Rabbit-Proof Fence (2002)

"Stories of injustice have been told before, but rarely have they been told with such artistry. This is a film that lingers."

Race to Witch Mountain (2009)

"...a numbing, pedestrian outing. It looks cheesy too."

Rachel Getting Married (2008)

"A mature movie that will appeal to a mature audience."

Radio Days (1986)

No article available.

Rain (2002)

"a lyrically moody, poetically foreboding coming of age tale"

The Rainmaker (1997)

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Raising Victor Vargas (2003)

"Sollett's writing is strong, achieving his goal of innocence regained by the purity of first love and the hilariously misguided efforts of a well-meaning, immigrant grandmother."

Rambo (2008)

"Rambo is what it is and, like Rocky Balboa, does it with the spirit of its predecessors."

Ransom (1996)

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Rat (2001)

"While "Rat" offers some boisterous fun, in the end it doesn't add up to much more than paean to family values."

Ratatouille (2007)

"Remy discovers he can control Linguini's movements using his hair like a puppeteer's strings...And while that last idea never really works and proves the film's imaginative failing, Ratatouille has other ideas that do..."

Ravenous (1999)

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Re-Animator (1985)

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The Reader (2008)

"Scripter David Hare's adaptation is so beautifully crafted, it makes me want to read the book."

Real Genius (1985)

No article available.

Real Women Have Curves (2002)

"I’m not led down any new trails but I enjoyed the walk with “Real Women Have Curves,” anyway."

Recess: School's Out (2001)

"Right now, Recess: School's Out is the best film of 2001 that I have seen. I feel bad for us adults that are forced to deal with drivel like Valentine."

Reconstruction (2004)

"at once a thought-provoking puzzle and a revel in the sad beauty of the emotion called love"

The Recruit (2003)

"Even Al Pacino cannot save ["The Recruit"] from its mediocrity."

Red Cliff (2009)

"a historical epic featuring great characters, extremely clever tactical maneuvering, and scope, scope, scope..."

Red Dragon (2002)

"Even though the source material precedes the second Harris novel adaptation, the new film feels like a rehash of Jonathan Demme’s classic work."

Red Dusk (2003)

"I was less than thrilled with both the narrative and the design of “Red Dusk.”"

Red Eye (2005)

"[Wes Craven] should have stayed with what he knows best."

Red Road (2007)

"...a moody, gritty exploration of working class Glasgow that features terrific performances but suffers from an over reliance on misdirection and an underlying motivation which...doesn't sit quite right."

Reds (1981)

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