Tomato |
The Machinist (2004) |
"It is tortured and it’s consistently fascinating." |
Richard Roeper |
Tomato |
Mad Hot Ballroom (2005) |
"It’s kind of like the dance version of that documentary Rock School." |
Richard Roeper |
Tomato |
Mad Money (2008) |
"It’s better than I expected it to be." |
Richard Roeper |
Splat |
Madagascar (2005) |
"It paints itself into a very bizarre corner because at first, they are all friends and then all of a sudden they revert to being more like real animals. How do you do that and make it funny? Well, you don’t." |
Richard Roeper |
- |
Made (2001) |
Click here to see the review. |
|
Splat |
Made of Honor (2008) |
"[A] very very very tired and familiar love story." |
Richard Roeper |
Splat |
Madison (2005) |
"You’ve seen a movie that has the exact same scene after scene and the sport's just been different." |
Richard Roeper |
Tomato |
The Magdalene Sisters (2003) |
"I want people to give this movie a chance, it's one of the best movies of the year I think." |
Richard Roeper |
Tomato |
Maid in Manhattan (2002) |
"It's a charming romantic fantasy." |
Richard Roeper |
Tomato |
The Majestic (2001) |
"I thought it could have been a little tighter, but I am recommending it." |
Richard Roeper |
Splat |
Malibu's Most Wanted (2003) |
"Jamie Kennedy's B-Rad is based on a character from his TV show -- and as the centerpiece for a sketch, he's hilarious. But the B-Rad joke wears thin when stretched across a feature-length film." |
Richard Roeper |
Tomato |
Mamma Mia! (2008) |
"A lot of fun." |
Richard Roeper |
Splat |
The Man (2005) |
"So tired." |
Richard Roeper |
Splat |
A Man Apart (2003) |
"[I]t's well made, but we've seen all of this, so many times before." |
Richard Roeper |
Splat |
The Man from Elysian Fields (2002) |
"It does have wit and sophistication. What it doesn't have is plausibility, so I'm giving this movie thumbs down." |
Richard Roeper |
Tomato |
Man of the Year (2006) |
"A surprisingly complex and dark satire that skewers the media as well as the political process." |
Richard Roeper |
Tomato |
Man on Fire (2004) |
"I'm recommending Man on Fire for that bold style, its unapologetic comic book story arc, and the great performances from Denzel Washington, Christopher Walken and young Dakota Fanning." |
Richard Roeper |
Tomato |
Man on the Train (2003) |
"[A] beautiful and quirky fable that's part spaghetti Western, part French poem. It's an unlikely but lovely combination." |
Richard Roeper |
- |
The Man Who Cried (2001) |
Click here to see the review. |
|
Tomato |
The Man Without a Past (2003) |
"It's wonderfully refreshing." |
Richard Roeper |
Tomato |
The Manchurian Candidate (2004) |
"[A] wild ride that never, never commits the crime of being dull." |
Richard Roeper |
Tomato |
The Manchurian Candidate (2004) |
"... kudos to Jonathan Demme for doing something different and not just trying to duplicate that original classic." |
Richard Roeper |
Tomato |
Manic (2003) |
"[A]n unrelenting and insightful look at some deeply disturbed young people and their dedicated but frustrated counselor." |
Richard Roeper |
Splat |
March of the Penguins (2005) |
"This has the look and feel of a top-notch special on cable, but not a feature film. I can’t recommend that viewers spend nine or ten bucks on something that will play perfectly well eventually on TV." |
Richard Roeper |
Splat |
Margot at the Wedding (2007) |
"It just becomes dreary and repetitive." |
Richard Roeper |
Tomato |
Maria Full of Grace (2004) |
"... one of the best movies of the year." |
Richard Roeper |
Splat |
Marie Antoinette (2006) |
"It’s very pretty and occasionally amusing but also dreadfully dull for long, long stretches." |
Richard Roeper |
Splat |
Marilyn Hotchkiss' Ballroom Dancing and Charm School (2006) |
"Good performances, good actors. Kind of a terrible story." |
Richard Roeper |
Tomato |
Married Life (2008) |
"Cooper and Clarkson are sublime in creating a marriage still filled with tenderness, even as they lie to each other with breezy consistency." |
Richard Roeper |
Splat |
Martian Child (2007) |
"Everybody is very earnest, too earnest." |
Richard Roeper |
Splat |
Martin Lawrence Live - Runteldat (2002) |
"Richard Pryor mined his personal horrors and came up with a treasure chest of material, but Lawrence gives us mostly fool's gold." |
Richard Roeper |
Tomato |
Maryam (2002) |
"It's a very valuable film..." |
Richard Roeper |
Splat |
Masked and Anonymous (2003) |
"I haven't seen so many talented actors in such an utter mess since well, since Hotel. It's as if Fellini had a brain cramp and turned his camera over to a blind man." |
Richard Roeper |
Tomato |
Master and Commander: The Far Side of the World (2003) |
"Crowe's dominating presence and rough charms are put to great use here." |
Richard Roeper |
Splat |
The Master of Disguise (2002) |
"If The Master of Disguise had been a free cable movie -- well, I still wouldn’t have recommended it." |
Richard Roeper |
Tomato |
The Matador (2005) |
"[A] really, really strong film." |
Richard Roeper |
Tomato |
Match Point (2005) |
"Allen has crafted one of his strongest films in years." |
Richard Roeper |
Tomato |
Matchstick Men (2003) |
"... it's just a joy to see a film like this." |
Richard Roeper |
Tomato |
The Matrix Reloaded (2003) |
"In the face of almost unbearable expectations, the Wachowski brothers deliver a sequel that soars to places only hinted at in the original." |
Richard Roeper |
Tomato |
The Matrix Revolutions (2003) |
"There is visual poetry to that rain-soaked duel-but it's no more impressive than earlier battles between Smith and Neo. And that's kind of how I felt about much of Revolutions." |
Richard Roeper |
Tomato |
Max (2002) |
"Cusack's just brilliant in this." |
Richard Roeper |
- |
Max Keeble's Big Move (2001) |
Click here to see the review. |
|
Tomato |
Maxed Out: Hard Times, Easy Credit and the Era of Predatory Lenders (2007) |
"Maxed Out doesn’t really offer solutions, probably because there are none. But it does a great job of showing how the rich get richer and the poor foot the bill, plus interest." |
Richard Roeper |
Splat |
May (2003) |
"There was no moment when I was scared by this thing." |
Richard Roeper |
Splat |
Maze (2001) |
"[A] tangled, tortured mess." |
Richard Roeper |
Tomato |
Me and You and Everyone We Know (2005) |
"A wonderful film" |
Richard Roeper |
- |
Me Myself I (1999) |
Click here to see the review. |
|
Tomato |
Me Without You (2002) |
"Dark and painfully truthful." |
Richard Roeper |
- |
Me, Myself & Irene (2000) |
Click here to see the review. |
|
- |
Me, You, Them (2001) |
Click here to see the review. |
|
IGN RSS Feeds
