura Clifford |
- |
October Sky (1999) |
Click here to see the review. |
Robin Clifford |
Tomato A- |
Off The Grid - Life on the Mesa (2008) |
"...the real deal, an unforgettable piece of Americana." |
Laura Clifford |
Tomato B+ |
Off the Map (2005) |
"...make[s] one marvel at the powerful emotions it has aroused with the momentum of its many small and simple moments...a unique film." |
Laura Clifford |
Tomato B+ |
Off the Map (2005) |
"[Campbell} Scott does a sound job in marshalling his intrepid cast and crew to tell the story of a very different kind of American family." |
Robin Clifford |
Tomato 3/5 |
Off The Menu: The Last Days of Chasen's (1997) |
No article available. |
Robin Clifford |
- |
Office Space (1999) |
Click here to see the review. |
Robin Clifford |
Tomato 3/5 |
An Officer and a Gentleman (1982) |
No article available. |
Robin Clifford |
Tomato A- |
Offshore (2009) |
"...we get a in depth look into Italian politics. But, you don't need to be familiar with that country's volatile recent years to enjoy a fine piece of filmmaking." |
Robin Clifford |
Tomato B |
Offside (2006) |
"If you like to see an inspirational sports film, with an amusing spin on the genre, then Offside is well worth the watch." |
Robin Clifford |
- |
Offside (2006) |
Click here to see the review. |
Robin Clifford |
Splat C |
The Oh in Ohio (2006) |
"One must endure an hour of...crude gags until the film mutates into something almost wonderful in its final third, rescued by unlikely romantic foil Danny DeVito" |
Laura Clifford |
Tomato B- |
The Oh in Ohio (2006) |
"The sexual nature of the film will attract the tweeny crowd but the summer/fall romance between Priscilla and Wayne is the real draw, thanks to [Danny] DeVito." |
Robin Clifford |
Tomato 3/5 |
Oh, God! (1977) |
No article available. |
Robin Clifford |
Splat F |
Old Dogs (2009) |
"...a morass of cliche, crotch shots and utter disregard for both logic and the audience. Walt Disney and poor Bernie Mac must be turning over in their graves." |
Laura Clifford |
Tomato B |
Old Joy (2006) |
"...there's something about the mood of this film that grows on one." |
Laura Clifford |
Tomato B- |
Old Joy (2006) |
"...[long] languid interludes are little more than pretty filler for a film that runs a mere 73 minutes..." |
Robin Clifford |
Tomato B+ |
Oldboy (2005) |
"has something for just about anyone who can watch a man eat a live octopus or extract another man's teeth with a hammer." |
Laura Clifford |
Tomato B- |
Oldboy (2005) |
"The overly constructed nature of the script smacks from too many hands messing with it" |
Robin Clifford |
Tomato B |
Oliver Twist (2005) |
"Polanski...gives "Oliver" two prominent twists which impart a 'there but for the grace of God go I' undercurrent...the specter of the noose hangs heavily over this production" |
Laura Clifford |
Tomato B+ |
Oliver Twist (2005) |
"Deft direction, solid acting and exemplary production make "Oliver Twist" a worthy telling of the classic story and are the resounding answer to my...question: why bother?" |
Robin Clifford |
Tomato 3/5 |
The Omega Man (1971) |
No article available. |
Robin Clifford |
Tomato B |
The Omen (2006) |
"...scarier and more unsettling the second time around." |
Laura Clifford |
Tomato B- |
The Omen (2006) |
"...this new rendition is aimed at a new audience and provides solid entertainment on the big screen." |
Robin Clifford |
Tomato C+ |
On A Clear Day (2006) |
"...despite their decided lack of Glaswegian accents, Dellal's cast is engaging enough to involve us in this waterlogged but well visualized tale.
" |
Laura Clifford |
Tomato B |
On Guard (1997) |
"classic cinema served up with heart and humor" |
Laura Clifford |
Tomato B |
On Guard (1997) |
"“On Guard!” won’t be placed in the pantheon of the best of the swashbucklers but it is a whole lot of fun and you get to see the one of the world’s best actors, Daniel Auteuil, have a whale of a good time." |
Robin Clifford |
Tomato 3/5 |
On the Beach (1959) |
No article available. |
Robin Clifford |
Tomato B |
On the Run (2002) |
"Of the three films, "On the Run" is the most successful as a standalone piece." |
Laura Clifford |
Tomato B |
On the Run (2002) |
"“On the Run,” rightly, leads “The Trilogy” with its gritty film noir thriller about revenge" |
Robin Clifford |
Tomato A- |
Once (2007) |
"...a unique twist on the musical with this affecting story of unrequited love between a couple who express their emotions through their song lyrics." |
Laura Clifford |
Tomato B |
Once (2007) |
"{Glen] Hassard and {Marketa] Irglova, newcomers to feature film, show both natural acting skills and terrific musical ability." |
Robin Clifford |
Tomato B- |
Once Upon a Time in Mexico (2003) |
"For all it's flash and dazzle "Once Upon a Time in Mexico" is too episodic and splintered, but a potential spinoff for Depp's blind assassin could be promising" |
Laura Clifford |
Tomato B |
Once Upon a Time in Mexico (2003) |
"[Robert Rodriguez] is a true jack-of-all-trades and puts his multiple talents to the test and succeeds, mostly, with “Once Upon a Time in Mexico.”" |
Robin Clifford |
Tomato 4/5 |
Once Upon a Time in the West (1969) |
No article available. |
Robin Clifford |
Tomato C+ |
The One (2001) |
"I got a kick out of the old-fashioned stunt work sprinkled with “Matrix” like action and wire-work a la “Crouching Tiger, Hidden Dragon.”" |
Robin Clifford |
Splat C |
One Hour Photo (2002) |
"the film never rises above a conventional, two dimension tale" |
Robin Clifford |
- |
One Tough Cop (1998) |
Click here to see the review. |
Robin Clifford |
Tomato B |
One True Thing (1998) |
"Streep, Zellweger, and Hurt are outstanding." |
Robin Clifford |
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